{"id":2625,"date":"2009-11-02T19:17:25","date_gmt":"2009-11-02T18:17:25","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ein-zwischendurch-holladiri\/"},"modified":"2023-12-18T08:48:13","modified_gmt":"2023-12-18T07:48:13","slug":"ein-zwischendurch-holladiri","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/11\/ein-zwischendurch-holladiri\/","title":{"rendered":"Ein Zwischendurch Holladiri"},"content":{"rendered":"<p>Da ich einfach zu faul geworden bin, meine fette und schwere Kamera mitzunehmen und auszupacken, zumal es immer in Regensburg so viel noch einzupacken gibt, entstanden diese Fotoeindr\u00fccke mit einem recht handlichen Ger\u00e4t. Wie auch das Bild vonne Kinstlerin.<\/p>\n<p><span class=\"inline inline-none\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/blog\/files\/images\/kinstlerin.jpg\" onclick=\"launch_popup(2589, 800, 600); return false;\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/blog\/files\/images\/kinstlerin.img_assist_custom.jpg?resize=500%2C375\" alt=\"Kinstlerin: Die Kinstlerin Pepa.\" title=\"Kinstlerin: Die Kinstlerin Pepa.\"  class=\"image image-img_assist_custom\" width=\"500\" height=\"375\" \/><\/a><span class=\"caption\" style=\"width: 498px;\"><strong>Kinstlerin: <\/strong>Die Kinstlerin Pepa.<\/span><\/span><\/p>\n<p><!--more--><br \/>\nDa ich einfach zu faul geworden bin, meine fette und schwere Kamera mitzunehmen und auszupacken, zumal es immer in Regensburg so viel noch einzupacken gibt, entstanden diese Fotoeindr\u00fccke mit einem recht handlichen Ger\u00e4t. Wie auch das Bild vonne Kinstlerin.<\/p>\n<p><span class=\"inline inline-none\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/blog\/files\/images\/kinstlerin.jpg\" onclick=\"launch_popup(2589, 800, 600); return false;\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/blog\/files\/images\/kinstlerin.img_assist_custom.jpg?resize=500%2C375\" alt=\"Kinstlerin: Die Kinstlerin Pepa.\" title=\"Kinstlerin: Die Kinstlerin Pepa.\"  class=\"image image-img_assist_custom\" width=\"500\" height=\"375\" \/><\/a><span class=\"caption\" style=\"width: 498px;\"><strong>Kinstlerin: <\/strong>Die Kinstlerin Pepa.<\/span><\/span><\/p>\n<p>Hier kurz vorm Einpacken durch einen st\u00e4ndigen Gast in der Pernsteinerschen Lokalit\u00e4t. Also, Freunde, kommt und seht und kauft die Teile von der Wand weg. W\u00e4re eine prima Sache.<\/p>\n<p>Mein Lieblingsbild ist dabei gar nicht aufm Foto zu sehen. 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Wie auch das Bild vonne Kinstlerin. Kinstlerin: Die Kinstlerin Pepa.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ein%20Zwischendurch%20Holladiri https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F11%2Fein-zwischendurch-holladiri%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":717,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/08\/die-ballade-von-rattenbonum\/","url_meta":{"origin":2625,"position":0},"title":"Die Ballade von Rattenbonum","author":"huflaikhan","date":"28. August 2004","format":false,"excerpt":"Die Ballade von Rattenbonum entdeckte ich heute beim Mailsortieren und Ausforschen diverser Mails. Es handelt sich dabei um das Werk einen anonymen Autors, jedenfalls solange, bis er\/sie sich selbst outet. Die Entstehungszeit l\u00e4sst sich auf den Fr\u00fchling des Jahres 1997 datieren. Der Sprachen Meister war der Autor einer. Manch b\u00f6sartiger\u2026","rel":"","context":"In \"Brutus Bl\u00fcmlein\"","block_context":{"text":"Brutus Bl\u00fcmlein","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/brutusblmlein\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":903,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/bliz-aktuell-zum-fuerchten\/","url_meta":{"origin":2625,"position":1},"title":"Bliz aktuell: Zum F\u00fcrchten","author":"huflaikhan","date":"19. November 2004","format":false,"excerpt":"Auf der ersten Seite des hiesigen Bliz aktuell (Regensburg, Nr. 46, 14. November 2004) sind offenbar die busenfreudigen Trampel der Regio ausgegangen. Da wird ein armes M\u00e4del schnell zum aufregenden Gardem\u00e4dchen gemacht. Dem scheint es nicht gerade besonders zu gefallen, der Fotograf und die Bildredaktion des Zeitung geben sich nicht\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/bliz-aktuell-zum-fuerchten\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8288,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/bliz-aktuell-zum-fuerchten-2\/","url_meta":{"origin":2625,"position":2},"title":"Bliz aktuell: Zum F\u00fcrchten","author":"der huflaikhan","date":"19. November 2004","format":false,"excerpt":"Auf der ersten Seite des hiesigen Bliz aktuell (Regensburg, Nr. 46, 14. November 2004) sind offenbar die busenfreudigen Trampel der Regio ausgegangen. Da wird ein armes M\u00e4del schnell zum aufregenden Gardem\u00e4dchen gemacht. Dem scheint es nicht gerade besonders zu gefallen, der Fotograf und die Bildredaktion des Zeitung geben sich nicht\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Bliz aktuell","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/20041119-gardemaedchen.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8402,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/05\/kritik-und-foto-2\/","url_meta":{"origin":2625,"position":3},"title":"Kritik und Foto","author":"der huflaikhan","date":"28. Mai 2013","format":false,"excerpt":"Gerade habe ich im Blog von kwerfeldein (Foto-Magazin) einen Text \u00fcber das ultimative Foto gelesen, das es ja nicht gibt. Insofern ist Kritik eine nat\u00fcrliche Sache. Das ist in anderen Bereichen der Kunst nicht anders. Kritik geh\u00f6rt zur Kunst. Martin Gommel f\u00fchrt dabei einen Haufen von \u201ekritischen Bemerkungen\u201c an, die\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Bolland'sche Bierbrauerei Regensburg. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1040,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/02\/apropos-muenchen-schnee-und-taktlos\/","url_meta":{"origin":2625,"position":4},"title":"Apropos M\u00fcnchen, Schnee und taktlos","author":"huflaikhan","date":"3. Februar 2005","format":false,"excerpt":"War ja gestern, taktlos in der 86. Ausgabe, live aus dem ZKMax. Das kennt in M\u00fcnchen auch fast keiner, ist aber ganz doll wichtig als Gegenstand von Kunst im \u00f6ffentlichen Raum. Der Eingang ist trefflich gekennzeichnet. Zuoberst das Treppenzeichen, dann so ein Anschluss-Zeichen f\u00fcr irgendwen, weil da irgendwas flie\u00dft, dann\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/02\/apropos-muenchen-schnee-und-taktlos\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2417,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/05\/ein-foto-zwei-ansichten\/","url_meta":{"origin":2625,"position":5},"title":"Ein Foto, zwei Ansichten","author":"hufi","date":"11. Mai 2008","format":false,"excerpt":"Gerade mal wieder etwas kr\u00e4nkelnd. Eigentlich ja auf dem Weg nach Regensburg. Aber so wird das nichts. Kann man immerhin mal die Fotos aufr\u00e4umen. Diese hier sind zwei aus einem. Au\u00dferdem will ich mal kundtun, dass ich ein zweites Mal Tagesmax geworden bin. Gerade mal wieder etwas kr\u00e4nkelnd. Eigentlich ja\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/05\/ein-foto-zwei-ansichten\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2625","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2625"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2625\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2625"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2625"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2625"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}