{"id":27238,"date":"2026-09-13T10:16:31","date_gmt":"2026-09-13T08:16:31","guid":{"rendered":"https:\/\/www.kritische-masse.de\/logbuch\/?p=27238"},"modified":"2026-09-13T10:16:45","modified_gmt":"2026-09-13T08:16:45","slug":"axel-b-im-ulfenbeintunnel","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/axel-b-im-ulfenbeintunnel\/","title":{"rendered":"Axel B. im Ulfenbeintunnel"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Wer so viele Briefe schreibt wie Axel Br\u00fcggemann, der macht es manchmal auch einfach nur so, um nicht aus der \u00dcbung zu kommen. Das geht schon mal schief, so wie bei einem Br\u00fcggi-Briefi an Cornelius Meister und den Deutschen Musikrat. Der Convenience-Beauftragte der Klassikwelt wei\u00df Bescheid.<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\">Leute, was Ihr hier zeigt, ist keine Haltung, sondern ein Beweis, wie weltfremd Eure Musik-Blase geworden ist. Sp\u00e4testens seit Ulrich Siegmund&nbsp;<em>Spiegel<\/em>-Cover signiert, m\u00fcsst Ihr doch wissen, dass so eine Kampagne nicht nur nichts bringt: Wer so naiv ins Blaue palavert, muss sich nicht wundern, wenn er am Ende zum unfreiwilligen Steigb\u00fcgelhalter der Blauen wird!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Source: <em><a href=\"https:\/\/backstageclassical.com\/lieber-deutscher-musikrat\/\" target=\"_blank\" rel=\"noopener\">Lieber Deutscher Musikrat, &#8211; BackstageClassical<\/a><\/em><\/p>\n<\/blockquote>\n\n\n\n<p class=\"wp-block-paragraph\">Toll gemacht, Axel. Supergeblubber aus der Bullshit-Bingo-Liste der Hinterb\u00fchne. Aber traumdoof. Ein geradezu babylonischer Scheinbau aus blo\u00dfen Behauptungen. Das kannste!<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sicherlich ist dieser Spot kein Meisterwerk der Filmkunst. Er ist ein bisschen steif und hat leider kein gutes Timing. <\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-rich is-provider-instagram wp-block-embed-instagram\"><div class=\"wp-block-embed__wrapper\">\n<div class=\"oceanwp-oembed-wrap clr\"><blockquote class=\"instagram-media\" data-instgrm-captioned data-instgrm-permalink=\"https:\/\/www.instagram.com\/reel\/Dc_XA3MqzvT\/?utm_source=ig_embed&amp;utm_campaign=loading\" data-instgrm-version=\"14\" style=\" background:#FFF; border:0; border-radius:3px; box-shadow:0 0 1px 0 rgba(0,0,0,0.5),0 1px 10px 0 rgba(0,0,0,0.15); margin: 1px; max-width:658px; min-width:326px; padding:0; width:99.375%; width:-webkit-calc(100% - 2px); width:calc(100% - 2px);\"><div style=\"padding:16px;\"> <a href=\"https:\/\/www.instagram.com\/reel\/Dc_XA3MqzvT\/?utm_source=ig_embed&amp;utm_campaign=loading\" style=\" background:#FFFFFF; line-height:0; padding:0 0; text-align:center; text-decoration:none; width:100%;\" target=\"_blank\" rel=\"noopener\"> <div style=\" display: flex; flex-direction: row; align-items: center;\"> <div style=\"background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 40px; margin-right: 14px; width: 40px;\"><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 100px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 60px;\"><\/div><\/div><\/div><div style=\"padding: 19% 0;\"><\/div> <div style=\"display:block; height:50px; margin:0 auto 12px; width:50px;\"><svg width=\"50px\" height=\"50px\" viewBox=\"0 0 60 60\" version=\"1.1\" xmlns=\"https:\/\/www.w3.org\/2000\/svg\" xmlns:xlink=\"https:\/\/www.w3.org\/1999\/xlink\"><g stroke=\"none\" stroke-width=\"1\" fill=\"none\" fill-rule=\"evenodd\"><g transform=\"translate(-511.000000, -20.000000)\" fill=\"#000000\"><g><path d=\"M556.869,30.41 C554.814,30.41 553.148,32.076 553.148,34.131 C553.148,36.186 554.814,37.852 556.869,37.852 C558.924,37.852 560.59,36.186 560.59,34.131 C560.59,32.076 558.924,30.41 556.869,30.41 M541,60.657 C535.114,60.657 530.342,55.887 530.342,50 C530.342,44.114 535.114,39.342 541,39.342 C546.887,39.342 551.658,44.114 551.658,50 C551.658,55.887 546.887,60.657 541,60.657 M541,33.886 C532.1,33.886 524.886,41.1 524.886,50 C524.886,58.899 532.1,66.113 541,66.113 C549.9,66.113 557.115,58.899 557.115,50 C557.115,41.1 549.9,33.886 541,33.886 M565.378,62.101 C565.244,65.022 564.756,66.606 564.346,67.663 C563.803,69.06 563.154,70.057 562.106,71.106 C561.058,72.155 560.06,72.803 558.662,73.347 C557.607,73.757 556.021,74.244 553.102,74.378 C549.944,74.521 548.997,74.552 541,74.552 C533.003,74.552 532.056,74.521 528.898,74.378 C525.979,74.244 524.393,73.757 523.338,73.347 C521.94,72.803 520.942,72.155 519.894,71.106 C518.846,70.057 518.197,69.06 517.654,67.663 C517.244,66.606 516.755,65.022 516.623,62.101 C516.479,58.943 516.448,57.996 516.448,50 C516.448,42.003 516.479,41.056 516.623,37.899 C516.755,34.978 517.244,33.391 517.654,32.338 C518.197,30.938 518.846,29.942 519.894,28.894 C520.942,27.846 521.94,27.196 523.338,26.654 C524.393,26.244 525.979,25.756 528.898,25.623 C532.057,25.479 533.004,25.448 541,25.448 C548.997,25.448 549.943,25.479 553.102,25.623 C556.021,25.756 557.607,26.244 558.662,26.654 C560.06,27.196 561.058,27.846 562.106,28.894 C563.154,29.942 563.803,30.938 564.346,32.338 C564.756,33.391 565.244,34.978 565.378,37.899 C565.522,41.056 565.552,42.003 565.552,50 C565.552,57.996 565.522,58.943 565.378,62.101 M570.82,37.631 C570.674,34.438 570.167,32.258 569.425,30.349 C568.659,28.377 567.633,26.702 565.965,25.035 C564.297,23.368 562.623,22.342 560.652,21.575 C558.743,20.834 556.562,20.326 553.369,20.18 C550.169,20.033 549.148,20 541,20 C532.853,20 531.831,20.033 528.631,20.18 C525.438,20.326 523.257,20.834 521.349,21.575 C519.376,22.342 517.703,23.368 516.035,25.035 C514.368,26.702 513.342,28.377 512.574,30.349 C511.834,32.258 511.326,34.438 511.181,37.631 C511.035,40.831 511,41.851 511,50 C511,58.147 511.035,59.17 511.181,62.369 C511.326,65.562 511.834,67.743 512.574,69.651 C513.342,71.625 514.368,73.296 516.035,74.965 C517.703,76.634 519.376,77.658 521.349,78.425 C523.257,79.167 525.438,79.673 528.631,79.82 C531.831,79.965 532.853,80.001 541,80.001 C549.148,80.001 550.169,79.965 553.369,79.82 C556.562,79.673 558.743,79.167 560.652,78.425 C562.623,77.658 564.297,76.634 565.965,74.965 C567.633,73.296 568.659,71.625 569.425,69.651 C570.167,67.743 570.674,65.562 570.82,62.369 C570.966,59.17 571,58.147 571,50 C571,41.851 570.966,40.831 570.82,37.631\"><\/path><\/g><\/g><\/g><\/svg><\/div><div style=\"padding-top: 8px;\"> <div style=\" color:#3897f0; font-family:Arial,sans-serif; font-size:14px; font-style:normal; font-weight:550; line-height:18px;\">View this post on Instagram<\/div><\/div><div style=\"padding: 12.5% 0;\"><\/div> <div style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"><div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"><\/div> <div style=\"background-color: #F4F4F4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"><\/div> <div style=\"background-color: #F4F4F4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"><\/div><\/div><div style=\"margin-left: 8px;\"> <div style=\" background-color: #F4F4F4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"><\/div> <div style=\" width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg)\"><\/div><\/div><div style=\"margin-left: auto;\"> <div style=\" width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"><\/div> <div style=\" background-color: #F4F4F4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"><\/div> <div style=\" width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"><\/div><\/div><\/div> <div style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"><\/div> <div style=\" background-color: #F4F4F4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"><\/div><\/div><\/a><\/div><\/blockquote><script async src=\"\/\/platform.instagram.com\/en_US\/embeds.js\"><\/script><\/div>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Das alles muss man nicht in Abrede stellen. Doch daraus eine Sache zu konstruieren, man mache sich damit zum unfreiwilligen Steigb\u00fcgelhalter der Blauen, das ist einfach bester Br\u00fcggemann-Bullshit, bei dem dem Journalisten offenbar die Sprache entglitten ist. Eine Br\u00fcggemann-Entgleisung, zu genau welchem Zweck? Man kann vielleicht erkl\u00e4ren, in Umkehrung, dass er zeigt, wie weltfremd seine eigene Fachjournalistenblase geworden ist. <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Das ist in einer Zeit, in der die Lebendfaschisten und ihre Sturmtruppen zum Generalangriff auf die freie und fr\u00f6hliche Kultur blasen und am liebsten den Deutschen Kulturrat \u2013 oder wie hier in Kommentaren: den Deutschen Musikrat \u2013 sich in den Orkus w\u00fcnschen, kein guter Zeitpunkt f\u00fcr unsachliche Kritik. Dass alle unsere Institutionen der Kritik bed\u00fcrfen, ist nicht die Frage, das ist dringend n\u00f6tig und geh\u00f6rt dazu, sollen sie ihre Arbeit noch besser machen. Doch es geht um eine Verbesserung der Argumente, der Darstellungsformen, der Pr\u00e4senz. Ziel kann nicht sein, miteinzustimmen in diese j\u00e4mmerliche Jagd nach Aufmerksamkeit durch steilen Unfug. Axel B.: \u201eH\u00f6r\u2019 auf mit dem Ulfen!\u201c <\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Axel%20B.%20im%20Ulfenbeintunnel https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Faxel-b-im-ulfenbeintunnel%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Axel%20B.%20im%20Ulfenbeintunnel https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Faxel-b-im-ulfenbeintunnel%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Das geht schon mal schief, so wie bei einem Br\u00fcggi-Briefi an Cornelius Meister und den Deutschen Musikrat. Der Convenience-Beauftragte der Klassikwelt wei\u00df Bescheid. 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decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":10329,"url":"https:\/\/www.kritische-masse.de\/logbuch\/brueggemanns-backstage-elegien\/","url_meta":{"origin":27238,"position":0},"title":"Br\u00fcggemanns Backstage-Elegien","author":"der huflaikhan","date":"21. Oktober 2024","format":false,"excerpt":"\u201eMeckert nicht so elendig\u201c \u00fcberschreibt der Musikjournalist Axel Br\u00fcggemann seinen Text, in dem er seinen neuen Endgegner f\u00fcr die kommenden Jahre vorstellt. Seit langer Zeit hat er dabei schon Gerald Mertens von unisono (ehemals DOV) auf dem Schirm, jetzt tritt Antje Valentin vom Deutschen Musikrat auch noch dazu. Br\u00fcggemanns Vorwurf:\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Freiberuflich Ta\u0308tige in der Sparte Musik nach Ta\u0308tigkeitsbereich und Durchschnittseinkommen miz org","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/10\/Freiberuflich-Taetige-in-der-Sparte-Musik-nach-Taetigkeitsbereich-und-Durchschnittseinkommen-miz-org.png?fit=1020%2C623&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/10\/Freiberuflich-Taetige-in-der-Sparte-Musik-nach-Taetigkeitsbereich-und-Durchschnittseinkommen-miz-org.png?fit=1020%2C623&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/10\/Freiberuflich-Taetige-in-der-Sparte-Musik-nach-Taetigkeitsbereich-und-Durchschnittseinkommen-miz-org.png?fit=1020%2C623&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/10\/Freiberuflich-Taetige-in-der-Sparte-Musik-nach-Taetigkeitsbereich-und-Durchschnittseinkommen-miz-org.png?fit=1020%2C623&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9327,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-x-problem-und-die-algorithmen-musikunterunterricht-und-petitionswahnsinn\/","url_meta":{"origin":27238,"position":1},"title":"Das X-Problem und die Algorithmen \/ Musikunterunterricht und Petitionswahnsinn \/ Entfesselungskunst","author":"der huflaikhan","date":"5. M\u00e4rz 2024","format":false,"excerpt":"\u201eDie \u00dcberzeugung, Rationalit\u00e4t sei das Normale, ist falsch.\u201c (Adorno) +++ Algorithmen als zum Besservergessen (x) +++ Musikunteruntericht in Deutschlands Grundschulen (kann das weg?) +++ Nachhaltigkeit als Thema im Musikbereich (vielleicht) +++ Doku zur Geschichte der Jugendzentrumsbewegung (YouTube) +++ Die V\u00f6gel +++ TOM offline?","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Die V\u00f6gel. Foto: MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_03_vogel3.jpg?fit=960%2C960&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_03_vogel3.jpg?fit=960%2C960&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_03_vogel3.jpg?fit=960%2C960&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/03\/03_03_vogel3.jpg?fit=960%2C960&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":10880,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-ist-taktlos-herr-b\/","url_meta":{"origin":27238,"position":2},"title":"\u00abdas ist taktlos\u00bb, Herr B.","author":"der huflaikhan","date":"7. Mai 2025","format":false,"excerpt":"Verfemte Musik - Antonio Salieri - Jugend musiziert in der Kritik - das ist taktlos, Herr Br\u00fcggemann - Alban Bergs Violinkonzert im L\u00fccker-Interpret:innen-Test \u2013 Ein bunter Strau\u00df im Musikleben","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"taktlos169 \u2013 mit der nmz","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/05\/taktlos169-breit.png?fit=600%2C400&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/05\/taktlos169-breit.png?fit=600%2C400&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/05\/taktlos169-breit.png?fit=600%2C400&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":8383,"url":"https:\/\/www.kritische-masse.de\/logbuch\/preisverfallen-stalin-orden-fuer-die-musikraete\/","url_meta":{"origin":27238,"position":3},"title":"Preisverfallen \u2013 Stalin-Orden f\u00fcr die Musikr\u00e4te","author":"der huflaikhan","date":"7. Juni 2012","format":false,"excerpt":"Sie sind dem Preis verfallen. Das Bundesjazzorchester erh\u00e4lt den ECHO Jazz, Jugend musiziert erhielt den ECHO Klassik. Auf beiden Websites prangt jetzt ein h\u00fcbsches (?) Logo mit dem Titel: Deutscher Musikpreis. Deutscher Musikpreis, das klingt aus den Ohren der Musikindustrie etwas anders, eher nach Stalin-Orden. Den ECHO vergibt die Kulturorganisation\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3059,"url":"https:\/\/www.kritische-masse.de\/logbuch\/preisverfallen-stalin-orden-f-r-die-musikr-te\/","url_meta":{"origin":27238,"position":4},"title":"Preisverfallen &#8211; Stalin-Orden f\u00fcr die Musikr\u00e4te","author":"huflaikhan","date":"6. Juni 2012","format":false,"excerpt":"Sie sind dem Preis verfallen. Das Bundesjazzorchester erh\u00e4lt den ECHO Jazz, Jugend musiziert erhielt den ECHO Klassik. Auf beiden Websites prangt jetzt ein h\u00fcbsches (?) Logo mit dem Titel: Deutscher Musikpreis. Deutscher Musikpreis, das klingt aus den Ohren der Musikindustrie etwas anders, eher nach Stalin-Orden.\u00a0 Den ECHO vergibt die Kulturorganisation\u2026","rel":"","context":"In \"BuJazzO\"","block_context":{"text":"BuJazzO","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bujazzo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9638,"url":"https:\/\/www.kritische-masse.de\/logbuch\/dauerbruechiger-klassik-journalismus-philosophen-tofu-jazz-1916\/","url_meta":{"origin":27238,"position":5},"title":"Dauerbr\u00fcchiger Klassik-Journalismus \/ Philosophen-Tofu \/ Jazz 1916 \/","author":"der huflaikhan","date":"26. April 2024","format":false,"excerpt":"Backstageclassical ist mutig +++ Aber wie sind die Aussichten f\u00fcr Klassik-Musikjournalismus +++ Warum scheitern Klassik-Blogs am laufenden Band +++ \u00d6ffentliche Meinung und Meinung von Institutionen +++","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Im Musiker innenviertel. Aber keine Musikerin. Aber lieber Offenbach als Strauss. Moment... Leider auch um die Ecke. 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