{"id":2785,"date":"2010-10-16T20:06:00","date_gmt":"2010-10-16T19:06:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ein-mann-mit-trompete-klingender-berg-enzyklop-die-der-kritischen-masse\/"},"modified":"2023-12-18T08:48:11","modified_gmt":"2023-12-18T07:48:11","slug":"ein-mann-mit-trompete-klingender-berg-enzyklop-die-der-kritischen-masse","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/ein-mann-mit-trompete-klingender-berg-enzyklop-die-der-kritischen-masse\/","title":{"rendered":"Ein Mann mit Trompete &#8211; Klingender Berg | Enzyklop\u00e4die der Kritischen Masse"},"content":{"rendered":"<div class=\"posterous_bookmarklet_entry\">\n<div class=\"posterous_quote_citation\">via <a href=\"http:\/\/www.kritische-masse.de\/blog\/audio\/ein-mann-mit-trompete-klingender-berg\">kritische-masse.de<\/a><\/div>\n<\/p>\n<\/div>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":945,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kinder-horror-musik-schau-v-auf-du-junger-wandersmann\/","url_meta":{"origin":2785,"position":0},"title":"Kinder-Horror-Musik-Schau V  \u2013 Auf Du junger Wandersmann","author":"huflaikhan","date":"9. Dezember 2004","format":false,"excerpt":"Platz 5. Auf du junger Wandersmann von irgendeiner Platte. Der Charme einer Kirchentagsmusik. Es ist zum weinen. H\u00f6ren, und dann weinen. Der geneigte Leser kennt den Originaltext und die Originalmelodie. Auf, du junger Wandersmann, Bald schon kommt die Zeit heran, Die Wanderszeit die gibt uns Freud. Woll'n uns auf die\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":943,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kinder-horror-musik-schau-iii-jetzt-bin-ich-junger-pionier\/","url_meta":{"origin":2785,"position":1},"title":"Kinder-Horror-Musik-Schau III \u2013 Jetzt bin ich junger Pionier","author":"huflaikhan","date":"7. Dezember 2004","format":false,"excerpt":"Platz 3 der Horror-Parade kommt aus dem Osten des Landes und hat mehrere Lenze auf dem Buckel. Dabei f\u00e4llt es gar nicht so einfach, diese St\u00fcck dort unterzubringen. Es ist eben DDR-Musik, das hei\u00dft in der Regel, sie ist solide und gut gemacht: \u201eJetzt bin ich junger Pionier\u201c (Text: Walter\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8723,"url":"https:\/\/www.kritische-masse.de\/logbuch\/enzyklopaedie-der-neuen-musik-der-allgemein-verstaendliche-stil\/","url_meta":{"origin":2785,"position":2},"title":"Enzyklop\u00e4die der Neuen Musik: Der &#8220;allgemein verst\u00e4ndliche Stil&#8221;","author":"der huflaikhan","date":"21. Juli 2017","format":false,"excerpt":"Barbara Boisits, habilitierte Musikwissenschaftlerin aus \u00d6sterreich, pr\u00e4gte den Begriff des \"allgemein verst\u00e4ndlichen Stils\" als Stilbegriff innerhalb der Neuen Musik anl\u00e4sslich eines Artikels in der \"oeml\", dem \"grundlegende[n] Nachschlagewerk zu Musik und Musikleben in \u00d6sterreich\", das \"sich an die wissenschaftliche Fachwelt ebenso wie an interessierte Laien\" richtet. \"W. (\u2026) strebte einen\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Allgemein verst\u00e4ndlicher Stil. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/07\/papierkorb_c_hufner-1024x678.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/07\/papierkorb_c_hufner-1024x678.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/07\/papierkorb_c_hufner-1024x678.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/07\/papierkorb_c_hufner-1024x678.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":193,"url":"https:\/\/www.kritische-masse.de\/logbuch\/transporter-glaze\/","url_meta":{"origin":2785,"position":3},"title":"Transporter: Glaze","author":"huflaikhan","date":"24. Juli 2003","format":false,"excerpt":"Insbesondere f\u00fcr Freunde von Rhodes und Vibraphon, die sich zugleich auf den Wogen ausgeruhter und enervierender Rhythmen fortbewegen wollen, d\u00fcrfte dieses Album von Interesse sein. Club-Kultur und Jazz sind ja keine Feinde, doch so richtige Freundschaft scheint immer beide Seiten zu besch\u00e4digen oder zu beleidigen. Denn der Zaubervirtuose aus dem\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Transporter Glaze","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030722-masse-cd-transporter.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8812,"url":"https:\/\/www.kritische-masse.de\/logbuch\/enzyklopaedie-der-neuen-musik-tautochronie-mensch-und-maschine\/","url_meta":{"origin":2785,"position":4},"title":"Enzyklop\u00e4die der Neuen Musik: \u201eTautochronie\u201c &#038; \u201eMensch und Maschine\u201c","author":"der huflaikhan","date":"10. September 2019","format":false,"excerpt":"Eine neue Woche mit Neuer Musik im Radio. Hier Kalenderwoche 38 (16. bis 22. September) 2019. Ein Titel stammt dabei aus meiner Feder \"op.3 g f\u00fcr Violine und Tonband\" wars glaube ich. Da ich aber vollst\u00e4ndig chronophob (oder war es phonophob, Herr Doktor?) bin, traue ich mich auch nicht zu\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1308,"url":"https:\/\/www.kritische-masse.de\/logbuch\/verhangen\/","url_meta":{"origin":2785,"position":5},"title":"Verhangen","author":"huflaikhan","date":"11. Juli 2005","format":false,"excerpt":"sind die W\u00e4lder, nach einem regnerischen Tag in den Bergen. Wenn sich die Wolken legen tief in die T\u00e4ler hinein, wenn die Berge bepudert werden. Wenn langsam sich Strahlen von Sonne durch das Lichtdickicht schlagen. Vorank\u00fcndigung einer Drohung \u2014 vielleicht, vielleicht auch seltene Momente eines \u00dcberganges des Werdens. \u00a0","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"S\u00fcdtirol. 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