{"id":289,"date":"2003-12-06T19:22:43","date_gmt":"2003-12-06T18:22:43","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/katja-riemann-oktett-favourites\/"},"modified":"2023-12-18T08:50:11","modified_gmt":"2023-12-18T07:50:11","slug":"katja-riemann-oktett-favourites","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/katja-riemann-oktett-favourites\/","title":{"rendered":"Katja Riemann Oktett: Favourites"},"content":{"rendered":"<p>\u00a0<\/p>\n<p><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"288\" data-permalink=\"https:\/\/www.kritische-masse.de\/logbuch\/wittgenstein-noch-einmal\/attachment-katja-riemann-favourites\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/12\/20031206-cd-riemann.jpg?fit=150%2C150&amp;ssl=1\" data-orig-size=\"150,150\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Katja Riemann: Favourites\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/12\/20031206-cd-riemann.jpg?fit=150%2C150&amp;ssl=1\" class=\" alignright size-full wp-image-288\" style=\"float: right; margin-left: 5px; margin-right: 5px;\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/12\/20031206-cd-riemann.jpg?resize=150%2C150&#038;ssl=1\" alt=\"Katja Riemann: Favourites\" width=\"150\" height=\"150\" \/>Eine \u00dcberraschung. Ich h\u00e4tte wirklich nicht gedacht, dass diese Lieblingst\u00fccke Katja Riemanns (gesungen von ihr selbst) reizvoll sein w\u00fcrden. Erwartet hatte ich so einen Promi-Musikbrei. Nein, eben das ist es nicht, gleich von der ersten Note an nicht. Die musikalischen Arrangements sind ganz detailliert und sehr luftig &#8211; trotz Oktett. Nix mit Brei.<\/p>\n<p><!--break--><\/p>\n<p>Man pausiert gerne und die Backing Vocals von Angela Chinyere Ordu helfen viel, die gelegentlich doch etwas einfarbige Stimme von Katja Riemann zu unterf\u00fcttern. Das hat etwas von neuweltlichem Chanson, da der Gestus der Musik sehr kammermusikalisch, fast schon intim, wirkt. Die St\u00fccke dr\u00e4ngen sich wenig auf und gehen auch zahlreichen Wendungen, die man erwarten w\u00fcrde, aus dem Weg. 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Ich h\u00e4tte wirklich nicht gedacht, dass diese Lieblingst\u00fccke Katja Riemanns (gesungen von ihr selbst) reizvoll sein w\u00fcrden. Erwartet hatte ich so einen Promi-Musikbrei. Nein, eben das ist es nicht, gleich von der ersten Note an nicht. Die musikalischen Arrangements sind ganz detailliert und sehr luftig &#8211; trotz Oktett. Nix mit Brei. Man [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Katja%20Riemann%20Oktett%3A%20Favourites https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkatja-riemann-oktett-favourites%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8680,"url":"https:\/\/www.kritische-masse.de\/logbuch\/adagio-werbung-in-sehr-langsam\/","url_meta":{"origin":289,"position":0},"title":"Adagio \u2013 Werbung in sehr langsam","author":"der huflaikhan","date":"9. August 2016","format":false,"excerpt":"Immer wieder gibt es Produkte aus der au\u00dfermusikalischen Lebenswelt die mit Attributen aus der musikalischen Welt verkn\u00fcpft werden. So beim Streamingdienst f\u00fcr klassische Musik idagio. So aber zum Beispiel auch beim Werbeprospekt eines Kaufhauses. Die Anziehsachen, die man dort findet, ich wei\u00df schon gar nicht mehr was es war, das\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10052,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kein-abschied-von-vorgestern\/","url_meta":{"origin":289,"position":1},"title":"Kein Abschied von vorgestern","author":"der huflaikhan","date":"4. August 2024","format":false,"excerpt":"Kein Abschied von Vorgestern, sondern ein kleiner Erinnerungsrausch. Das Powerbook G4 12-Zoll bleibt am Leben \u2026","rel":"","context":"In &quot;Privates&quot;","block_context":{"text":"Privates","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/privates\/"},"img":{"alt_text":"Am Stromnetz.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/HUF3235-3-scaled.jpg?fit=1200%2C801&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/HUF3235-3-scaled.jpg?fit=1200%2C801&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/HUF3235-3-scaled.jpg?fit=1200%2C801&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/HUF3235-3-scaled.jpg?fit=1200%2C801&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/08\/HUF3235-3-scaled.jpg?fit=1200%2C801&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":10565,"url":"https:\/\/www.kritische-masse.de\/logbuch\/facebook-ausraeumen-politik-empoerung-und-oeffentlichkeit\/","url_meta":{"origin":289,"position":2},"title":"Facebook ausr\u00e4umen \u2013 Politik, Emp\u00f6rung und \u00d6ffentlichkeit","author":"der huflaikhan","date":"7. 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Juni 2004","format":false,"excerpt":"Die rechtliche Duftmarke ist gesetzt, jetzt auch in Deutschland. Das lief alles irgendwie unbeobachtet. Mir ist jedenfalls nichts bekannt geworden. Zwei Monate d\u00fcrfte es insgesamt gedauert haben. F\u00fcr einen Kommentar habe ich leider keine Zeit mehr. 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