{"id":2864,"date":"2009-02-24T09:50:14","date_gmt":"2009-02-24T08:50:14","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/kulturelle-kreativitaet\/"},"modified":"2023-12-18T08:44:34","modified_gmt":"2023-12-18T07:44:34","slug":"kulturelle-kreativitaet","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/kulturelle-kreativitaet\/","title":{"rendered":"Bauer: Kulturelle Kreativit\u00e4t"},"content":{"rendered":"<p><em>&#8220;Kulturelle Kreativit&auml;t ist keineswegs ein Luxusph&auml;nomen, sondern Ausdruck der Suche nach dem, worauf wir unserem tiefsten biologischen Wesen nach ausgerichtet sind.&#8221;<\/em><sup id=\"mfn-content-0000000000004d4c0000000000000000_2864-1\" class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004d4c0000000000000000_2864\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004d4c0000000000000000_2864-1\">1<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Joachim Bauer, Prinzip Menschlichkeit &#8211; Warum wir von Natur aus kooperieren, M&uuml;nchen-Z&uuml;rich 2008, S. 225. 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Hervorhebung vom Autor <a href=\"#mfn-content-0000000000004d4c0000000000000000_2864-1\" class=\"modern-footnotes-scroll-to-footnote\" aria-label=\"Back to reference 1 in text\">\u21a9\ufe0e<\/a><\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>&#8220;Kulturelle Kreativit&auml;t ist keineswegs ein Luxusph&auml;nomen, sondern Ausdruck der Suche nach dem, worauf wir unserem tiefsten biologischen Wesen nach ausgerichtet sind.&#8221;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Bauer%3A%20Kulturelle%20Kreativit%C3%A4t https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkulturelle-kreativitaet%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8250,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kulturaustausch-mediterran-2\/","url_meta":{"origin":2864,"position":0},"title":"Kulturaustausch &#8211; mediterran","author":"der huflaikhan","date":"3. August 2004","format":false,"excerpt":"Gestern blieb es hier etwas stumm, denn eine Redaktionssitzung forderte mich heraus. Sie wurde typischerweise zu einer Ein-Tages-Klausur. Ertragreich, streitvoll, jedoch gerne konstruktiv. Da ich gestern bester b\u00f6ser Laune war, stellte ich wieder mal fast jedes Thema infrage. Irgendwann kam es zum Komplex EU-Kultur und Kulturaustausch. Ein heftiger Schlagabtausch zog\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3343,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kultur-und-verwaltung-nach-adorno\/","url_meta":{"origin":2864,"position":1},"title":"Kultur und Verwaltung \u2013 Nach Adorno","author":"huflaikhan","date":"25. M\u00e4rz 2014","format":false,"excerpt":"\u201eJe mehr f\u00fcr die Kultur geschieht, desto schlechter f\u00fcr sie, formulierte Eduard Steuermann. Diese Paradoxie w\u00e4re zu entfalten: da\u00df sie Schaden nehme, wenn sie geplant und verwaltet wird; da\u00df aber, wenn sie sich selbst \u00fcberlassen bleibt, alles Kulturelle nicht nur die M\u00f6glichkeit der Wirkung, sondern die Existenz zu verlieren droht.\u201c\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Selfie als Steuermann. 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Dezember 2018","format":false,"excerpt":"Manchmal wei\u00df man nicht mehr, was den einen oder anderen Chefredakteur einer Zeitung umtreibt. Hier hat sich Ulf Poschardt im Zusammenhang mit den Ver\u00e4nderungen in der CDU weit aus dem Fenster gelehnt und zu bestimmen versucht, welcher Art und wessen Geistes die Intellektuellen oder K\u00fcnstler in diesem Land sind. Er\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"Die subventionierte Kunst im bequemen Elfenbeinturm. So sieht es Ulf Poschardt. 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Mai 2005","format":false,"excerpt":"Die Zeiten, die Zeiten: a) Rektor der Hochschule f\u00fcr Musik und Theater M\u00fcnchen, Siegfried Mauser (2005): Was mich ein bisschen gest\u00f6rt hat an dem Beitrag [\u00fcber \"Operette unterm Hakenkreuz\"; M.H.], ist, was ich eigentlich mittlerweile wirklich komplett satt habe, dieses Gegeneinanderstellen von E- und U-Musik und dass man die U-Musik\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2640,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-leben-ndern-nicht-die-kunst\/","url_meta":{"origin":2864,"position":4},"title":"Das Leben \u00e4ndern, nicht die Kunst","author":"huflaikhan","date":"9. Januar 2011","format":false,"excerpt":"\u00a0Bei Edgar Wind und bei Adorno habe ich einige andere Einsichten gewonnen.In dem Kapitel \u00fcber \u00e4sthetische Partizipation stellt Wind fest, dass Kunst und Leben sich auseinanderentwickelt h\u00e4tten. Die Kunst sei in einer \"Randstellung\" zu finden. Und die K\u00fcnstler h\u00e4tten alles daran gesetzt, dies auch zu wollen:\"... die Gr\u00f6\u00dfe eines K\u00fcnstlers\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8792,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-leben-aendern-nicht-die-kunst\/","url_meta":{"origin":2864,"position":5},"title":"Das Leben \u00e4ndern, nicht die Kunst","author":"der huflaikhan","date":"10. Januar 2019","format":false,"excerpt":"Seit einiger Zeit wird immer wieder behauptet, dass die Menschen und die K\u00fcnste nicht zusammen f\u00e4nden. Man macht da gewiss Unterschiede zwischen den K\u00fcnsten. Bildende Kunst und Dichtung gelten als nur bedingt problematisch. Bei Musik gibt es ein Riesendurcheinander. Musikvermittlung wird eingesetzt. Denn irgendwie m\u00fcssen doch Musik und Menschen einander\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"Das Orchester. 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