{"id":2612,"date":"2009-06-20T07:04:48","date_gmt":"2009-06-20T06:04:48","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/popkomm-auf-verschiebebahnhof-hat-sich-die-musikindustrie-verpoppt\/"},"modified":"2023-12-18T08:48:13","modified_gmt":"2023-12-18T07:48:13","slug":"popkomm-auf-verschiebebahnhof-hat-sich-die-musikindustrie-verpoppt","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/06\/popkomm-auf-verschiebebahnhof-hat-sich-die-musikindustrie-verpoppt\/","title":{"rendered":"Popkomm auf Verschiebebahnhof: Hat sich die Musikindustrie verpoppt?"},"content":{"rendered":"<p><em>Mit normaler Lebenslogik ist dem nicht beizukommen. Dieser Titel tr\u00e4gt in der Tat dialektische Z\u00fcge. \u201eDeutsche Bahn bekennt sich zum Personalverkehr \u2013 Weitere 30 Strecken werden stillgelegt\u201c oder \u00c4hnliches.<\/em><\/p>\n<p><a href=\"http:\/\/www.nmz.de\/online\/popkomm-auf-verschiebebahnhof-hat-sich-die-musikindustrie-verpoppt\" target=\"_blank\" rel=\"noopener\">Weiterlesen<\/a>&nbsp;<span style=\"font-style: normal;\">[<a href=\"http:\/\/www.nmz.de\/hufis_hinweise\" target=\"_blank\" rel=\"noopener\">Hufi unterwegs<\/a>]<\/span><\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Popkomm%20auf%20Verschiebebahnhof%3A%20Hat%20sich%20die%20Musikindustrie%20verpoppt%3F https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F06%2Fpopkomm-auf-verschiebebahnhof-hat-sich-die-musikindustrie-verpoppt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Dieser Titel tr\u00e4gt in der Tat dialektische Z\u00fcge. \u201eDeutsche Bahn bekennt sich zum Personalverkehr \u2013 Weitere 30 Strecken werden stillgelegt\u201c oder \u00c4hnliches. Weiterlesen&nbsp;[Hufi unterwegs] &nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Popkomm%20auf%20Verschiebebahnhof%3A%20Hat%20sich%20die%20Musikindustrie%20verpoppt%3F https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F06%2Fpopkomm-auf-verschiebebahnhof-hat-sich-die-musikindustrie-verpoppt%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient 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Februar 2024","format":false,"excerpt":"Der Fonds experimentelles Musiktheater sieht sich K\u00fcrzungsvorhaben gegen\u00fcber und bat daher um Statements, die die Bedeutung des FexM aufzeigen. Johannes Kreidler auf Kulturtechno: Der Fonds experimentelles Musiktheater leistet etwas \u2013 leider! \u2013 Einmaliges in Deutschland, er installiert systematisch neue Musiktheaterwerke an den B\u00fchnen des Landes. Eine wunderbare Idee. (Wer kam\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Auf der Autobahn 2021. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_12_autobahn_02.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8689,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/08\/organisierte-musikalitaet\/","url_meta":{"origin":2612,"position":1},"title":"Enzyklop\u00e4die der Kritischen Masse: Organisierte Musikalit\u00e4t","author":"der huflaikhan","date":"18. August 2016","format":false,"excerpt":"Wir m\u00fcssen \u00fcber ein ernsthaftes Problem sprechen. Vor einiger Zeit knallte ein Artikel aus der WELT auf den Screen: Die nervige Invasion der talentfreien Stra\u00dfenmusiker. Darin steht zum Beispiel: \u201eBetteln mit Instrumenten\u201c, nennt J\u00fcrgen Wolf, City-Manager in Dresden, das Ph\u00e4nomen. Dahinter vermutet der Stadtentwickler \u201eorganisierte Strukturen, die extern gesteuert werden\u201c.\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/8UVG4GLcKQg\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":380,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/03\/zwangsbeschallert\/","url_meta":{"origin":2612,"position":2},"title":"Zwangsbeschallert","author":"huflaikhan","date":"11. M\u00e4rz 2004","format":false,"excerpt":"Musik kann schon ein richtiger Weichmacher sein. Blinde werden sehend, Taube h\u00f6rend und Menschen brav, vor allem aber Letzteres. Da werben die auf der Abschussliste des Berliner Senats stehenden Berliner Symphoniker in U-Bahnen mit dem Slogan \u0084Kinder, die musizieren, kommen nicht auf dumme Gedanken\u0093 (wie zum Beispiel in einen Gurkentransporter\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8362,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/06\/popkomm-auf-verschiebebahnhof-hat-sich-die-musikindustrie-verpoppt-2\/","url_meta":{"origin":2612,"position":3},"title":"Popkomm auf Verschiebebahnhof: Hat sich die Musikindustrie verpoppt?","author":"der huflaikhan","date":"19. Juni 2009","format":false,"excerpt":"Es gibt Pressemeldungen, bei denen man zun\u00e4chst ungl\u00e4ubig stutzt, sich danach an die Nase fasst, noch einmal liest und dann die H\u00e4nde \u00fcber dem Kopf zusammenschl\u00e4gt: \u201eMusikindustrie bekennt sich zur Popkomm \u2013 Branchentreff wird um ein Jahr verschoben\u201c hei\u00dft es da. Mit normaler Lebenslogik ist dem nicht beizukommen. Dieser Titel\u2026","rel":"","context":"In &quot;das Recht&quot;","block_context":{"text":"das Recht","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/das-recht\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9174,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/das-stille-paradox-vergessenwerdenwollen-tschuess-durchhoerbarkeit\/","url_meta":{"origin":2612,"position":4},"title":"Das Stille-Paradox \/ Vergessenwerdenwollen \/ Tsch\u00fcss Durchh\u00f6rbarkeit","author":"der huflaikhan","date":"15. Februar 2024","format":false,"excerpt":"Wenn Musik erklingt, ist Stille das, was man nicht h\u00f6rt. Wenn keine Musik erklingt, ist Stille das, was man h\u00f6rt. Paradox! Albrecht Selges neues Buch Silence ist bei rowohlt erschienen. F\u00fcr das Van Magazin hat er eine Playlist ganz ohne 4'33\" erstellt. Das hat wiederum mich daran erinnert, dass ich\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Neuen Musik&quot;","block_context":{"text":"Enzyklop\u00e4die der Neuen Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/enzyklopaedie-der-neuen-musik\/"},"img":{"alt_text":"02 15 ordnung im urlaub","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":291,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/12\/taktlos-71-bodenlose-musikpaedagogik\/","url_meta":{"origin":2612,"position":5},"title":"taktlos 71: Bodenlose Musikp\u00e4dagogik","author":"huflaikhan","date":"17. Dezember 2003","format":false,"excerpt":"Nachfolgend mein Beitrag zur Ausgabe 71 der Sendung \u0084taktlos\u0093 des Bayerischen Rundfunks und der neuen musikzeitung. Mit von der Partie und gut drauf: Konstatin Wecker. Musik: Pierre Henry: Echo d\u0091 Orphee Track 22 Anfang 0:00 bis 0:06 etwa alternativ: Ravel: E\u0091Enfant et les sortil\u00e9ges Anfang Sprecher: Die Musikp\u00e4dagogen machen aber\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2612"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2612\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}