{"id":2786,"date":"2010-09-25T19:56:44","date_gmt":"2010-09-25T18:56:44","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/django-burgaller\/"},"modified":"2023-12-18T08:48:11","modified_gmt":"2023-12-18T07:48:11","slug":"django-burgaller","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/django-burgaller\/","title":{"rendered":"Django Burgaller"},"content":{"rendered":"<p>    Ein Dirigent mit seinem Orchester. Blindfisch schie\u00dft Foto:<\/p>\n<p \/>\n<div style=\"width: 510px;\"><a href=\"https:\/\/i0.wp.com\/hupe.urteilskraft.de\/start\/wp-content\/uploads\/2010\/09\/django-102559.jpg\" target=\"_blank\" rel=\"noopener\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" title=\"Django Burgaller\" class=\"size-medium wp-image-116\" src=\"https:\/\/i0.wp.com\/hupe.urteilskraft.de\/start\/wp-content\/uploads\/2010\/09\/django-102559-500x334.jpg?resize=500%2C334\" height=\"334\" alt=\"Ein Mann und ein R\u00fccken\" width=\"500\" \/><\/a><\/p>\n<p>Ein Mann und ein R\u00fccken<\/p>\n<\/div>\n<div class=\"posterous_quote_citation\">via <a href=\"http:\/\/statikpulse.com\/posterize\" target=\"_blank\" rel=\"noopener\">Posterize<\/a><\/div>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Django%20Burgaller https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fdjango-burgaller%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Blindfisch schie\u00dft Foto: Ein Mann und ein R\u00fccken via Posterize<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Django%20Burgaller https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fdjango-burgaller%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8682,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-trojanische-orchester-und-die-deutsche-orchesterverweigerung\/","url_meta":{"origin":2786,"position":0},"title":"Das trojanische Orchester und die Deutsche Orchesterverweigerung","author":"der huflaikhan","date":"28. September 2016","format":false,"excerpt":"Der Clou mit dem trojanischen Pferd war ein l\u00e4cherlicher Trick dagegen. Mit dem SWR Symphonieorchester hat Deutschland endlich seine eierlegende Wollmilchsau gefunden. Es ist besser als anderen deutschen Rundfunkorchester zusammen, weil auch gr\u00f6\u00dfer und aus zwei hervorragenden Orchestern zusammengesetzt \u2013 die einen nennen es noch wehm\u00fctig fusioniert, die anderen ganz\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"opfer m\u00fcssen begracht werden. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/09\/salome1-1024x353.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8552,"url":"https:\/\/www.kritische-masse.de\/logbuch\/bester-dirigent-sucht-orchester\/","url_meta":{"origin":2786,"position":1},"title":"Bester Dirigent sucht Orchester!","author":"der huflaikhan","date":"15. Mai 2015","format":"video","excerpt":"Ich denke, da l\u00e4sst sich was machen. Dieser Dirigent hat kein Chef-Orchester und manches Orchester sucht einen Chefdirigenten. WinWin-Situation w\u00fcrde ich mal sagen. Schlagtechnik ist 1A. Das zu h\u00f6rende Orchester k\u00f6nnte sich bei bisserl mehr M\u00fche geben.","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3290,"url":"https:\/\/www.kritische-masse.de\/logbuch\/k-nstler-und-politik\/","url_meta":{"origin":2786,"position":2},"title":"K\u00fcnstler und Politik","author":"huflaikhan","date":"18. Dezember 2013","format":false,"excerpt":"\u201eIch kenne dieses Gesetz nicht und ich verstehe es auch nicht\", sagte der Dirigent Gergiev, dem demn\u00e4chst die M\u00fcnchner Philharmoniker als Chefdirigent leiten soll und erg\u00e4nzt. \u201eIch bin ein vielbesch\u00e4ftigter K\u00fcnstler.\u201c Das entschuldigt nat\u00fcrlich alles. Ich bin ein vielbesch\u00e4ftigter Hausmann und kann mich ja auch nicht um allen Kram k\u00fcmmern,\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Bretterbretterbretter. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/12\/fotoday-260256.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8666,"url":"https:\/\/www.kritische-masse.de\/logbuch\/welcome-in-scheissland\/","url_meta":{"origin":2786,"position":3},"title":"Buchmarkt mit Charme","author":"der huflaikhan","date":"3. Juli 2016","format":false,"excerpt":"Well, so is it, wenn man mal wieder in einer Drogerie gelandet ist, man schl\u00e4gt hart auf. Ja, in einer Drogerie, nicht in einem Schreibwarengesch\u00e4ft, nicht in einer Buchhandlung, obwohl es dort ganz sicher die n\u00e4mlichen Regale gibt \u2013 eher Egale. Das Egal Sachbuch ist ja nicht unbedingt sofort erkennbar\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Sachbuch Platz 4. Foto: MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/07\/platz4-201x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8656,"url":"https:\/\/www.kritische-masse.de\/logbuch\/orchesterselfies-next-season\/","url_meta":{"origin":2786,"position":4},"title":"Orchesterselfies \u2013 next season","author":"der huflaikhan","date":"5. April 2016","format":false,"excerpt":"Die n\u00e4chste Konzert-Saison steht schon in den Startl\u00f6chern. \u00dcberall gibt es Pressekonferenzen, dass es nur so scheppert. Die Orchester stellen ihre Programme vor. Und ihre Programmbrosch\u00fcren. Das \u00e4ndert sich ja jeder Jahr irgendwie doch, auch wenn es alles nur so um Mahler und Bruckner kreiselt. Die Sachen machen ja auch\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Deutsches Symphonieorchester. Foto: Frank Eidel","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/DSO-eidel-1024x683.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/DSO-eidel-1024x683.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/04\/DSO-eidel-1024x683.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":8898,"url":"https:\/\/www.kritische-masse.de\/logbuch\/warum-desavouiert-der-swr-tc-so-sehr\/","url_meta":{"origin":2786,"position":5},"title":"Warum desavouiert der SWR TC so sehr","author":"der huflaikhan","date":"10. Dezember 2023","format":false,"excerpt":"Oder ist das subtilstes Mobbing? Oder nur eine schlechte \u00dcbersetzung eines kruden Gedankens? Es muss im SWR (\u00f6ffentlich-rechtliche Rundfunkanstalt) jemanden geben, der den aktuellen Dirigenten seines zusammengeschrumpfen Orchesterapparates noch mehr nicht mag, als der Intendant des SWR, Kai Gniffke, das Radio insgesamt. Auf einer Facebook-Kachel liest man da, den Dirigenten\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"\u201eDiese Sinfonie ist das eigentliche Zeugnis f\u00fcr die zeitgen\u00f6ssische Musik. Deshalb hatte ich die Idee, dieses Adagio zu spielen, weil es ein gro\u00dfartiges St\u00fcck Musik ist, das mir sehr viel bedeutet.\u201c","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/07\/tc_swr.jpg?fit=960%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/07\/tc_swr.jpg?fit=960%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/07\/tc_swr.jpg?fit=960%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2023\/07\/tc_swr.jpg?fit=960%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2786"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2786\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}