{"id":2889,"date":"2009-06-24T05:53:56","date_gmt":"2009-06-24T04:53:56","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/piraten\/"},"modified":"2023-12-18T08:44:34","modified_gmt":"2023-12-18T07:44:34","slug":"piraten","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/06\/piraten\/","title":{"rendered":"Piraten"},"content":{"rendered":"<p><object width=\"480\" height=\"385\"><param name=\"movie\" value=\"http:\/\/www.youtube.com\/v\/JHHcRetNLFc&#038;hl=de&#038;fs=1&#038;\"><\/param><param name=\"allowFullScreen\" value=\"true\"><\/param><param name=\"allowscriptaccess\" value=\"always\"><\/param><\/object><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Piraten 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Juni 2015","format":false,"excerpt":"Was macht man eigentlich so im Kompositionsunterricht an einer deutschen Musikhochschule? Mit Kanons auf Spatzen schie\u00dfen. https:\/\/youtu.be\/HA7n2VHdoe4 https:\/\/youtu.be\/_Oaqh-mGnkE Oder aber so? https:\/\/youtu.be\/z4L59UsFL2I \u00a0","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/HA7n2VHdoe4\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2781,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2011\/05\/153-arbeitsplatz-komponier-h-usl\/","url_meta":{"origin":2889,"position":1},"title":"153 &#8211; Arbeitsplatz Komponier-H\u00e4usl","author":"hufi","date":"10. Mai 2011","format":false,"excerpt":"Die deutschen Musikhochschulen bilden unerm\u00fcdlich und mit hohem Aufwand Komponistinnen und Komponisten aus. Zu diesem kreativen Akademiker-Potenzial gesellen sich j\u00e4hrlich hunderte Autodidakten. Besteht f\u00fcr all diese Ton-Sch\u00f6pfer \u2013 vor allem auch im Bereich der sogenannten \u201eernsten\u201c Musik \u2013 die Chance, sich mit dem erlernten Beruf zu ern\u00e4hren? Antworten liefern am\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8569,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/06\/geschichte-ist-grausam\/","url_meta":{"origin":2889,"position":2},"title":"Geschichte ist grausam","author":"der huflaikhan","date":"10. Juni 2015","format":"quote","excerpt":"Gestern gestorben, zwei Exponenten der Musik der letzten Jahrzehnte, die unterschiedlicher nicht sein k\u00f6nnten. Rainer Riehn (* 12. November 1941 in Danzig; \u2020 9. Juni 2015) https:\/\/youtu.be\/EceRgiae_zQ James Last (* 17. April 1929 in Bremen; \u2020 9. Juni 2015 in Florida, Vereinigte Staaten[1]; mit b\u00fcrgerlichem Namen Hans Last) https:\/\/youtu.be\/KrHr6MLUnrs Rainer\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/EceRgiae_zQ\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8566,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/07\/composing-life-nico-sauer\/","url_meta":{"origin":2889,"position":3},"title":"Composing Life (Nico Sauer)","author":"der huflaikhan","date":"21. Juli 2015","format":"video","excerpt":"In einer ziemlich analytischen Art und Weise hat der Karlsruher Komponist und Mensch, Nico Sauer, die Bedeutung des Komponieren f\u00fcr die Lebensf\u00fchrung des Menschen in ein Video gefasst. Was zun\u00e4chst vielleicht wie eine Persiflage auf Medienereignisse erscheinen mag, folgt einer sehr vitalen und tiefgr\u00fcndigen Logik. Du sollst dein Leben komponieren!\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/t65DrqLlBKA\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":632,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/kalenderblatt-august-2004\/","url_meta":{"origin":2889,"position":4},"title":"Kalenderblatt August 2004","author":"huflaikhan","date":"31. Juli 2004","format":false,"excerpt":"Allem \u00c4rger zum Trotz: Es gibt nichts Sch\u00f6neres als Komponieren, wenn man es denn kann - und im Einzelfall es auch nicht kann, wie ich. Das Bild der T\u00f6ne auf dem Papier, die Aufl\u00f6sungszeichen und Stichnoten, Schl\u00fcssel- und Lagenwechsel. Um nach einiger Zeit des Gedankenpinselns festzustellen, dass dies alles nix\u2026","rel":"","context":"In \"Kalenderblatt\"","block_context":{"text":"Kalenderblatt","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/kalenderblatt\/"},"img":{"alt_text":"Verworfene Noten","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040731-notenschnitt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8616,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/11\/eine-kochshow-1959-tonbaender-und-komponisten\/","url_meta":{"origin":2889,"position":5},"title":"Eine Kochshow 1959: Tonb\u00e4nder und Komponisten","author":"der huflaikhan","date":"13. November 2015","format":"video","excerpt":"https:\/\/youtu.be\/1RjMuB8Qkd8 Es ist ja schon viel \u00fcber die gesellschaftliche Bedeutung und Situation des Komponisten geschrieben worden. Hier sieht man ihn direkt bei der Arbeit. Und wo steht er? Er steht nicht, er sitzt. Und wo sitzt er? 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