{"id":2625,"date":"2009-11-02T19:17:25","date_gmt":"2009-11-02T18:17:25","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ein-zwischendurch-holladiri\/"},"modified":"2023-12-18T08:48:13","modified_gmt":"2023-12-18T07:48:13","slug":"ein-zwischendurch-holladiri","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/ein-zwischendurch-holladiri\/","title":{"rendered":"Ein Zwischendurch Holladiri"},"content":{"rendered":"<p>Da ich einfach zu faul geworden bin, meine fette und schwere Kamera mitzunehmen und auszupacken, zumal es immer in Regensburg so viel noch einzupacken gibt, entstanden diese Fotoeindr\u00fccke mit einem recht handlichen Ger\u00e4t. Wie auch das Bild vonne Kinstlerin.<\/p>\n<p><span class=\"inline inline-none\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/blog\/files\/images\/kinstlerin.jpg\" onclick=\"launch_popup(2589, 800, 600); return false;\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/blog\/files\/images\/kinstlerin.img_assist_custom.jpg?resize=500%2C375\" alt=\"Kinstlerin: Die Kinstlerin Pepa.\" title=\"Kinstlerin: Die Kinstlerin Pepa.\"  class=\"image image-img_assist_custom\" width=\"500\" height=\"375\" \/><\/a><span class=\"caption\" style=\"width: 498px;\"><strong>Kinstlerin: <\/strong>Die Kinstlerin Pepa.<\/span><\/span><\/p>\n<p><!--more--><br \/>\nDa ich einfach zu faul geworden bin, meine fette und schwere Kamera mitzunehmen und auszupacken, zumal es immer in Regensburg so viel noch einzupacken gibt, entstanden diese Fotoeindr\u00fccke mit einem recht handlichen Ger\u00e4t. Wie auch das Bild vonne Kinstlerin.<\/p>\n<p><span class=\"inline inline-none\"><a href=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/blog\/files\/images\/kinstlerin.jpg\" onclick=\"launch_popup(2589, 800, 600); return false;\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/blog\/files\/images\/kinstlerin.img_assist_custom.jpg?resize=500%2C375\" alt=\"Kinstlerin: Die Kinstlerin Pepa.\" title=\"Kinstlerin: Die Kinstlerin Pepa.\"  class=\"image image-img_assist_custom\" width=\"500\" height=\"375\" \/><\/a><span class=\"caption\" style=\"width: 498px;\"><strong>Kinstlerin: <\/strong>Die Kinstlerin Pepa.<\/span><\/span><\/p>\n<p>Hier kurz vorm Einpacken durch einen st\u00e4ndigen Gast in der Pernsteinerschen Lokalit\u00e4t. Also, Freunde, kommt und seht und kauft die Teile von der Wand weg. W\u00e4re eine prima Sache.<\/p>\n<p>Mein Lieblingsbild ist dabei gar nicht aufm Foto zu sehen. Muss man also direkt anschauen gehen.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ein%20Zwischendurch%20Holladiri https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fein-zwischendurch-holladiri%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Ein%20Zwischendurch%20Holladiri https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fein-zwischendurch-holladiri%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Wie auch das Bild vonne Kinstlerin. Kinstlerin: Die Kinstlerin Pepa.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ein%20Zwischendurch%20Holladiri https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fein-zwischendurch-holladiri%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":717,"url":"https:\/\/www.kritische-masse.de\/logbuch\/die-ballade-von-rattenbonum\/","url_meta":{"origin":2625,"position":0},"title":"Die Ballade von Rattenbonum","author":"huflaikhan","date":"28. August 2004","format":false,"excerpt":"Die Ballade von Rattenbonum entdeckte ich heute beim Mailsortieren und Ausforschen diverser Mails. Es handelt sich dabei um das Werk einen anonymen Autors, jedenfalls solange, bis er\/sie sich selbst outet. Die Entstehungszeit l\u00e4sst sich auf den Fr\u00fchling des Jahres 1997 datieren. Der Sprachen Meister war der Autor einer. Manch b\u00f6sartiger\u2026","rel":"","context":"In \"Brutus Bl\u00fcmlein\"","block_context":{"text":"Brutus Bl\u00fcmlein","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/brutusblmlein\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":903,"url":"https:\/\/www.kritische-masse.de\/logbuch\/bliz-aktuell-zum-fuerchten\/","url_meta":{"origin":2625,"position":1},"title":"Bliz aktuell: Zum F\u00fcrchten","author":"huflaikhan","date":"19. November 2004","format":false,"excerpt":"Auf der ersten Seite des hiesigen Bliz aktuell (Regensburg, Nr. 46, 14. November 2004) sind offenbar die busenfreudigen Trampel der Regio ausgegangen. Da wird ein armes M\u00e4del schnell zum aufregenden Gardem\u00e4dchen gemacht. Dem scheint es nicht gerade besonders zu gefallen, der Fotograf und die Bildredaktion des Zeitung geben sich nicht\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/bliz-aktuell-zum-fuerchten\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8288,"url":"https:\/\/www.kritische-masse.de\/logbuch\/bliz-aktuell-zum-fuerchten-2\/","url_meta":{"origin":2625,"position":2},"title":"Bliz aktuell: Zum F\u00fcrchten","author":"der huflaikhan","date":"19. November 2004","format":false,"excerpt":"Auf der ersten Seite des hiesigen Bliz aktuell (Regensburg, Nr. 46, 14. November 2004) sind offenbar die busenfreudigen Trampel der Regio ausgegangen. Da wird ein armes M\u00e4del schnell zum aufregenden Gardem\u00e4dchen gemacht. Dem scheint es nicht gerade besonders zu gefallen, der Fotograf und die Bildredaktion des Zeitung geben sich nicht\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Bliz aktuell","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/11\/20041119-gardemaedchen.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":619,"url":"https:\/\/www.kritische-masse.de\/logbuch\/fenster-koennen-weinen\/","url_meta":{"origin":2625,"position":3},"title":"Fenster k\u00f6nnen weinen","author":"huflaikhan","date":"29. Juli 2004","format":false,"excerpt":"Gestern noch konnte ich vor allen Augen mit Hemdenfalten in drei Schritten punkten. Der Tag begann schlecht. Zu fr\u00fch aufgewacht, das Update der Weblog-Software ging daneben. Und da macht man einmal beim Update keine Sicherung. Der Zwischenurlaub ist beendet, die Nachbarn sind wieder im Haus, der Blutdruck hat sich daraufhin\u2026","rel":"","context":"In \"Donau\"","block_context":{"text":"Donau","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/donau\/"},"img":{"alt_text":"Abriss in Regensburg","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040729-abriss-regensburg.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8402,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kritik-und-foto-2\/","url_meta":{"origin":2625,"position":4},"title":"Kritik und Foto","author":"der huflaikhan","date":"28. Mai 2013","format":false,"excerpt":"Gerade habe ich im Blog von kwerfeldein (Foto-Magazin) einen Text \u00fcber das ultimative Foto gelesen, das es ja nicht gibt. Insofern ist Kritik eine nat\u00fcrliche Sache. Das ist in anderen Bereichen der Kunst nicht anders. Kritik geh\u00f6rt zur Kunst. Martin Gommel f\u00fchrt dabei einen Haufen von \u201ekritischen Bemerkungen\u201c an, die\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Bolland'sche Bierbrauerei Regensburg. 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Jaja, eine wunderbare mittelalterliche Altstadt, beinahe zu sch\u00f6n restauriert. Ein Stadt in kulturelle Watte gepackt. Sch\u00f6n f\u00fcr G\u00e4ste, aber sonst. Was gibt es denn hier? 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