{"id":2737,"date":"2010-01-03T20:18:22","date_gmt":"2010-01-03T19:18:22","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/farben-der-musik-thorsten-konigorski\/"},"modified":"2023-12-18T08:48:12","modified_gmt":"2023-12-18T07:48:12","slug":"farben-der-musik-thorsten-konigorski","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/farben-der-musik-thorsten-konigorski\/","title":{"rendered":"Farben der Musik &#8211; Thorsten Konigorski"},"content":{"rendered":"<div class=\"posterous_bookmarklet_entry\">\n<blockquote>\n<div>\n<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_83 ez-toc-wrap-center counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<div class=\"ez-toc-title-container\">\n<p class=\"ez-toc-title\" style=\"cursor:inherit\">Inhalt<\/p>\n<span class=\"ez-toc-title-toggle\"><a href=\"#\" class=\"ez-toc-pull-right ez-toc-btn ez-toc-btn-xs ez-toc-btn-default ez-toc-toggle\" aria-label=\"Toggle Table of Content\"><span class=\"ez-toc-js-icon-con\"><span class=\"\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/span><\/a><\/span><\/div>\n<nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/farben-der-musik-thorsten-konigorski\/#Thorsten_Konigorski\" >Thorsten Konigorski<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/farben-der-musik-thorsten-konigorski\/#Farben_der_Musik\" >Farben der Musik<\/a><\/li><\/ul><\/nav><\/div>\n<h3><span class=\"ez-toc-section\" id=\"Thorsten_Konigorski\"><\/span><a href=\"http:\/\/thorsten-konigorski.de\/\">Thorsten Konigorski<\/a><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<h3><span class=\"ez-toc-section\" id=\"Farben_der_Musik\"><\/span>Farben der Musik<span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p>Samstag, 26. Dezember 2009<\/p>\n<div>\n<p>Der Photok\u00fcnstler <em><a href=\"http:\/\/www.gwbenson.co.uk\/\">George Benson<\/a><\/em> hat f\u00fcr sein Projekt  <strong>Color of Music<\/strong> nebeneinanderstehende LPs fotografiert und nach farblichen Gesichtspunkten geordnet.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/thorsten-konigorski.de\/wp-content\/uploads\/2009\/12\/cover.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" title=\"cover\" src=\"https:\/\/i0.wp.com\/thorsten-konigorski.de\/wp-content\/uploads\/2009\/12\/cover-300x200.jpg?resize=300%2C200\" height=\"200\" alt=\"\" width=\"300\" \/><\/a><\/p>\n<\/p>\n<p> Auf der <a href=\"http:\/\/www.gwbenson.co.uk\/dev\/index.php?\/projects\/colour-of-music\/\">Projektseite<\/a> findet sich sehr \u00e4sthetisch die ganze Palette: white, black, blues and purpels, multicolours&#160;etc. <\/p>\n<p><a href=\"http:\/\/www.thejunction.de\/\">via<\/a><\/p>\n<\/p><\/div>\n<p><span>Kommentieren<\/span> \u00b7                                  <a href=\"http:\/\/thorsten-konigorski.de\/farben-der-musik\/trackback\/\" rel=\"trackback\">TrackBack<\/a> \u00b7 <a href=\"http:\/\/thorsten-konigorski.de\/farben-der-musik\/feed\/\">Kommentarfeed<\/a>                          <\/p>\n<\/p>\n<\/div>\n<\/blockquote>\n<div class=\"posterous_quote_citation\">via <a href=\"http:\/\/thorsten-konigorski.de\/farben-der-musik\/\">thorsten-konigorski.de<\/a><\/div>\n<p>Saufein, diese Plattensammlung.<\/p>\n<\/div>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Farben%20der%20Musik%20%E2%80%93%20Thorsten%20Konigorski https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F01%2Ffarben-der-musik-thorsten-konigorski%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Dezember 2009 Der Photok\u00fcnstler George Benson hat f\u00fcr sein Projekt Color of Music nebeneinanderstehende LPs fotografiert und nach farblichen Gesichtspunkten geordnet. 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September 2004","format":false,"excerpt":"In der aktuellen Pressemeldung des Bundesverbandes der phonographischen Wirtschaft darf man lesen: Dar\u00fcber hinaus konnten wir demonstrieren, dass die Musikfirmen trotz schwieriger wirtschaftlicher Situation nach wie vor der st\u00e4rkste Investor in musikalische Kreativit\u00e4t sind. Da haben die dem Kanzler gegen\u00fcber demonstrieren k\u00f6nnen. Entweder das ist ma\u00dflos \u00fcbertrieben oder der Kanzler\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/09\/einbildung-ist-auch-eine-bildung\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":427,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/phonowirtschaft-wichtigster-investor-musikalische-kreativitaet\/","url_meta":{"origin":2737,"position":1},"title":"Phonowirtschaft wichtigster Investor in musikalische Kreativit\u00e4t?","author":"huflaikhan","date":"4. Mai 2004","format":false,"excerpt":"Gestern fand in Berlin die Anh\u00f6rung zum Fragenkatalog der \u0084Enquete-Komission Kultur in Deutschland\u0093 statt. Aus einer Stellungnahme darf ich wohl zitieren: Dr. Thorsten BRAUN (Syndicus des Bundesverbandes der Phonographischen Wirtschaft e.V.) Antworten auf den Fragenkatalog der Enquete-Kommission \u0084Kultur in Deutschland\u0093 f\u00fcr die \u00d6ffentliche Anh\u00f6rung am 3. Mai 2004 zum Thema\u2026","rel":"","context":"Mit 4 Kommentaren","block_context":{"text":"Mit 4 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/phonowirtschaft-wichtigster-investor-musikalische-kreativitaet\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8728,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/09\/berliner-afd-populitiker-hat-neue-oper-von-richard-wagner-entdeckt\/","url_meta":{"origin":2737,"position":2},"title":"Berliner AfD-Populitiker hat neue Oper von Richard Wagner entdeckt","author":"der huflaikhan","date":"11. September 2017","format":false,"excerpt":"Pannenhilfe f\u00fcr das deutsche kulturelle Erbe kommt aus der musikwissenschaftlichen Fraktion der sich so nennenden AfD \u2013 einer Partei, die in Deutschland relativ hilflos agiert, wie man so h\u00f6rt. \"Viel Zustimmung erhielt auch Thorsten Wei\u00df, der f\u00fcr die AfD im Berliner Abgeordnetenhaus sitzt. Auch er warnte vor einer Zuwanderung mehrheitlich\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"Der Weg ist das Ziel. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/tannenhaeuser-1024x620.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/tannenhaeuser-1024x620.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/tannenhaeuser-1024x620.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/09\/tannenhaeuser-1024x620.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8625,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/02\/twitter-unsensibel\/","url_meta":{"origin":2737,"position":3},"title":"Twitter \u2013 unsensibel","author":"der huflaikhan","date":"23. Februar 2016","format":false,"excerpt":"Twitter ist offenbar auf dem absteigenden Ast. Das hat eine gemeinsame Studie von TU Darmstadt und TU Dresden zumindest nahegelegt: \u201eTwitter verlor dagegen stark an Boden. Nur noch 3,5 Prozent der Artikel\u00a0 wurden \u00fcber den Kurznachrichtendienst geteilt (2014: 6,9 Prozent). \u201eTwitter ist zudem die einzige Nachrichtenplattform, die auch in absoluten\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":490,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/pauschalverguetungen-fuers-netz\/","url_meta":{"origin":2737,"position":4},"title":"Pauschalverg\u00fctungen f\u00fcrs Netz","author":"huflaikhan","date":"22. Juni 2004","format":false,"excerpt":"Langsam formieren sich die Verfechter des Prinzips der Pauschalverg\u00fctung f\u00fcr urheberrechtlich gesch\u00fctzte Werke im Internet. Ganz druckfrisch ist eine Stellungnahme unter dem Titel \u201cKompensation ohne Kontrolle\u201d (Stellungnahme zum Zweiten Korb der Novellierung des Urheberrechtsgesetzes) ander beteiligt sind: privatkopie.net, Forum Informatikerinnen f\u00fcr Frieden und gesellschaftliche Verantwortung e.V.(FIfF), Netzwerk Neue Medien, Chaos\u2026","rel":"","context":"Mit 9 Kommentaren","block_context":{"text":"Mit 9 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/pauschalverguetungen-fuers-netz\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":222,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/08\/projektgruppe-neue-musik-bremen\/","url_meta":{"origin":2737,"position":5},"title":"projektgruppe neue musik bremen","author":"huflaikhan","date":"15. August 2003","format":false,"excerpt":"Es gibt nur wenige Veranstaltungen im Bereich der Neuen Musik, die sich dem Urauff\u00fchrungszwang widersetzen k\u00f6nnen und wollen. Die Urauff\u00fchrung von gestern ist heute schon h\u00e4ufig im Niemandsland der Geschichte verschwunden. Allenfalls sogenannte Retrospektiven zerren Vergangenes wieder ans Licht. Die Arbeit der \u201eprojektgruppe neue musik bremen e.v.\" ist von einem\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2737","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2737"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2737\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2737"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2737"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2737"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}