{"id":2786,"date":"2010-09-25T19:56:44","date_gmt":"2010-09-25T18:56:44","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/django-burgaller\/"},"modified":"2023-12-18T08:48:11","modified_gmt":"2023-12-18T07:48:11","slug":"django-burgaller","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/09\/django-burgaller\/","title":{"rendered":"Django Burgaller"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Django%20Burgaller https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F09%2Fdjango-burgaller%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>    Ein Dirigent mit seinem Orchester. Blindfisch schie\u00dft Foto:<\/p>\n<p \/>\n<div style=\"width: 510px;\"><a href=\"https:\/\/i0.wp.com\/hupe.urteilskraft.de\/start\/wp-content\/uploads\/2010\/09\/django-102559.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" title=\"Django Burgaller\" class=\"size-medium wp-image-116\" src=\"https:\/\/i0.wp.com\/hupe.urteilskraft.de\/start\/wp-content\/uploads\/2010\/09\/django-102559-500x334.jpg?resize=500%2C334\" height=\"334\" alt=\"Ein Mann und ein R\u00fccken\" width=\"500\" \/><\/a><\/p>\n<p>Ein Mann und ein R\u00fccken<\/p>\n<\/div>\n<div class=\"posterous_quote_citation\">via <a href=\"http:\/\/statikpulse.com\/posterize\">Posterize<\/a><\/div>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Django%20Burgaller https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F09%2Fdjango-burgaller%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Mit dem SWR Symphonieorchester hat Deutschland endlich seine eierlegende Wollmilchsau gefunden. Es ist besser als anderen deutschen Rundfunkorchester zusammen, weil auch gr\u00f6\u00dfer und aus zwei hervorragenden Orchestern zusammengesetzt \u2013 die einen nennen es noch wehm\u00fctig fusioniert, die anderen ganz\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"opfer m\u00fcssen begracht werden. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3290,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/12\/k-nstler-und-politik\/","url_meta":{"origin":2786,"position":2},"title":"K\u00fcnstler und Politik","author":"huflaikhan","date":"18. Dezember 2013","format":false,"excerpt":"\u201eIch kenne dieses Gesetz nicht und ich verstehe es auch nicht\", sagte der Dirigent Gergiev, dem demn\u00e4chst die M\u00fcnchner Philharmoniker als Chefdirigent leiten soll und erg\u00e4nzt. \u201eIch bin ein vielbesch\u00e4ftigter K\u00fcnstler.\u201c Das entschuldigt nat\u00fcrlich alles. Ich bin ein vielbesch\u00e4ftigter Hausmann und kann mich ja auch nicht um allen Kram k\u00fcmmern,\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Bretterbretterbretter. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8656,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/04\/orchesterselfies-next-season\/","url_meta":{"origin":2786,"position":3},"title":"Orchesterselfies \u2013 next season","author":"der huflaikhan","date":"5. April 2016","format":false,"excerpt":"Die n\u00e4chste Konzert-Saison steht schon in den Startl\u00f6chern. \u00dcberall gibt es Pressekonferenzen, dass es nur so scheppert. Die Orchester stellen ihre Programme vor. Und ihre Programmbrosch\u00fcren. Das \u00e4ndert sich ja jeder Jahr irgendwie doch, auch wenn es alles nur so um Mahler und Bruckner kreiselt. Die Sachen machen ja auch\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Deutsches Symphonieorchester. Foto: Frank Eidel","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/DSO-eidel-1024x683.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/DSO-eidel-1024x683.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/DSO-eidel-1024x683.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":8413,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/12\/kuenstler-und-politik-gergiev\/","url_meta":{"origin":2786,"position":4},"title":"K\u00fcnstler und Politik: Gergiev","author":"der huflaikhan","date":"18. Dezember 2013","format":false,"excerpt":"\u201eIch kenne dieses Gesetz nicht und ich verstehe es auch nicht\", sagte der Dirigent Gergiev, dem demn\u00e4chst die M\u00fcnchner Philharmoniker als Chefdirigent leiten soll und erg\u00e4nzt. \u201eIch bin ein vielbesch\u00e4ftigter K\u00fcnstler.\u201c Das entschuldigt nat\u00fcrlich alles. Ich bin ein vielbesch\u00e4ftigter Hausmann und kann mich ja auch nicht um allen Kram k\u00fcmmern,\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8666,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/07\/welcome-in-scheissland\/","url_meta":{"origin":2786,"position":5},"title":"Buchmarkt mit Charme","author":"der huflaikhan","date":"3. Juli 2016","format":false,"excerpt":"Well, so is it, wenn man mal wieder in einer Drogerie gelandet ist, man schl\u00e4gt hart auf. Ja, in einer Drogerie, nicht in einem Schreibwarengesch\u00e4ft, nicht in einer Buchhandlung, obwohl es dort ganz sicher die n\u00e4mlichen Regale gibt \u2013 eher Egale. Das Egal Sachbuch ist ja nicht unbedingt sofort erkennbar\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Sachbuch Platz 4. Foto: MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/07\/platz4-201x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2786"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2786\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}