{"id":2541,"date":"2008-12-09T12:43:16","date_gmt":"2008-12-09T11:43:16","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/musik-beruehrt\/"},"modified":"2023-12-18T08:48:14","modified_gmt":"2023-12-18T07:48:14","slug":"musik-beruehrt","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/12\/musik-beruehrt\/","title":{"rendered":"Musik ber\u00fchrt"},"content":{"rendered":"<p><a href=\"\/fotobuch\/hufi\/menschen\/musiker\/manz1.jpg.html\"><img decoding=\"async\" style=\"float: right;\" src=\"\/fotobuch\/d\/3160-2\/manz1.jpg\" alt=\"manz1.jpg\" \/><\/a>Es gibt schon sehr erstaunliche Musiker. In der letzten Ausgabe von <a href=\"http:\/\/www.nmz.de\/taktlos\/\" target=\"_blank\" rel=\"noopener\">taktlos<\/a> (was bekanntlich das musikmagazin des bayerischen rundfunks und der neuen musikzeitung ist) war der noch an sich ganz junge <a href=\"http:\/\/www.sebastianmanz.com\/\" target=\"_blank\" rel=\"noopener\">Sebastian Manz<\/a> mit seinem Vater zu Gast. Au\u00dfer der seinem ohnedies sympathischen Auftreten, spielte er auch Musik. Wie die das erste St\u00fcck aus Schumanns Fantasiest\u00fccken op. 73 (Zart und mit Ausdruck). Da passierte etwas, was mir ganz lange schon nicht mehr in dieser Form passiert ist: Die Musik hat mich ber\u00fchrt.<br \/>\n<!--more--><\/p>\n<p><a href=\"\/fotobuch\/hufi\/menschen\/musiker\/manz1.jpg.html\"><img decoding=\"async\" style=\"float: right;\" src=\"\/fotobuch\/d\/3160-2\/manz1.jpg\" alt=\"manz1.jpg\" \/><\/a>Es gibt schon sehr erstaunliche Musiker. In der letzten Ausgabe von <a href=\"http:\/\/www.nmz.de\/taktlos\/\" target=\"_blank\" rel=\"noopener\">taktlos<\/a> (was bekanntlich das musikmagazin des bayerischen rundfunks und der neuen musikzeitung ist) war der noch an sich ganz junge <a href=\"http:\/\/www.sebastianmanz.com\/\" target=\"_blank\" rel=\"noopener\">Sebastian Manz<\/a> mit seinem Vater zu Gast. Au\u00dfer der seinem ohnedies sympathischen Auftreten, spielte er auch Musik. Wie die das erste St\u00fcck aus Schumanns Fantasiest\u00fccken op. 73 (Zart und mit Ausdruck). Da passierte etwas, was mir ganz lange schon nicht mehr in dieser Form passiert ist: Die Musik hat mich ber\u00fchrt. Eine ganz eigenartige Beziehung hat sich da aufgebaut, zwischen den T\u00f6nen und mir. Das St\u00fcck war so wunderbar klingend wie ich es noch nie zuvor geh\u00f6rt hatte. Ein ganz fantastischer Musiker, dieser Sebastian Manz.<\/p>\n<p>Ansonsten war die Sendung so gut und mau wie es eben ging. &#8220;<a href=\"http:\/\/www.nmz.de\/taktlos\/2008\/takt129.shtml\" target=\"_blank\" rel=\"noopener\">Bildungspolitik ohne Musik<\/a>&#8221; war das Thema zu dem auch ich meine \u00fcblichen Auslassungen loswerden durfte und musste. Kann man auch nachh\u00f6ren, wurde aber von unserem Regisseur gesprochen, da ich terminlich nicht konnte &#8212; mal abgesehen davon, dass ich auch nicht der gr\u00f6\u00dfte Sprecherhansel bin.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musik%20ber%C3%BChrt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F12%2Fmusik-beruehrt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Musik%20ber%C3%BChrt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F12%2Fmusik-beruehrt%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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In der letzten Ausgabe von taktlos (was bekanntlich das musikmagazin des bayerischen rundfunks und der neuen musikzeitung ist) war der noch an sich ganz junge Sebastian Manz mit seinem Vater zu Gast. Au\u00dfer der seinem ohnedies sympathischen Auftreten, spielte er auch Musik. Wie die das erste St\u00fcck aus Schumanns [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Musik%20ber%C3%BChrt https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2008%2F12%2Fmusik-beruehrt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1268,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/06\/100-jahre-musikbibliothek-muenchen\/","url_meta":{"origin":2541,"position":0},"title":"100 Jahre Musikbibliothek M\u00fcnchen","author":"huflaikhan","date":"8. Juni 2005","format":false,"excerpt":"taktlos. Das Musikmagazin der neuen musikzeitung und des Bayerischen Rundfunks Ausgabe 90 - 100 Jahre Musikbibliothek M\u00fcnchen [jetzt online] 8.6.2005 \/ Bayern2Radio, 21:30 bis 22:30 Uhr Live aus der Musikbibliothek M\u00fcnchen Der Trugschluss: Welke Notenbl\u00e4tter, verstaubte Folianten, finstre Kammern, schrullige Kunden. Musikbibliotheken stehen nicht gerade im Ruf extremen Innovationspotentials. Die\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10880,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/05\/das-ist-taktlos-herr-b\/","url_meta":{"origin":2541,"position":1},"title":"\u00abdas ist taktlos\u00bb, Herr B.","author":"der huflaikhan","date":"7. Mai 2025","format":false,"excerpt":"Verfemte Musik - Antonio Salieri - Jugend musiziert in der Kritik - das ist taktlos, Herr Br\u00fcggemann - Alban Bergs Violinkonzert im L\u00fccker-Interpret:innen-Test \u2013 Ein bunter Strau\u00df im Musikleben","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"taktlos169 \u2013 mit der nmz","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/05\/taktlos169-breit.png?fit=600%2C400&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/05\/taktlos169-breit.png?fit=600%2C400&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/05\/taktlos169-breit.png?fit=600%2C400&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":725,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/08\/ankuendigung-taktlos-80-gut-schoen-radikal-trikont\/","url_meta":{"origin":2541,"position":2},"title":"Ank\u00fcndigung taktlos 80, Gut, sch\u00f6n, radikal: Trikont","author":"huflaikhan","date":"31. August 2004","format":false,"excerpt":"Seit gut 25 Jahren f\u00fchlt sich der M\u00fcnchner Trikont-Verlag dem Sch\u00f6nen, Guten und Radikalen in der Musik verpflichtet. Hans S\u00f6llner, Georg Ringsgwandl oder \u0084Attwenger\u0093 haben beim Giesinger Independent Heimat gefunden. Grund genug f\u00fcr taktlos, das Musikmagazin des Bayerischen Rundfunks und der nmz, Verlag und Label einen versp\u00e4teten Geburtstagsbesuch abzustatten: Seit\u2026","rel":"","context":"In &quot;den Rundfunk&quot;","block_context":{"text":"den Rundfunk","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/denrundfunk\/"},"img":{"alt_text":"taktlos","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/08\/20040831-titel.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8614,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/11\/das-ende-eines-musikpolitischen-musikmagazins\/","url_meta":{"origin":2541,"position":3},"title":"Das Ende eines musikpolitischen Musikmagazins","author":"der huflaikhan","date":"9. November 2015","format":false,"excerpt":"und die Zukunft des \u00f6ffentlich-rechtlichen Internets Rundfunks. Ende des Jahres geht bei taktlos ja das Licht aus, nach 18 Jahren und \u00fcber 180 Sendungen, alle mit Theo Gei\u00dfler in der Moderation, der nie erkrankt oder unp\u00e4sslich eine Sendung zu moderieren vers\u00e4umte. Die Sendung, so wie wir sie kannten, wird dann\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1409,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/09\/radio-tip-kini-contra-kini\/","url_meta":{"origin":2541,"position":4},"title":"Radio-Tip: Kini contra Kini","author":"huflaikhan","date":"6. September 2005","format":false,"excerpt":"In der Reihe \u201etaktlos. das musikmagazin des bayerischen rundfunks und der neuen musikzeitung\u201c geht es heute abend (7.9.2005) um den \u201eKini\u201c, nicht wahr. 21:30 bis 22:30, Bayern2Radio on air, Satellit und per Internet-Stream. In der Reihe \u201etaktlos. das musikmagazin des bayerischen rundfunks und der neuen musikzeitung\u201c geht es heute abend\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/09\/radio-tip-kini-contra-kini\/#comments"},"img":{"alt_text":"Kampf der Froschk\u00f6nige","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/09\/20050906-titel.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":322,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/taktlos-74-noten-noeten-die-zukunft-der-musikverlage\/","url_meta":{"origin":2541,"position":5},"title":"taktlos &#8211; # 74 Noten in N\u00f6ten &#8211; Die Zukunft der Musikverlage","author":"huflaikhan","date":"5. Februar 2004","format":false,"excerpt":"Noten in N\u00f6ten hei\u00dft die aktuelle Ausgabe von taktlos, dem musikmagazin der neuen musikzeitung und des bayerischen rundfunks. Eine sehr lebendige Sendung mit Daniela Zimmer (Musikalienh\u00e4ndlerin), Tobias PM Schneid (Komponist), Reinhard Flender (Peer Musik Verlag) und Wolf-Dieter Seiffert (Henle Verlag M\u00fcnchen). Ich kann - obwohl beteiligt (dazu sp\u00e4ter) - das\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2541"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2541\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2541"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2541"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}