{"id":2916,"date":"2009-10-09T21:54:00","date_gmt":"2009-10-09T20:54:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/jazz-fuer-beginner-sometimes-my-prince-will-come\/"},"modified":"2023-12-18T08:44:18","modified_gmt":"2023-12-18T07:44:18","slug":"jazz-fuer-beginner-sometimes-my-prince-will-come","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/jazz-fuer-beginner-sometimes-my-prince-will-come\/","title":{"rendered":"Jazz f\u00fcr Beginner [Someday My Prince Will Come]"},"content":{"rendered":"<p>Pl\u00f6tzlich, im Hintergrund lief das Keith Jarrett Trio mit Peacock und deJohnette aus dem Jahr 1988, war es irgendwie klar. Jazzstandards mit fotografischen Mitteln machen:<\/p>\n<p><a href=\"http:\/\/www.kritische-masse.de\/fotobuch\/hufi\/natur\/tiere\/hund.jpg.html\"><img data-recalc-dims=\"1\" decoding=\"async\" src=\"https:\/\/i0.wp.com\/www.kritische-masse.de\/fotobuch\/d\/4014-2\/hund.jpg?w=1200\" alt=\"hund.jpg\" \/><\/a><\/p>\n<p>Here: Someday My Prince Will Come<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Jazz%20f%C3%BCr%20Beginner%20%5BSomeday%20My%20Prince%20Will%20Come%5D https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fjazz-fuer-beginner-sometimes-my-prince-will-come%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Jazz%20f%C3%BCr%20Beginner%20%5BSomeday%20My%20Prince%20Will%20Come%5D https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fjazz-fuer-beginner-sometimes-my-prince-will-come%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Jazzstandards mit fotografischen Mitteln machen: Here: Someday My Prince Will Come<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Jazz%20f%C3%BCr%20Beginner%20%5BSomeday%20My%20Prince%20Will%20Come%5D https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fjazz-fuer-beginner-sometimes-my-prince-will-come%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1194,"url":"https:\/\/www.kritische-masse.de\/logbuch\/hommage-a-keith-jarrett\/","url_meta":{"origin":2916,"position":0},"title":"Hommage \u00e1 Keith Jarrett","author":"huflaikhan","date":"10. Mai 2005","format":false,"excerpt":"Ich hatte es fast vergessen, obgleich ich mir sein neuestes Werk \u201eRadiance\u201c heute zugelegt habe. Was macht man mit keinem Geld, man gibt es aus. Wozu gibt es denn auch Kreditkarten. \u2014 Habe mir sagen lassen, in den USA bekommt man eine solche nur, wenn man in den Miesen steckt.\u2026","rel":"","context":"In \"Jazz\"","block_context":{"text":"Jazz","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/jazz\/"},"img":{"alt_text":"Huffl am Fl&uuml;gel","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/05\/20050510-huf-jarrett.jpg?fit=500%2C359&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1559,"url":"https:\/\/www.kritische-masse.de\/logbuch\/eingekochte-improvisation-keith-jarrett-radiance\/","url_meta":{"origin":2916,"position":1},"title":"Eingekochte Improvisation: Keith Jarrett: Radiance","author":"huflaikhan","date":"21. Dezember 2005","format":false,"excerpt":"Eine Musikt\u00fcr geht auf, ganz sachte, ganz vorsichtig. Die Kl\u00e4nge eines Klaviers ziehen an einem vorbei. Man stellt sich in den Strom der T\u00f6ne, l\u00e4sst sich mitgehen, eine Reise in aller musikalischen Konsequenz und dennoch unbestimmt. Wer will kann so eine Fahrkarte l\u00f6sen, kann sich in den Klangraum der Solo-Musik\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2768,"url":"https:\/\/www.kritische-masse.de\/logbuch\/die-erde-ist-eine-scheibe\/","url_meta":{"origin":2916,"position":2},"title":"Die Erde ist eine Scheibe","author":"hufi","date":"30. Januar 2010","format":false,"excerpt":"Paris Concert von Keith Jarrett. Magnetische Anziehungskraft. Gestern wieder ein paar Akkorde selbst gekloppt. Neuronentanz. 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Februar 2015","format":false,"excerpt":"Mit eher weniger Theorie als Reproduktion! Nicht lange ist es her,\u00a0 da feierte man den 40. Geburtstag von Keith Jarretts legend\u00e4rem K\u00f6ln Concert. Es war der 24. Januar und alles lief schief, das Konzert im Opernhaus drohte zu platzen. W\u00e4re jetzt auch nicht so schlimm gewesen, denn Jarrett war zwar\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/06\/20050616-katze.jpg?fit=500%2C393&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":177,"url":"https:\/\/www.kritische-masse.de\/logbuch\/keith-jarrett-gary-peacock-jack-dejohnette-it\/","url_meta":{"origin":2916,"position":5},"title":"Keith Jarrett, Gary Peacock, Jack deJohnette: up for it","author":"huflaikhan","date":"19. Juni 2003","format":false,"excerpt":"Das Trio setzt Standards: Musik an einem lauen Sommerabend, unspektakul\u00e4r, aber ganz klar im Hier und Jetzt. Das kann gl\u00fccklich machen wie Nudeln, aber niemals abh\u00e4ngig. Keith Jarrett, Gary Peacock, Jack deJohnette: up for it \u2013 Live in Juan-les-Pins, France. July 2002 [ECM1860]","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/keith-jarrett-gary-peacock-jack-dejohnette-it\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2916","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2916"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2916\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2916"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2916"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2916"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}