{"id":2711,"date":"2009-12-18T16:58:15","date_gmt":"2009-12-18T15:58:15","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/iso-1600-mein-berauschendes-berlin-2\/"},"modified":"2023-12-18T08:48:12","modified_gmt":"2023-12-18T07:48:12","slug":"iso-1600-mein-berauschendes-berlin-2","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/12\/iso-1600-mein-berauschendes-berlin-2\/","title":{"rendered":"ISO 1600 &#8211; Mein berauschendes Berlin"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=ISO%201600%20%E2%80%93%20Mein%20berauschendes%20Berlin https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2009%2F12%2Fiso-1600-mein-berauschendes-berlin-2%2F\" title=\"Bei Mastodon teilen\" 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class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>    Solche Klarheit in der D\u00e4mmerung, die Dynamik, wunderbar.<\/p>\n<p><div class='p_embed p_image_embed'>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2710\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2009\/12\/iso-1600-mein-berauschendes-berlin-2\/attachment-iso1600-83\/\" 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Dabei handelt es sich um das Erzeugnis masseundmacht.com. Viel ist da nicht zu finden, aber wohl ein Musikbeitrag von Christian von Borries.\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/06\/peak1.gif?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8541,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/grosser-wunderlicher\/","url_meta":{"origin":2711,"position":5},"title":"Gro\u00dfer Wunderlicher &#8230;","author":"der huflaikhan","date":"20. Mai 2015","format":false,"excerpt":"Der Chefredakteur der MusikWoche ist ulkig geworden. Er beschw\u00f6rt in letzter Zeit die Bedeutung der GEMA in einigen Texten in einer Weise, die nachdenklich macht, weil sie so schief sind. \u201eSelbstverst\u00e4ndlich gibt es oft genug berechtigte Anl\u00e4sse f\u00fcr Kritik \u2013 es w\u00e4re unheimlich, w\u00fcrde ein solcher Apparat v\u00f6llig ger\u00e4usch- und\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"Schiller war schon schlauer. 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