{"id":276,"date":"2003-11-14T08:13:00","date_gmt":"2003-11-14T07:13:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ernst-schultz-holger-stamm-go-lep-lai-lai\/"},"modified":"2023-12-18T08:50:11","modified_gmt":"2023-12-18T07:50:11","slug":"ernst-schultz-holger-stamm-go-lep-lai-lai","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/ernst-schultz-holger-stamm-go-lep-lai-lai\/","title":{"rendered":"Ernst Schultz &#038; Holger Stamm: GO LEP-LAI-LAI"},"content":{"rendered":"<div class=\"rightbox\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/wittgenstein-noch-einmal\/attachment-go-lep-lai\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/11\/20031111-2003-meta21.jpg?fit=150%2C152&amp;ssl=1\" data-orig-size=\"150,152\" data-comments-opened=\"0\" data-image-title=\"Go Lep Lai\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/11\/20031111-2003-meta21.jpg?fit=150%2C152&amp;ssl=1\" class=\" alignright size-full wp-image-275\" style=\"float: right; margin-top: 5px; margin-bottom: 5px;\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/11\/20031111-2003-meta21.jpg?resize=150%2C152&#038;ssl=1\" alt=\"Go Lep Lai\" width=\"150\" height=\"152\" \/>Meta Records machen Meta Records. Das trifft auf diese CD noch st\u00e4rker zu als auf andere aus dem gleichen Hause. \u201eGo Lep-Lai-Lai\u201d wird im Untertitel \u201ca musical journey\u201d genannt. Etwas, was immer h\u00e4ufiger auf den Schreibtischen der CD Rezensenten landet. Man kann dies wohl mit Grund eine Mode nennen. Gleichwohl: Diese Reise mit dem Mikrofon durch Thailand ist anders.<\/div>\n<p><!--break--><\/p>\n<p>W\u00e4hrend im ersten St\u00fcck noch so richtig das bl\u00fchende Leben pr\u00e4sentiert wird, mit Hupen und viel Ger\u00e4usch und Stimmen, segelt die Truppe in Track 2 &#8220;Bangkok Night\u201d gewisserma\u00dfen durch eine musikalische Passcaglia, die nach einer hohen Informationsdichte in Track 1 auch den akustischen Raum \u00f6ffnet. Das Gitarren-Solo, nun ja, das ist nicht ganz mein Geschmack, aber auf jeden Fall hat es etwas Fliegendes (im Booklet nennt es Ernst Schultz selbst mal psychedelisch (das war das Wort was mir fehlte &#8211; man kommt da aber auch aus der \u00dcbung) &#8211; und diese Bewegung wird wieder eingefangen in O-Ton. <\/p>\n<p> Gerade im Moment f\u00e4llt es mir zwar wirklich schwer die nasse thail\u00e4ndische Welt mit Gewitter [Track 12] in mein Arbeitszimmer im Dunkeln zu projezieren, aber &#8211; das sollte der H\u00f6rer wissen &#8211; das hier ist ein Arrangement keine Klangkopie aus Thailand. Und irgendwie ist es auch sehr vergn\u00fcglich diese Reise mitzumachen. Schon sch\u00f6n &#8230;<\/p>\n<p> <em>Ernst Schultz &amp; Holger Stamm featuring A.Roy &amp; Leo \u2018Pop\u2019 Gun<br \/> Meta Records, meta 21<\/em><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ernst%20Schultz%20%26%20Holger%20Stamm%3A%20GO%20LEP-LAI-LAI https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fernst-schultz-holger-stamm-go-lep-lai-lai%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Ernst%20Schultz%20%26%20Holger%20Stamm%3A%20GO%20LEP-LAI-LAI https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fernst-schultz-holger-stamm-go-lep-lai-lai%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Das trifft auf diese CD noch st\u00e4rker zu als auf andere aus dem gleichen Hause. \u201eGo Lep-Lai-Lai\u201d wird im Untertitel \u201ca musical journey\u201d genannt. Etwas, was immer h\u00e4ufiger auf den Schreibtischen der CD Rezensenten landet. Man kann dies wohl mit Grund eine Mode nennen. Gleichwohl: Diese Reise mit dem Mikrofon [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ernst%20Schultz%20%26%20Holger%20Stamm%3A%20GO%20LEP-LAI-LAI https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fernst-schultz-holger-stamm-go-lep-lai-lai%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" 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November 2003","format":false,"excerpt":"Eine zweite Reise bei Meta Racords. Das new art saxophone quartet ist im Unterengadin unterwegs, nicht wirklich aber mental. Klaus Pfister (ss), Ren\u00e9 Straub (as), Daniel Chmelik (ts) und Erich Strehler (bs) sind da unterwegs mit \"H\u00f6rbildern\u201d wie es Pfister nennt. Man ist geneigt, bei vier Saxophonen kann man nichts\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":410,"url":"https:\/\/www.kritische-masse.de\/logbuch\/bach-klavierkonzerte-nr-1-3-7\/","url_meta":{"origin":276,"position":1},"title":"Bach: Klavierkonzerte  Nr. 1, 3 &#038; 7","author":"huflaikhan","date":"14. April 2004","format":false,"excerpt":"Mit den Klavierkonzerten von Bach ist das schon so eine Sache. Die hier von Vesko Stambolov und einen Streichquartett eingespielten Konzerte Nr. 1, 3 und 7 sind urspr\u00fcnglich nicht f\u00fcrs Klavier komponiert. Nr. 1 und 3 haben ihre Ber\u00fchmtheit durch die Violine erfahren. Nr. 3 als E-Dur-Konzert (hier D-Dur), Nr.\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":150,"url":"https:\/\/www.kritische-masse.de\/logbuch\/johnny-la-marama\/","url_meta":{"origin":276,"position":2},"title":"Johnny La Marama","author":"huflaikhan","date":"28. April 2003","format":false,"excerpt":"Ein neues Werk aus dem Hause meta records, die unl\u00e4ngst nach Berlin umgezogen. Leider haben sie ihr sch\u00f6nen Booklet-System aufgegeben. Graphisch war es hocheindrucksvoll. Nun leider das Jewel-Case. Leider. Doch zur Musik: Chris Dalgren (bass), Kalle Kalima (guitar) und Eric Schaefer (drums) zeigen auf dieser Scheibe, dass man immer noch\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":370,"url":"https:\/\/www.kritische-masse.de\/logbuch\/rez-amp-stringency-universe-amp\/","url_meta":{"origin":276,"position":3},"title":"[Rez] AMP Stringency: universe of amp","author":"huflaikhan","date":"6. M\u00e4rz 2004","format":false,"excerpt":"Ganz frisch heute aus dem Briefkasten gefischt, das neueste Produkt aus dem Hause metarecords. Diese kleine umtriebige Label begann ja mit fantastisch gestalteten Verpackungen und riskanter Musik. Mittlerweile sind die CDs im Jewel-Case verpackt. Schade, aber der dort ver\u00f6ffentlichten Musik h\u00f6rt man das ja schlie\u00dflich auch nicht an. \"AMP Stringency\u201d\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":755,"url":"https:\/\/www.kritische-masse.de\/logbuch\/meta-magic-music-some-quiet-stars\/","url_meta":{"origin":276,"position":4},"title":"Meta Magic Music &#8211; Some Quiet Stars","author":"huflaikhan","date":"16. September 2004","format":false,"excerpt":"Meta Music bringen von ihrer ersten CD an exzellente Musik auf den digitalen Tontr\u00e4ger. Das kleine Label, welches momentan in Berlin seine Heimat gefunden hat, machte sich die M\u00fche, eine Art Querschnitt durch ihr Programm zu kompilieren. 11 verschiedene St\u00fccke, das Spektrum reicht von Alter Musik (wundersch\u00f6n die \u201eMusic For\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":187,"url":"https:\/\/www.kritische-masse.de\/logbuch\/maestro-turntables-blue-note-trip\/","url_meta":{"origin":276,"position":5},"title":"Maestro Turntables: Blue Note Trip","author":"huflaikhan","date":"23. Juli 2003","format":false,"excerpt":"Ganz l\u00e4ssig ist zwar diese Doppel-CD, die einige hippe Tracks von Donald Byrd \u00fcber Buddy Rich und Horace Silver bis Gary Bartz vereinigt. Alles das ist h\u00fcbsch an der Schnur aufgeperlt und loungt sich gar nicht mal ungekonnt \u00fcber insgesamt gut 140 Minuten durch. 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