{"id":2733,"date":"2010-01-07T10:32:01","date_gmt":"2010-01-07T09:32:01","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/140-musikpolitik-unterm-bundes-adler-das-ist-taktlos\/"},"modified":"2023-12-18T08:48:12","modified_gmt":"2023-12-18T07:48:12","slug":"140-musikpolitik-unterm-bundes-adler-das-ist-taktlos","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/140-musikpolitik-unterm-bundes-adler-das-ist-taktlos\/","title":{"rendered":"140 \u2013 Musikpolitik unterm Bundes-Adler | das ist taktlos"},"content":{"rendered":"<div class=\"posterous_bookmarklet_entry\">\n<blockquote>\n<div>\n<div><a href=\"https:\/\/i0.wp.com\/www.nmz.de\/taktlos\/wp-content\/uploads\/2010\/01\/titel-140.jpg\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" title=\"Musikpolitik unterm Bundes-Adler\" src=\"https:\/\/i0.wp.com\/www.nmz.de\/taktlos\/wp-content\/uploads\/2010\/01\/titel-140.jpg?resize=150%2C220\" height=\"220\" alt=\"Kulturpolitik unterm Bundesadler\" width=\"150\" \/><\/a><\/p>\n<p>Musikpolitik unterm Bundes-Adler<\/p>\n<\/div>\n<p>7. Januar 2010<br \/>\nLive aus dem Funkhaus M\u00fcnchen<br \/>\nModeration: Theo Gei\u00dfler und Marlen Reichert<\/p>\n<p>Was hat die neue Bundesregierung mit Musik zu tun? Jede Menge. Immerhin wird die meist mausgraue Landkarte der deutschen Kulturpolitik neu gezeichnet. Dies, obwohl in der Person von Bernd Neumann der alte Bundes-Boss auch der neue ist. Das Personalkarussell rotiert heftig. Der Kulturausschuss des Bundestages harrt seiner kompetenten Best\u00fcckung. Mit Agnes Krumwiede ist f\u00fcr die \u201eGr\u00fcnen\u201c eine Politikerin und Pianistin mit Konzertdiplom zur Abgeordneten gew\u00e4hlt worden. Erste laute Forderung: Ein Mindestlohn f\u00fcr den Kulturbereich. Sie \u2013 und weitere musikpolitsch engagierte Volks-Vertreter stehen live Rede und Antwort \u00fcber ihre Planungen \u2013 beim Musikmagazin taktlos, Ausgabe 140,&#160; am 7. 1. 2010 um 21.03 Uhr auf Bayern Klassik. Bandleader unserer Live-Musik ist Felix Falk \u2013 ehemaliger Referent von Monika Griefahn. Moderation: Marlen Reichert und Theo Gei\u00dfler.<\/p>\n<p \/><\/div>\n<\/blockquote>\n<div class=\"posterous_quote_citation\">via <a href=\"http:\/\/www.nmz.de\/taktlos\/archiv\/2010\/01\/140-musikpolitik-unterm-bundes-adler\/\" target=\"_blank\" rel=\"noopener\">nmz.de<\/a><\/div>\n<p>Nicht verpassen heute abend. 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Januar 2010 Live aus dem Funkhaus M\u00fcnchen Moderation: Theo Gei\u00dfler und Marlen Reichert Was hat die neue Bundesregierung mit Musik zu tun? Jede Menge. Immerhin wird die meist mausgraue Landkarte der deutschen Kulturpolitik neu gezeichnet. Dies, obwohl in der Person von Bernd Neumann der alte Bundes-Boss auch der neue ist. Das [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=140%20%E2%80%93%20Musikpolitik%20unterm%20Bundes-Adler%20%7C%20das%20ist%20taktlos https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F01%2F140-musikpolitik-unterm-bundes-adler-das-ist-taktlos%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8614,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/11\/das-ende-eines-musikpolitischen-musikmagazins\/","url_meta":{"origin":2733,"position":0},"title":"Das Ende eines musikpolitischen Musikmagazins","author":"der huflaikhan","date":"9. November 2015","format":false,"excerpt":"und die Zukunft des \u00f6ffentlich-rechtlichen Internets Rundfunks. Ende des Jahres geht bei taktlos ja das Licht aus, nach 18 Jahren und \u00fcber 180 Sendungen, alle mit Theo Gei\u00dfler in der Moderation, der nie erkrankt oder unp\u00e4sslich eine Sendung zu moderieren vers\u00e4umte. Die Sendung, so wie wir sie kannten, wird dann\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":108,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/05\/herr-kinkel-wer-ist-eigentlich-ihr-lieblingsmusiker-kulturpolitik-von-parteien-im-internet\/","url_meta":{"origin":2733,"position":1},"title":"Herr Kinkel, wer ist eigentlich ihr Lieblingsmusiker? \u2013 Kulturpolitik von Parteien im Internet, eine Nullnummer","author":"huflaikhan","date":"19. 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August 2014","format":false,"excerpt":"Es gab Zeiten, da haben Parteien Auftr\u00e4ge f\u00fcr Wahlkampflieder erteilt. Musiker, die einer Partei auch nahe standen, haben dann ein paar Lieder geschrieben. Keine Stra\u00dfenfeger allesamt. Und schwer zu sagen, ob man wirklich wollte, dass die als Kopien durch die Welt geistern oder nicht oder Copy Control am Ende mit\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1803,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/07\/these-9\/","url_meta":{"origin":2733,"position":3},"title":"These 9","author":"huflaikhan","date":"11. Juli 2006","format":false,"excerpt":"Sprachkompetenz: Voraussetzung f\u00fcr Dialog Der Kompetenzerwerb zur Beherrschung der deutschen Sprache in allen Ausbildungsstufen ist auch und gerade in der Musik Voraussetzung f\u00fcr Verstehen und Verst\u00e4ndigung. [via nmz] Seit gestern sind sie raus. Die 12 \u201eThesen\u201c des Deutschen Musikrats zum Thema \u201eInterkultureller Dialog\u201c. Die \u201eThese 9\u201c ist quasi zentral. Denn\u2026","rel":"","context":"Mit 4 Kommentaren","block_context":{"text":"Mit 4 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/07\/these-9\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8653,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/05\/european-song-contest-2016-blinde-wutlosigkeit\/","url_meta":{"origin":2733,"position":4},"title":"Eurovision Song Contest 2016 \u2013 Blinde Wutlosigkeit","author":"der huflaikhan","date":"17. Mai 2016","format":false,"excerpt":"Als letzten Samstag der European Song Contest 2016 \u00fcber die B\u00fchne ging, war eines von Anfang an klar. Das wird ein Ereignis, egal wie das Ergebnis auch lauten w\u00fcrde. Der Beitrag aus Deutschland kam im Ergebnis auf den letzten Platz, so haben es Jurys aus \"Fachleuten\" und \"telefonierende\" B\u00fcrger in\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/uwvhZKhemDw\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1483,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/10\/not-our-name-0\/","url_meta":{"origin":2733,"position":5},"title":"Not in our name","author":"huflaikhan","date":"20. Oktober 2005","format":false,"excerpt":"Der Bassist und Musikpolitiker Charlie Haden meldet sich erneut mit Musik zur\u00fcck, deren Ort im Heute liegt, deren Idee lange in seine Biographie zur\u00fcckweist. \u201eNot in our name\u201c hei\u00dft die Platte mit dem Liberation Music Orchestra, welches nun in komplett neuer Mixtur antritt. 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