{"id":2797,"date":"2010-05-13T06:58:44","date_gmt":"2010-05-13T05:58:44","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/hast-du-schon-salz-ins-nudelwasser-gemacht-kultur-und-technik\/"},"modified":"2023-12-18T08:48:11","modified_gmt":"2023-12-18T07:48:11","slug":"hast-du-schon-salz-ins-nudelwasser-gemacht-kultur-und-technik","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/05\/hast-du-schon-salz-ins-nudelwasser-gemacht-kultur-und-technik\/","title":{"rendered":"Hast du schon Salz ins Nudelwasser gemacht? &#8211; Kultur und Technik"},"content":{"rendered":"<p>    H\u00e4ufig scheine ich einfach einf\u00e4ltig zu sein, jedenfalls kommt es mir so vor, wenn ich die Reaktionen meiner Umgebung auf bescheidene (Nach-)Fragen meinerseits richtig interpretiere. Frage ich: &#8220;Ist der Schmerz einseitig?&#8221; kommt die Antwort, das sei bei dieser Krankheit doch immer der Fall. Naja, klar, wie konnte ich das vergessen. Dumme Frage. <\/p>\n<p \/> Aber nicht wirklich. Ich komme aus einer Branche, in der einfach vieles nur durch ungezieltes Nachfragen sich erschlie\u00dft. Dem Musikbereich. Klar sagte der Professor damals, wenn auf einem St\u00fcck &#8220;Sonate&#8221; drauf steht, muss man eben sehen, ob da auch &#8220;Sonate&#8221; drin ist. Und manchmal, was hei\u00dft manchmal &#8211; in der Regel immer, besonders bei Kunst von Rang &#8211; sind Abweichungen die Norm. Ein Violinkonzert ohne Violine, eines ohne Konzert? Blues in elf Takten? Etc. <\/p>\n<p \/> Deshalb wundere ich mich immer wieder, wenn ich auf eine Frage zur Antwort bekomme, das habe man schon gesagt, das ist doch klar. Das ist so. <\/p>\n<p \/> Hast du schon Salz ins Nudelwasser gemacht? &#8220;Ich mache immer Salz ins Nudelwasser.&#8221; Muss bei dem Patienten wirklich die linke Niere raus? &#8220;Steht doch auf dem Plan.&#8221; In welcher Richtung liegt der Patient? <\/p>\n<p \/> Die Sesamstra\u00dfe hat zu wirken aufgeh\u00f6rt: Wer nicht fragt bleibt dumm, war ein kluges Motto. Irgendwie scheint sich da was zu drehen. Heute ist man der Dumme, wenn man fragt.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Hast%20du%20schon%20Salz%20ins%20Nudelwasser%20gemacht%3F%20%E2%80%93%20Kultur%20und%20Technik https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F05%2Fhast-du-schon-salz-ins-nudelwasser-gemacht-kultur-und-technik%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Hast%20du%20schon%20Salz%20ins%20Nudelwasser%20gemacht%3F%20%E2%80%93%20Kultur%20und%20Technik https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F05%2Fhast-du-schon-salz-ins-nudelwasser-gemacht-kultur-und-technik%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Frage ich: &#8220;Ist der Schmerz einseitig?&#8221; kommt die Antwort, das sei bei dieser Krankheit doch immer der Fall. Naja, klar, wie konnte ich das vergessen. Dumme Frage. Aber nicht wirklich. [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Hast%20du%20schon%20Salz%20ins%20Nudelwasser%20gemacht%3F%20%E2%80%93%20Kultur%20und%20Technik https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2010%2F05%2Fhast-du-schon-salz-ins-nudelwasser-gemacht-kultur-und-technik%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/4acd29497e831db3bb6cf332b3f72f6425714e08ad21fafe27722485bc7bceab?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1648,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/02\/violinkonzert\/","url_meta":{"origin":2797,"position":0},"title":"Violinkonzert","author":"huflaikhan","date":"26. Februar 2006","format":false,"excerpt":"Das Urheberrecht erlischt \u2014 wie bekannt \u2014 70 Jahre nach dem Tod des Urhebers. 1935 starb der Komponist Alban Berg. Somit l\u00e4uft da das Urheberrecht an den Werken aus. Vielleicht nicht ganz, weil einige Dinge erst nachtr\u00e4glich in eine Fassung kamen, die erst ab diesem Zeitpunkt dann laufen. Das h\u00e4ngt\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8335,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/02\/a-dur-2\/","url_meta":{"origin":2797,"position":1},"title":"A-Dur","author":"der huflaikhan","date":"2. Februar 2007","format":false,"excerpt":"Violinkonzert von Wolfgang Amadeus Mozart. Eigentlich wende ich mich doch selten der guten alten Musik zu. Denn sie ist gut, sie tut gut. Keine Ahnung, was in solcher Musik so sehr zu ber\u00fchren vermag. Nach nur wenigen T\u00f6nen scheint sich ein Zauber um einen zu legen, so wie in dem\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Mozart Violinkonzert","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/02\/2007-mozart1.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2012,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/02\/a-dur\/","url_meta":{"origin":2797,"position":2},"title":"A-Dur","author":"huflaikhan","date":"1. Februar 2007","format":false,"excerpt":"Violinkonzert von Wolfgang Amadeus Mozart. Eigentlich wende ich mich doch selten der guten alten Musik zu. Denn sie ist gut, sie tut gut. Keine Ahnung, was in solcher Musik so sehr zu ber\u00fchren vermag. Nach nur wenigen T\u00f6nen scheint sich ein Zauber um einen zu legen, so wie in dem\u2026","rel":"","context":"In \"A-Dur\"","block_context":{"text":"A-Dur","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/a-dur\/"},"img":{"alt_text":"Adagio","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2007\/02\/2007-mozart1.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1061,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/02\/alban-berg-sonate-fuer-klavier-op-1\/","url_meta":{"origin":2797,"position":3},"title":"Alban Berg: Sonate f\u00fcr Klavier op. 1","author":"huflaikhan","date":"15. Februar 2005","format":false,"excerpt":"Gerade, Alban Berg, Sonate f\u00fcr Klavier op.1. Ungeheuerlich. Es interessiert ja keinen, aber trotzdem sei es gesagt. Ich war damals ein kleiner Hupfer, vielleicht 17 oder 18 Jahre alt. Die Musikbibliothek der Stadt Wolfsburg suchte ich auf, nachzuschauen, was die haben von Alban Berg und anderen. Das war eine wirklich\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Alban Berg: Sonate f\u00fcr Klavier (Vordersatz","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/02\/20050215-berg.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":6775,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/01\/das-trennende-die-vielfalt-die-verhaertung\/","url_meta":{"origin":2797,"position":4},"title":"Das Trennende, die Vielfalt, die Verh\u00e4rtung","author":"der huflaikhan","date":"12. Januar 2024","format":false,"excerpt":"Divers ist Vielfalt, nicht Trennung durch Ab-, Aufwertung gegeneinander. Erfahrungen im Deutschland es Jahres 2024. Wo bleibt bei aller Gefahr nur das Rettende auch? Musik f\u00fcr die Insel mit den Violinkonzerten von Alban Berg und Johannes Brahms.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Eine Eislaterne. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/IMG_5509-scaled.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8853,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2022\/01\/these-oder-phrase-kultur-und-freizeit-im-gg\/","url_meta":{"origin":2797,"position":5},"title":"These oder Phrase? Kultur und Freizeit im GG","author":"der huflaikhan","date":"11. Januar 2022","format":false,"excerpt":"Unsere neue Kulturstaatsministerin schwingt schon mal gro\u00dfe Worte. \u00abAuch in der Krise r\u00e4umen Bund und L\u00e4nder der Kultur den Stellenwert ein, der ihrer Bedeutung f\u00fcr die Gesellschaft und der Stellung der Kunstfreiheit im Grundgesetz entspricht.\u00bb Dies mache der ausdr\u00fcckliche Hinweis auf die besondere Begr\u00fcndungspflicht f\u00fcr Beschr\u00e4nkungen des Kulturbetriebs deutlich, sagte\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kultur\/"},"img":{"alt_text":"huflaikhan","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/05\/p1050175.jpg?fit=800%2C600&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/05\/p1050175.jpg?fit=800%2C600&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/05\/p1050175.jpg?fit=800%2C600&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/05\/p1050175.jpg?fit=800%2C600&ssl=1&resize=700%2C400 2x"},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2797","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2797"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2797\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2797"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2797"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2797"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}