{"id":277,"date":"2003-11-15T07:55:00","date_gmt":"2003-11-15T06:55:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/new-art-saxophone-quartet-guarda\/"},"modified":"2023-12-18T08:50:11","modified_gmt":"2023-12-18T07:50:11","slug":"new-art-saxophone-quartet-guarda","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/11\/new-art-saxophone-quartet-guarda\/","title":{"rendered":"new art saxophone quartet: Guarda!"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=new%20art%20saxophone%20quartet%3A%20Guarda%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F11%2Fnew-art-saxophone-quartet-guarda%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><div class=\"rightbox\"><%image(20031111-2003-meta-guarda.jpg|150|153|Guarda!)%><\/div>\n<p>Eine zweite Reise bei Meta Racords. Das new art saxophone quartet ist im Unterengadin unterwegs, nicht wirklich aber mental. Klaus Pfister (ss), Ren\u00e9 Straub (as), Daniel Chmelik (ts) und Erich Strehler (bs) sind da unterwegs mit &#8220;H\u00f6rbildern&#8221; wie es Pfister nennt. Man ist geneigt, bei vier Saxophonen kann man nichts falsch machen, die klingen einfach sowieso immer gut. Und hier ist es nicht anders.<br \/>\n<!--break--><br \/>\nHerausgekommen ist ein musikalisches Vielerlei, das sich zwischen der quartettlogischen Patternwirtschaft und experimentellen Klangerzeugnissen ausbreitet: mal s\u00fcffig, mal feingliedrig, also immer differenziert. Dahinter stehen zwar beinahe programmatische Anmutungen gro\u00dfer bildlicher Tragkraft wie &#8220;Lai blau &#8211; 2700 m H\u00f6he, ein See aus blauem Glas&#8221; &#8211; doch das schadet in mehrfacher Hinsicht nicht. Wer in den Bergen war, kenn \u00e4hnliche Bilder und Gef\u00fchle, die sie ausl\u00f6sen. Sie haben etwas Unerreichbares, was nicht so richtig durch rationalisierten Klang einholbar ist [ich pers\u00f6nlich w\u00fcrde da am ehesten noch an Webernsche Musik denken]. <\/p>\n<p>Und es schadet auch nicht, weil man dieses meines Erachtens notwenige Misslingen nicht als solches h\u00f6rt. Die Musik bleibt frisch und eigen. Sie ist weit genug auch entfernt von der rauhen Bl\u00e4ue es Julius Hemphill mit seinen Saxophonisten, die in Berlin auf dem Jazzfest anno 1992 oder 1993 die Musik zum Kochen brachten. <\/p>\n<p><i>new art saxophone quartet: Guarda!<br \/>\nMeta Records, meta 20<\/i><br \/>\n<!--more--><\/p>\n<div class=\"rightbox\"><%image(20031111-2003-meta-guarda.jpg|150|153|Guarda!)%><\/div>\n<p>Eine zweite Reise bei Meta Racords. Das new art saxophone quartet ist im Unterengadin unterwegs, nicht wirklich aber mental. Klaus Pfister (ss), Ren\u00e9 Straub (as), Daniel Chmelik (ts) und Erich Strehler (bs) sind da unterwegs mit &#8220;H\u00f6rbildern&#8221; wie es Pfister nennt. Man ist geneigt, bei vier Saxophonen kann man nichts falsch machen, die klingen einfach sowieso immer gut. Und hier ist es nicht anders.<br \/>\n<!--break--><br \/>\nHerausgekommen ist ein musikalisches Vielerlei, das sich zwischen der quartettlogischen Patternwirtschaft und experimentellen Klangerzeugnissen ausbreitet: mal s\u00fcffig, mal feingliedrig, also immer differenziert. Dahinter stehen zwar beinahe programmatische Anmutungen gro\u00dfer bildlicher Tragkraft wie &#8220;Lai blau &#8211; 2700 m H\u00f6he, ein See aus blauem Glas&#8221; &#8211; doch das schadet in mehrfacher Hinsicht nicht. Wer in den Bergen war, kenn \u00e4hnliche Bilder und Gef\u00fchle, die sie ausl\u00f6sen. Sie haben etwas Unerreichbares, was nicht so richtig durch rationalisierten Klang einholbar ist [ich pers\u00f6nlich w\u00fcrde da am ehesten noch an Webernsche Musik denken]. <\/p>\n<p>Und es schadet auch nicht, weil man dieses meines Erachtens notwenige Misslingen nicht als solches h\u00f6rt. Die Musik bleibt frisch und eigen. Sie ist weit genug auch entfernt von der rauhen Bl\u00e4ue es Julius Hemphill mit seinen Saxophonisten, die in Berlin auf dem Jazzfest anno 1992 oder 1993 die Musik zum Kochen brachten. <\/p>\n<p><i>new art saxophone quartet: Guarda!<br \/>\nMeta Records, meta 20<\/i><\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=new%20art%20saxophone%20quartet%3A%20Guarda%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F11%2Fnew-art-saxophone-quartet-guarda%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=new%20art%20saxophone%20quartet%3A%20Guarda%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F11%2Fnew-art-saxophone-quartet-guarda%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Das new art saxophone quartet ist im Unterengadin unterwegs, nicht wirklich aber mental. Klaus Pfister (ss), Ren\u00e9 Straub (as), Daniel Chmelik (ts) und Erich Strehler (bs) sind da unterwegs mit &#8220;H\u00f6rbildern&#8221; wie es Pfister nennt. Man ist geneigt, bei vier Saxophonen kann man nichts falsch machen, die klingen einfach [&hellip;]<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=new%20art%20saxophone%20quartet%3A%20Guarda%21 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F11%2Fnew-art-saxophone-quartet-guarda%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 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Juli 2007","format":false,"excerpt":"Das sind Energiest\u00f6\u00dfe, wie man sie lange nicht mehr geh\u00f6rt hat. Drei Klangmeister an den Saxophonen und Klarinetten. Energiest\u00f6\u00dfe, reine Tonaktivit\u00e4t, kaum geb\u00e4ndigt durch Organisationsstr\u00f6me. Peter Br\u00f6tzmann, Mats Gustafsson und Ken Vandermark veranstalten hier ein Klang-, Ton-, Ger\u00e4uschgewitter, das donnert, knistert, sch\u00e4umt, str\u00f6mt, dunkelt, erhellt. 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