{"id":2623,"date":"2009-10-25T12:57:13","date_gmt":"2009-10-25T11:57:13","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/wie-armselig-manchmal-welche-sind\/"},"modified":"2023-12-18T08:48:13","modified_gmt":"2023-12-18T07:48:13","slug":"wie-armselig-manchmal-welche-sind","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/10\/wie-armselig-manchmal-welche-sind\/","title":{"rendered":"Wie armselig manchmal welche sind"},"content":{"rendered":"<blockquote><p>Kaum zu glauben, wie Theo Geissler seiner selbsternannten  Karla Kolumna der Neuen Musik (t\u00f6rrr\u00f6\u00f6\u00f6\u00f6!!!) immer noch die Stange h\u00e4lt. Und das nach allen L\u00fccker\u2019schen Peinlichkeiten im Umfeld der Darmst\u00e4dter Ferienkurse 2008 \u2013 und offenbar GEGEN fast alle Stimmen seiner nmz-Mitredakteure! (Wieso wehrt sich diesmal eigentlich niemand mehr aus der nmz-Redaktion gegen diesen ganzen Datenm\u00fcll?)<\/p>\n<p>Eins sei aber gewiss: Wer heute Komponisten wegen ihrer Frisur diffamiert, hetzt morgen auch gegen K\u00fcnstler, die zuf\u00e4llig eine eine krumme Nase haben.<\/p>\n<p><!--more--><\/p>\n<blockquote><p>Kaum zu glauben, wie Theo Geissler seiner selbsternannten  Karla Kolumna der Neuen Musik (t\u00f6rrr\u00f6\u00f6\u00f6\u00f6!!!) immer noch die Stange h\u00e4lt. Und das nach allen L\u00fccker\u2019schen Peinlichkeiten im Umfeld der Darmst\u00e4dter Ferienkurse 2008 \u2013 und offenbar GEGEN fast alle Stimmen seiner nmz-Mitredakteure! (Wieso wehrt sich diesmal eigentlich niemand mehr aus der nmz-Redaktion gegen diesen ganzen Datenm\u00fcll?)<\/p>\n<p>Eins sei aber gewiss: Wer heute Komponisten wegen ihrer Frisur diffamiert, hetzt morgen auch gegen K\u00fcnstler, die zuf\u00e4llig eine eine krumme Nase haben.<\/p>\n<p>Und wer heute einen BUH-Ruf auf die letzte Note einer Radio-Live-\u00dcbertragung setzt (auch das kennen wir schon von den letzten Ferienkursen), der will nicht wirklich kritisieren, sondern nur noch hasserf\u00fcllt schaden &#038; und zerst\u00f6ren oder ist besessen von pers\u00f6nlichen Feindschaften &#038; Mafia-Phantasien.<\/p>\n<p>Wie arm!<\/p>\n<p>Aber auch das kennen wir \u2026 fr\u00fchestens von den halbgescheiten Gr\u00f6hl-Kommandos der NS-Jugend, die Anfang der 30er Jahre in Veranstaltungen \u201centarteter Kunst\u201d geschickt wurden und planm\u00e4\u00dfig die Auff\u00fchrungen ruinierten.<\/p>\n<p>Ich lese jedenfalls nichts als spie\u00dfige Altert\u00fcmelei und eitel Neid &#038; Hetze und miefigen Konservativismus aus jeder Zeile von Arno L\u00fccker \u2013 und mit Blick auf seine Biografie kommt es mir vor, wie in einem ganz arg schlechten Film von fr\u00fcher.<\/p>\n<p>Sehr fraglich, ob Theo Geissler und das rbb diesem vielversprechenden \u201cJungtalent\u201d weiterhin treu bleiben sollte \u2026 vielleicht trifft man sich ja dann mal wieder auf Schloss Ludwigstein, bei einem brandaktuellen Vortrag von Karla Kolumna beim n\u00e4chsten \u201cB\u00fcndischen Forum\u201d (siehe Biografie L\u00fccker auf seiner Homepage).<\/p>\n<p>Wie w\u00e4r\u2019s? 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Und das nach allen L\u00fccker\u2019schen Peinlichkeiten im Umfeld der Darmst\u00e4dter Ferienkurse 2008 \u2013 und offenbar GEGEN fast alle Stimmen seiner nmz-Mitredakteure! (Wieso wehrt sich diesmal eigentlich niemand mehr aus der nmz-Redaktion gegen diesen ganzen Datenm\u00fcll?) Eins [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Wie%20armselig%20manchmal%20welche%20sind https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F10%2Fwie-armselig-manchmal-welche-sind%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Juli 2008","format":false,"excerpt":"Wenn man einen Blick in die aktuellen Informationen aus der H\u00f6lle der Neuen Musik wirft, dann fragt man sich, warum eine Institution wie die Ferienkurse f\u00fcr Neue Musik in Darmstadt \u00fcberhaupt noch irgendeine Art von Bedeutung erzielen k\u00f6nnen. Wenn man dann, wie Theo Gei\u00dfler nachweist, einen Blick in die Historie\u2026","rel":"","context":"In \"Darmstadt\"","block_context":{"text":"Darmstadt","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/darmstadt\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2458,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/07\/feriengruesse-aus-darmstadt\/","url_meta":{"origin":2623,"position":1},"title":"Feriengr\u00fc\u00dfe aus Darmstadt","author":"huflaikhan","date":"8. Juli 2008","format":false,"excerpt":"Der Komponist und Journalist Arno L\u00fccker ist bei den Ferienkursen f\u00fcr Neue Musik in Darmstadt zu Gast. Und er berichtet gerade tagesaktuell \u00fcber das, was da passiert. F\u00fcr die Nichteingeweihten nicht nur ein interessanter Einblick in diese Szene, sondern auch f\u00fcr sonstige Berichte aus diesem Bereich, ein Genuss zum Lesen.Die\u2026","rel":"","context":"In \"Blogging\"","block_context":{"text":"Blogging","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/blogging\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8679,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/08\/mysterien-der-musikgeschichte-darmstadt-und-die-zwoelftontechnik\/","url_meta":{"origin":2623,"position":2},"title":"Mysterien der Musikgeschichte: Darmstadt und die Zw\u00f6lftontechnik","author":"der huflaikhan","date":"3. August 2016","format":false,"excerpt":"Es ist in der bisherigen Musikwissenschaft noch gar nicht so recht beachtet worden, man hat es schlicht bislang \u00fcbersehen, aber die Zw\u00f6lftontechnik ist definitiv in Darmstadt\/Hessen \"erfunden\" worden. Und das war so: Im Jahr 1917 hat der junge Arnold Sch\u00f6nberg einmal die Stadt Darmstadt besucht. Er war Mitglied des Begleittrosses\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Achtung, Animation","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/08\/12tontechnik.gif?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":11422,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/09\/ai-und-wang-und-das-warten-monotonie-71-beethoven-bumms\/","url_meta":{"origin":2623,"position":3},"title":"AI und Wang und das Warten \u2013 Monotonie 71 \u2013 Beethoven-Bumms","author":"der huflaikhan","date":"3. September 2025","format":false,"excerpt":"Krause im Gemeindeamt +++ Bechers Bilanz mit Orgeln in K\u00f6ln, Pellworm und Reykjavik +++ Beethovenfest mit UltraBumms und wokem Gesch\u00e4ftsmodell +++ Monoton 71 +++ KI- und Zollnews +++ Kann weg? Katholische Kirchenmusik","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"Das Warten im Gemeindeamt macht was mit einem.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/09\/Das-Warten-im-Gemeindeamt-macht-was-mit-einem.jpg?fit=900%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/09\/Das-Warten-im-Gemeindeamt-macht-was-mit-einem.jpg?fit=900%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/09\/Das-Warten-im-Gemeindeamt-macht-was-mit-einem.jpg?fit=900%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/09\/Das-Warten-im-Gemeindeamt-macht-was-mit-einem.jpg?fit=900%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2459,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/07\/darmstadt-ii\/","url_meta":{"origin":2623,"position":4},"title":"Darmstadt II","author":"huflaikhan","date":"9. Juli 2008","format":false,"excerpt":"Es ist erstaunlich, wie sich manche Dinge wie von selbst einstellen, wenn die Zeit gekommen scheint. Nach Arno L\u00fccker (oder davor) hat auch Stefan Beyer eine Liveberichterstattung aus Darmstadt von den Ferienkursen f\u00fcr neue Musik eingerichtet.Eine nette Nebens\u00e4chlichkeit, beide stammen aus Braunschweig, was bislang nicht gerade als \"das\" Nest des\u2026","rel":"","context":"In \"Darmstadt\"","block_context":{"text":"Darmstadt","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/darmstadt\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8457,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/08\/darmstadt-ist-oeffentlicher\/","url_meta":{"origin":2623,"position":5},"title":"Darmstadt ist \u00f6ffentlich(er)","author":"der huflaikhan","date":"4. August 2014","format":false,"excerpt":"Mit der Ausgabe im Jahr 2014 haben sich die Ferienkurse f\u00fcr neue Musik tats\u00e4chlich etwas hinausgewagt in die weitere \u00d6ffentlichkeit \u00fcber die Kommunikationsnetze. So gibt es Lesungen und Diskussionsrunden wie RundeTische in einiger Auswahl zum Anh\u00f6ren wie Internetstream. Die Technologie daf\u00fcr stellt Voice Republic zur Verf\u00fcgung. Deren Mitgr\u00fcnder hat nun\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2623"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2623\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}