{"id":2772,"date":"2010-01-26T16:33:52","date_gmt":"2010-01-26T15:33:52","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/handballen-psychobloggerei-2\/"},"modified":"2023-12-18T08:48:12","modified_gmt":"2023-12-18T07:48:12","slug":"handballen-psychobloggerei-2","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/handballen-psychobloggerei-2\/","title":{"rendered":"Handballen &#8211; Psychobloggerei"},"content":{"rendered":"<div class='p_embed p_image_embed'>\n<img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"2771\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/handballen-psychobloggerei-2\/attachment-gema\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/gema.jpg?fit=484%2C369&amp;ssl=1\" data-orig-size=\"484,369\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"gema\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/gema.jpg?fit=484%2C369&amp;ssl=1\" class=\" size-full wp-image-2771\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/gema.jpg?resize=484%2C369&#038;ssl=1\" alt=\"\" width=\"484\" height=\"369\" style=\"\" srcset=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/gema.jpg?w=484&amp;ssl=1 484w, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/gema.jpg?resize=300%2C229&amp;ssl=1 300w\" sizes=\"auto, (max-width: 484px) 100vw, 484px\" \/>\n<\/div>\n<p>Pressfotos sind gelegentlich aufschlussreich. Manchmal mehr, manchmal <br \/>weniger. Es ist ja auch furchtbar, auf was mal alles achten muss, wenn <br \/>man sich dem Foto stellt. <\/p>\n<p \/> Hier ist des die Pressesprecherin der GEMA, Frau M\u00fcller, sie steht <br \/>zusammen mit einem ganz bedeutenden Komponisten (nicht im Bild). Was <br \/>bedeutet diese Handhaltung. Ballen? Zwei Abz\u00fcge vom Foddo bitte, oder was?<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Handballen%20%E2%80%93%20Psychobloggerei https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F01%2Fhandballen-psychobloggerei-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Handballen%20%E2%80%93%20Psychobloggerei https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F01%2Fhandballen-psychobloggerei-2%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Manchmal mehr, manchmal weniger. Es ist ja auch furchtbar, auf was mal alles achten muss, wenn man sich dem Foto stellt. Hier ist des die Pressesprecherin der GEMA, Frau M\u00fcller, sie steht zusammen mit einem ganz bedeutenden Komponisten (nicht im Bild). Was bedeutet diese Handhaltung. Ballen? Zwei Abz\u00fcge vom Foddo bitte, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Handballen%20%E2%80%93%20Psychobloggerei https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F01%2Fhandballen-psychobloggerei-2%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":2639,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/handballen-psychobloggerei\/","url_meta":{"origin":2772,"position":0},"title":"Handballen &#8211; Psychobloggerei","author":"huflaikhan","date":"26. Januar 2010","format":false,"excerpt":"Pressefotos sind gelegentlich aufschlussreich. Manchmal mehr, manchmal weniger. Es ist ja auch furchtbar, auf was mal alles achten muss, wenn man sich dem Foto stellt. Hier ist des die Pressesprecherin der GEMA, Frau M\u00fcller, sie steht zusammen mit einem ganz bedeutenden Komponisten (nicht im Bild). Was bedeutet diese Handhaltung. Ballen?\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":12949,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/02\/bilder-copyright-chaos-hausgemacht\/","url_meta":{"origin":2772,"position":1},"title":"Bilder-Copyright-Chaos \u2013 hausgemacht","author":"der huflaikhan","date":"25. Februar 2026","format":false,"excerpt":"Eine h\u00e4ufige Quelle des Abmahnungsungemachs findet sich, wenn man Bilder aus dem Internet verwendet und eine korrekte Quellenangabe ben\u00f6tigt. Ich habe viel mit Theaterbildern zu tun, die ich mit korrekter Quelle ben\u00f6tige. Jetzt tauchte der Fall auf, dass Bildmaterial aus einer Oper und Elfriede Jelinek und Olga Neuwirth zu benamsen\u2026","rel":"","context":"In &quot;Amt f\u00fcr Vermassungsschutz&quot;","block_context":{"text":"Amt f\u00fcr Vermassungsschutz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/vermassungsschutz\/"},"img":{"alt_text":"Rummelplatz Theater Chemnitz","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/02\/Rummelplatz-Theater-Chemnitz.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/02\/Rummelplatz-Theater-Chemnitz.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/02\/Rummelplatz-Theater-Chemnitz.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2026\/02\/Rummelplatz-Theater-Chemnitz.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8402,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/05\/kritik-und-foto-2\/","url_meta":{"origin":2772,"position":2},"title":"Kritik und Foto","author":"der huflaikhan","date":"28. Mai 2013","format":false,"excerpt":"Gerade habe ich im Blog von kwerfeldein (Foto-Magazin) einen Text \u00fcber das ultimative Foto gelesen, das es ja nicht gibt. Insofern ist Kritik eine nat\u00fcrliche Sache. Das ist in anderen Bereichen der Kunst nicht anders. Kritik geh\u00f6rt zur Kunst. Martin Gommel f\u00fchrt dabei einen Haufen von \u201ekritischen Bemerkungen\u201c an, die\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Bolland'sche Bierbrauerei Regensburg. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2814,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/05\/kritik-und-foto\/","url_meta":{"origin":2772,"position":3},"title":"Kritik und Foto","author":"huflaikhan","date":"28. Mai 2013","format":false,"excerpt":"\u00dcber Kritiker und Fotografen. \u00dcber kritisierende Fotografen und fotografierende Kritiker. \u00dcber die Manipulation durch \u201eobjektive\u201c Daten. \u00dcber die Selbstmanipulation durchs Schielen auf die Resonanz. Gerade habe ich im Blog von kwerfeldein (Foto-Magazin) einen Text \u00fcber das ultimative Foto gelesen, das es ja nicht gibt. Insofern ist Kritik eine nat\u00fcrliche Sache.\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Bolland'sche Bierbrauerei Regensburg. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/05\/Bollandsche_Bierbrauerei.jpg?fit=1016%2C684&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/05\/Bollandsche_Bierbrauerei.jpg?fit=1016%2C684&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/05\/Bollandsche_Bierbrauerei.jpg?fit=1016%2C684&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/05\/Bollandsche_Bierbrauerei.jpg?fit=1016%2C684&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8930,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/facebook-ausraeumen-die-chlorreichen-sieben\/","url_meta":{"origin":2772,"position":4},"title":"Facebook ausr\u00e4umen \/ Die chlorreichen Sieben","author":"der huflaikhan","date":"5. Februar 2024","format":false,"excerpt":"Facebook ist zu r\u00e4umen nach allen Formen, die sich da ergeben. Aber auch alte Pr\u00e4senzen sind aufzugeben. In den letzten Jahren habe unter anderem podcastle.info schlecht gepflegt \u2013 sollte man eine \u00dcbersicht zu den Podcasts aus dem Bereich der \u201eernsten\u201c Musik werden, also jenseits der ganzen Gesch\u00fctze der Kulturindustrie. podcastle.info\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Die chorreichen Sieben. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_05_vor7_die_chlorreichen_sieben.jpg?fit=1200%2C675&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":2762,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/01\/berforderung-fussballplatz\/","url_meta":{"origin":2772,"position":5},"title":"\u00dcberforderung &#8211; Fussballplatz","author":"hufi","date":"31. Januar 2010","format":false,"excerpt":"Manchmal denke ich, dass die hier ein bisschen die Ma\u00dfst\u00e4be verloren haben. Ob Wildschweine wirklich so intelligent sind. Der Platz m\u00fcsste auch mal ges\u00e4ubert werden. An sich. H\u00fcbsch isses ja vielleicht. See the full gallery on Posterous","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"Machnow-16","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/machnow-16-scaled-1000.jpg?fit=1000%2C750&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/machnow-16-scaled-1000.jpg?fit=1000%2C750&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/machnow-16-scaled-1000.jpg?fit=1000%2C750&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/machnow-16-scaled-1000.jpg?fit=1000%2C750&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2010\/01\/gema.jpg?fit=484%2C369&ssl=1","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2772"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2772\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/2771"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}