{"id":2576,"date":"2009-01-26T10:37:06","date_gmt":"2009-01-26T09:37:06","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/der-finanzkrisensong-wenn-aktienkurse-musik-werden\/"},"modified":"2023-12-18T08:48:13","modified_gmt":"2023-12-18T07:48:13","slug":"der-finanzkrisensong-wenn-aktienkurse-musik-werden","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/01\/der-finanzkrisensong-wenn-aktienkurse-musik-werden\/","title":{"rendered":"Der Finanzkrisensong &#8211; Wenn Aktienkurse Musik werden"},"content":{"rendered":"<p><a href=\"http:\/\/www.nmz.de\/online\/der-finanzkrisensong-wenn-aktienkurse-musik-werden\" target=\"_blank\" rel=\"noopener\">Der Finanzkrisensong &#8211; Wenn Aktienkurse Musik werden<\/a> &#8211; <em>Jede Zeit hat ihre Musik. Fast ist man geneigt, den Komponisten Johannes Kreidler als composer in webpresence der nmz zu adoptieren. Nach seinem Sampling-St\u00fcck <em>Product Placement<\/em> und seinem St\u00fcck <em>Call Wolfgang<\/em> geht es in seinem neuesten Werk um die Finanzkrise: <em>Chart Music<\/em>. Er nennt es selbst <em>Der Billion-Dollar-Song zur Finanzkrise, ein vorfinanzierter H\u00f6rsturz<\/em>.<\/p>\n<p><a href=\"http:\/\/www.nmz.de\/online\/der-finanzkrisensong-wenn-aktienkurse-musik-werden\" target=\"_blank\" rel=\"noopener\">Weiterlesen<\/a><\/p>\n<p><\/em><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Der%20Finanzkrisensong%20%E2%80%93%20Wenn%20Aktienkurse%20Musik%20werden https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F01%2Fder-finanzkrisensong-wenn-aktienkurse-musik-werden%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Der%20Finanzkrisensong%20%E2%80%93%20Wenn%20Aktienkurse%20Musik%20werden https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F01%2Fder-finanzkrisensong-wenn-aktienkurse-musik-werden%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Fast ist man geneigt, den Komponisten Johannes Kreidler als composer in webpresence der nmz zu adoptieren. Nach seinem Sampling-St\u00fcck Product Placement und seinem St\u00fcck Call Wolfgang geht es in seinem neuesten Werk um die Finanzkrise: Chart Music. Er nennt es selbst Der [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Der%20Finanzkrisensong%20%E2%80%93%20Wenn%20Aktienkurse%20Musik%20werden https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F01%2Fder-finanzkrisensong-wenn-aktienkurse-musik-werden%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" 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August 2014","format":false,"excerpt":"Als wir uns zur Berichterstattung \u00fcber den Reinhard-Schulz-Preis f\u00fcr zeitgen\u00f6ssische Musikpublizistik nach Darmstadt begeben hatten, konnten wir noch nicht ahnen, wessen Geistes diese Veranstaltung sein sollte. Ein Blick in Johannes Kreidlers \u201eBlog\u201c h\u00e4tte unmittelbar Aufschluss geben k\u00f6nnen. Kreidler \u00fcberall. Da hilft nur Photoshop. Hier die Original-Bilder von der Veranstaltung. \u00a0","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2537,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/12\/foto-auch\/","url_meta":{"origin":2576,"position":1},"title":"Foto auch","author":"huflaikhan","date":"2. Dezember 2008","format":false,"excerpt":"Gerade ist mir etwas nach Foto. Denn es gibt ein Monochrom-Blog jetzt. Der Typ ist echt ne Marke! Darum also ein paar Fotos zur Finanzkrise: Dresdner Bank (1993) Deutsche Bank (2006) Palast der Republik (2006) Gerade ist mir etwas nach Foto. Denn es gibt ein Monochrom-Blog jetzt. Der Typ ist\u2026","rel":"","context":"In \"Blogging\"","block_context":{"text":"Blogging","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/blogging\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3209,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/02\/was-heute-noch-essbar-i-t\/","url_meta":{"origin":2576,"position":2},"title":"Was heute noch essbar i\u00dft","author":"huflaikhan","date":"25. Februar 2013","format":false,"excerpt":"Ich hatte diese Foto schon einmal im Blog verwendet. Aber da erinnert sich eh niemand mehr dran. Also, was kann man noch essen: Champigongs Die Musik scheint ja noch nicht so total betroffen zu sein von derlei Skandalen. Man denke sich nur, es k\u00e4me heraus, dass Kurtags Musik in Wirklichkeit\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Gef\u00fcllte Gongs. 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September 2016","format":false,"excerpt":"Aus einem Ratgeber f\u00fcr Musikkritikerinnen anno 2016. Nichtglossenleser d\u00fcrfen weiterklicken. \"Ein Musikwissenschaftsstudent meint sich erdreisten zu k\u00f6nnen, in einer \u00f6ffentlichen Mini-Wortmeldung ein St\u00fcck von mir eben mal runterbuttern zu k\u00f6nnen. Steigt aufs ganz hohe Ross, \u00fcbersetzt aber 2 von 3 W\u00f6rtern des englischen Titels falsch, behauptet ohne jegliche journalistische Recherche,\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8665,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/06\/phishing-for-composition\/","url_meta":{"origin":2576,"position":4},"title":"Phishing for composition","author":"der huflaikhan","date":"10. Juni 2016","format":false,"excerpt":"Der Komponist Johannes Kreidler hat auf Facebook auf einen dreisten Fall von Erschleichung kompositorischer Arbeit hingewiesen \u2013 echt jetzt, kein Scherz. Da hat jemand eine kompositorische Arbeit in Auftrag gegeben, Honorar vereinbart und Vertrag geschickt. Und hat sich nach Ablieferung der Arbeit dann in Luft aufgel\u00f6st. Kreidler machte darauf aufmerksam\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8484,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/10\/der-skandal-geht-auf-leisen-sohlen\/","url_meta":{"origin":2576,"position":5},"title":"Der Skandal geht auf leisen Sohlen","author":"der huflaikhan","date":"20. Oktober 2014","format":false,"excerpt":"Man kann das Ungl\u00fcck nicht herausfordern. Das Ungl\u00fcck kommt \u00fcber einen, f\u00e4llt auf einen zu. Egal, ob das Ungl\u00fcck von langer Hand geplant ist oder Folge eines schleichenden Prozesses ist, der sich durch die Glieder frisst. Beide Methoden habe ihr Recht, bzw. ihr Unrecht. Dran glauben m\u00fcssen dann die Institutionen,\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"Protest gegen die Orchesterfusion in Donaueschingen am letzten Tag. 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