{"id":2605,"date":"2009-05-06T17:39:55","date_gmt":"2009-05-06T16:39:55","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/das-ende-ist-der-anfang\/"},"modified":"2023-12-18T08:48:13","modified_gmt":"2023-12-18T07:48:13","slug":"das-ende-ist-der-anfang","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/05\/das-ende-ist-der-anfang\/","title":{"rendered":"Das Ende ist der Anfang"},"content":{"rendered":"<p><a href=\"http:\/\/blogs.nmz.de\/badblog\/2009\/05\/02\/das-ende-ist-der-anfang\/\" target=\"_blank\" rel=\"noopener\">Das Ende ist der Anfang<\/a> &#8211; <em>Moritz Eggert stellt den neuen &#8220;Bad Blog of Musick&#8221; und seine zwei Mitstreiter vor. Ein Anfang ist gemacht &#8211; jetzt seid ihr dran!<\/em> [<a href=\"http:\/\/blogs.nmz.de\/badblog\" target=\"_blank\" rel=\"noopener\">Bad Blog Of Musick<\/a>]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Das%20Ende%20ist%20der%20Anfang https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F05%2Fdas-ende-ist-der-anfang%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Das%20Ende%20ist%20der%20Anfang https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F05%2Fdas-ende-ist-der-anfang%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Ein Anfang ist gemacht &#8211; jetzt seid ihr dran! [Bad Blog Of Musick]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Das%20Ende%20ist%20der%20Anfang https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F05%2Fdas-ende-ist-der-anfang%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 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Februar 2024","format":false,"excerpt":"+++ Rahmenbruchgefahr (Babboe) +++ Musikh\u00f6ren (Yoran) +++ \u00dcber Verf\u00fchrbarkeit (Altpapier) +++ Kulturradio (L\u00fccker) +++ 16. Februar (Wikipedia) +++ Weiter\u00fcben (Ich) +++ Grauzonenanalyse mit Mathis Ubben +++","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Fund in Brandenburg. 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Warum verschwinden dagegen nicht die Sorgen. Warum bleibt die Wut und die Verzweiflung? +++ Kulturfunk-Abbau statt Auferstehung und Zuversicht +++","rel":"","context":"In &quot;Privates&quot;","block_context":{"text":"Privates","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/privates\/"},"img":{"alt_text":"03 27 Auf den Schenkenhorster Rieselfeldern. Foto \u00a9 MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_27_Auf-den-Schenkenhorster-Rieselfeldern.-Foto-%C2%A9-MH-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_27_Auf-den-Schenkenhorster-Rieselfeldern.-Foto-%C2%A9-MH-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_27_Auf-den-Schenkenhorster-Rieselfeldern.-Foto-%C2%A9-MH-scaled.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_27_Auf-den-Schenkenhorster-Rieselfeldern.-Foto-%C2%A9-MH-scaled.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_27_Auf-den-Schenkenhorster-Rieselfeldern.-Foto-%C2%A9-MH-scaled.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2617,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/08\/tieferblickend\/","url_meta":{"origin":2605,"position":2},"title":"Tieferblickend","author":"huflaikhan","date":"31. 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September 2017","format":false,"excerpt":"Die Gesellschaft zur Verteidigung der Sprache Adornos hat nun endlich zu einer Reaktion auf Arno L\u00fcckers Text zu Adorno im Bad Blog Of Musick herablassen k\u00f6nnen sich. So nicht, Arno. Mehr ist dazu nicht zu sagen.","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Arno L\u00fccker in einfacher Sprache.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/luecker2-1024x322.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/luecker2-1024x322.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/luecker2-1024x322.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/luecker2-1024x322.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2882,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/05\/russendisko-der-musikszene\/","url_meta":{"origin":2605,"position":4},"title":"Russendisko in der Musikszene","author":"huflaikhan","date":"26. 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