{"id":2519,"date":"2008-11-09T21:15:55","date_gmt":"2008-11-09T20:15:55","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/typisch-berlin\/"},"modified":"2023-12-18T08:48:14","modified_gmt":"2023-12-18T07:48:14","slug":"typisch-berlin","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/11\/typisch-berlin\/","title":{"rendered":"Typisch Berlin"},"content":{"rendered":"

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Selten so ein wundervolles Hotel sehen k\u00f6nnen. Mit allen Schikanen. Zimmer ohne Bad und WC, mit einem automatischen Klavier, \u00fcberhaupt sehr eigen. 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Vorbei an einem Hinweis zu einer Tattoo-Convention, bald ein Quality-Hotel rechterhand, dessen \u201eQuality\u201c eher zu ahnen als zu sehen ist. Eigentlich eher gar nicht, zu schnell geht es daran vorbei. Es wirkt von au\u00dfen wie ein Meisterwerk aus Grau in Grau \u2013 zumal an einem solchen grauen Tag. Dazwischen\u2026","rel":"","context":"In "die St\u00e4dte"","block_context":{"text":"die St\u00e4dte","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diestdte\/"},"img":{"alt_text":"Reinigung. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/bad.jpg?fit=1200%2C648&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/bad.jpg?fit=1200%2C648&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/bad.jpg?fit=1200%2C648&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/bad.jpg?fit=1200%2C648&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/bad.jpg?fit=1200%2C648&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8504,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/11\/vorbeifahrt-bayern-hof-selb\/","url_meta":{"origin":2519,"position":3},"title":"Vorbeifahrt \/ Bayern \/ Hof \/ Selb","author":"der huflaikhan","date":"23. November 2014","format":false,"excerpt":"Hof. Vorbei an einem Hinweis zu einer Tattoo-Convention, bald ein Quality-Hotel rechterhand, dessen \u201eQuality\u201c eher zu ahnen als zu sehen ist. Eigentlich eher gar nicht, zu schnell geht es daran vorbei. Es wirkt von au\u00dfen wie ein Meisterwerk aus Grau in Grau \u2013 zumal an einem solchen grauen Tag. Dazwischen\u2026","rel":"","context":"In "Zettelkasten"","block_context":{"text":"Zettelkasten","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/zettelkasten\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2484,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/09\/offene-kunst-verdampft-sich-durch-ihre-neugewonnene-bratwurstigkeit\/","url_meta":{"origin":2519,"position":4},"title":"Offene Kunst verdampft an sich durch ihre neugewonnene Bratwurstigkeit","author":"huflaikhan","date":"2. September 2008","format":false,"excerpt":"Zur Oper f\u00fcr alle in Berlin macht sich Uehling einige Gedanken, denen ich in fast allen Punkten zustimmen kann. Sein Kernsatz: F\u00fcr die Kultur sind solche abgespeckten Vermittlungsformen am Ende ruin\u00f6ser als geringere Saal-Auslastungen, und man meint die Folgen schon am Drum und Dran des Konzerts ablesen zu k\u00f6nnen. (Quelle:\u2026","rel":"","context":"In "die Musik"","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3658,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/02\/berliner-u-bahn-adorno\/","url_meta":{"origin":2519,"position":5},"title":"Berliner U-Bahn: Adorno","author":"huflaikhan","date":"12. Februar 2017","format":false,"excerpt":"Auf dem Weg zu einer Geburtstagsfeier neulich Donnerstag am fr\u00fchen Abend in der U-Bahn. Informationen einholen \u00fcber die Bildschirme mit dem Berliner Fenster. Dann auf dem rechten Bildschirm dies: Kunst will das, was noch nicht war, doch alles, was sie ist, war schon. Adorno Bis man es recht begriffen hat\u2026","rel":"","context":"In "Angriff auf \u2026"","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Heine auch in Berlin. 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