{"id":2524,"date":"2008-11-18T07:26:22","date_gmt":"2008-11-18T06:26:22","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/improvisationskunst\/"},"modified":"2023-12-18T08:48:14","modified_gmt":"2023-12-18T07:48:14","slug":"improvisationskunst","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/11\/improvisationskunst\/","title":{"rendered":"Improvisationskunst"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Improvisationskunst https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F11%2Fimprovisationskunst%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Es gibt da genug Exemplare der Menschheit, die dann in einen unglaublichen Stursinn verfallen. Die dr\u00fccken so lange auf den Knopf, bis er eben trotzdem nicht funktioniert. Und dann?<br \/>\n<!--more--><\/p>\n<p>Es gibt da genug Exemplare der Menschheit, die dann in einen unglaublichen Stursinn verfallen. Die dr\u00fccken so lange auf den Knopf, bis er eben trotzdem nicht funktioniert. Und dann? Dann wird nochmal darauf gedr\u00fcckt.<\/p>\n<p>Dem nah verwandt sind diejenigen, wenn es nicht sogar dieselben sind, die zweifellos sich mit dem Gegenstand des Ungen\u00fcgens nur oberfl\u00e4chlich auseinander gesetzt haben. Man sieht es dann beim Kochen, wo man alles so ungef\u00e4hr machen will und alles im Gef\u00fchl zu haben glaubt. Oder beim Einrichten irgendwelcher bl\u00f6der Accounts f\u00fcr Irgendwas &#8211; der ber\u00fcchtigte Outlook-Express-Idiot. Das muss doch gehen. Bei allen anderen geht es doch aus. Niemand liest Gebrauchsanweisungen, niemand bittet das Programm um Hilfestellung.<\/p>\n<p>Es sind dies zwei Seiten der gleichen Medaille. Was mich nur wundert, ist, dass dies Ph\u00e4nomen eines ist, was selbst sich zum Gegenstand hat. Man l\u00e4uft dann nicht einmal gegen die Wand, sondern zweimal, schlimmstenfalls immer.<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Improvisationskunst https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F11%2Fimprovisationskunst%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Improvisationskunst https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F11%2Fimprovisationskunst%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Die dr\u00fccken so lange auf den Knopf, bis er eben trotzdem nicht funktioniert. 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This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Improvisationskunst - Kritische Masse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2008\/11\/improvisationskunst\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Improvisationskunst - Kritische Masse\" \/>\n<meta property=\"og:description\" content=\"Es gibt da genug Exemplare der Menschheit, die dann in einen unglaublichen Stursinn verfallen. 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Sie versucht auf allen Kan\u00e4len eine Politik unter Zugzwang zu setzen, die daf\u00fcr jedoch nur in minderem Ma\u00dfe \u00fcberhaupt die Ansprechpartnerin ist. J\u00fcngst hat der Deutsche B\u00fchnenverein einen Brief an die Bundeskanzlerin adressiert (bei Antworten bitte Aktenzeichen angeben \u2013 habe ich mir nicht\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"Ein schwarzes Quadrat vor grauem Hintergrund. 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