{"id":2921,"date":"2009-10-24T19:34:26","date_gmt":"2009-10-24T18:34:26","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/schumann-goebbels-dolphy-und-mozart\/"},"modified":"2023-12-18T08:44:18","modified_gmt":"2023-12-18T07:44:18","slug":"schumann-goebbels-dolphy-und-mozart","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/schumann-goebbels-dolphy-und-mozart\/","title":{"rendered":"Schumann, Goebbels, Dolphy und Mozart"},"content":{"rendered":"<p>Heute ein anderer Ritt, nachdem gestern noch das Balanescu Quartett mit seiner Kraftwerk-CD zum Abwaschen nachlegen musste.<\/p>\n<p>Gut der Zender kann mit der vierten Sinfonie von Schumann schon ganz sch\u00f6n langweilen und die Musik ist wirklich richtig nervend. Wenn einem nichts mehr einf\u00e4llt, wiederholt man sich einfach. Vivaldi kannte wenigstens die Technik des Sequenzierens.<\/p>\n<p>Danach Gobbels\/Harth mit &#8220;Die Zeit wird knapp&#8221; von 1981 und dem Jakob Apfelb\u00f6ck Teil von Brecht, was doch auch ganz aktuell ist.<\/p>\n<p>Eric Dolphys s\u00e4mtliche Prestige-Records, davon die CD 9. Ist furchtbar abgemischt, aber zusammen mit dem Kind hinrei\u00dfend anzulauschen.<\/p>\n<p><!--more--><br \/>\nHeute ein anderer Ritt, nachdem gestern noch das Balanescu Quartett mit seiner Kraftwerk-CD zum Abwaschen nachlegen musste.<\/p>\n<p>Gut der Zender kann mit der vierten Sinfonie von Schumann schon ganz sch\u00f6n langweilen und die Musik ist wirklich richtig nervend. Wenn einem nichts mehr einf\u00e4llt, wiederholt man sich einfach. Vivaldi kannte wenigstens die Technik des Sequenzierens.<\/p>\n<p>Danach Gobbels\/Harth mit &#8220;Die Zeit wird knapp&#8221; von 1981 und dem Jakob Apfelb\u00f6ck Teil von Brecht, was doch auch ganz aktuell ist.<\/p>\n<p>Eric Dolphys s\u00e4mtliche Prestige-Records, davon die CD 9. Ist furchtbar abgemischt, aber zusammen mit dem Kind hinrei\u00dfend anzulauschen.<\/p>\n<p>Schlie\u00dflich das Mozart-Orakel. Blinder Griff in die Schatulle. Gute Wahl. Ein paar drei Mozart-Klaviersonaten. Aber nicht nackt von Arno L\u00fccker gespielt. Trotzdem ganz gut. <\/p>\n<p>Anderes Kind treibt sich nachts durchs miefige Berlin, wohl auf der Suche nach Impfstoff f\u00fcr die grauen Zellen. <\/p>\n<p>Kommt auch noch: K\u00f6rperoptimierung als superaktueller Trend.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Schumann%2C%20Goebbels%2C%20Dolphy%20und%20Mozart https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fschumann-goebbels-dolphy-und-mozart%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Schumann%2C%20Goebbels%2C%20Dolphy%20und%20Mozart https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fschumann-goebbels-dolphy-und-mozart%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Gut der Zender kann mit der vierten Sinfonie von Schumann schon ganz sch\u00f6n langweilen und die Musik ist wirklich richtig nervend. Wenn einem nichts mehr einf\u00e4llt, wiederholt man sich einfach. Vivaldi kannte wenigstens die Technik des Sequenzierens. Danach [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Schumann%2C%20Goebbels%2C%20Dolphy%20und%20Mozart https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fschumann-goebbels-dolphy-und-mozart%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Februar 2004","format":false,"excerpt":"Heute nach mehrfachem Besehen des Giant-Steps-Films auch wieder die Dolphy-Packung (The Complete Prestige Recordings) herausgeholt. CD 2, Take 1: \u201cThe Drive\u201d ganz \u00e4hnlich wie Coltranes Giant Steps, abfallende Akkordbrechungen. Nicht ganz so harmonisch kompliziert, daf\u00fcr im Chrous mit kontrapunktischen Elementen, chromatische Linie in den Nebenstimmen. 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Wie man vom Musikinstrumenten- zum Fahrradbau kommt.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Ich prangere das an. Neuko\u0308lln. Berlin. 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M\u00e4rz 2006","format":false,"excerpt":"Vor einiger Zeit reichten mir Peter Pan und Hotel Mama einmal einen Fragebogen zur Musik weiter. Beide mussten nicht damit rechnen, dass ich darauf eingehen werde, weil die Fragen zu unpr\u00e4zise bzw. zu pr\u00e4zise und damit die Antworten zu simpel ausfallen m\u00fcssen. Ich habe ja nichts gegen die Popkultur und\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/fragebogen-zur-musik\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8648,"url":"https:\/\/www.kritische-masse.de\/logbuch\/unmusikalische-diebe\/","url_meta":{"origin":2921,"position":3},"title":"Das Krenek-Genom \u2013 Die Erfindung der Musik von Phil Glass im Jahr 1923","author":"der huflaikhan","date":"4. Mai 2016","format":false,"excerpt":"Es ist ein paar Jahre her, da hat mir Reinhard Schulz eine CD-Kassette mit den Streichquartetten von Ernst Krenek \u00fcberlassen. Man muss dazu wissen, ich war in den 90er Jahren in Folge bestimmter Texte Adornos zum Fan der Musik Kreneks geworden. Die beiden ersten Streichquartette kannte ich schon recht gut,\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/9lPIDRvyYjM\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":50,"url":"https:\/\/www.kritische-masse.de\/logbuch\/sich-schwerelos-durch-einen-harten-markt-spielen\/","url_meta":{"origin":2921,"position":4},"title":"Sich schwerelos durch einen harten Markt spielen","author":"huflaikhan","date":"2. Mai 1999","format":false,"excerpt":"Eigene Konzertreihe im Konzerthaus, Ideen zur Hochschulausbildung: das Vogler Quartett setzt AkzenteAls sich die Musik-Biennale 1999 um die Musik der 80er Jahre bem\u00fcht hat, lag es auf der Hand, auch eines der extremsten Werke aus dieser Zeit zur Auff\u00fchrung zu bringen: Morton Feldmans 1983 komponiertes Zweites Streichquartett. Es ist mit\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":170,"url":"https:\/\/www.kritische-masse.de\/logbuch\/ein-portraet-des-leipziger-iturriaga-quartetts\/","url_meta":{"origin":2921,"position":5},"title":"Ein Portr\u00e4t des Leipziger Iturriaga Quartetts","author":"huflaikhan","date":"12. Mai 2003","format":false,"excerpt":"Unverstellte Ann\u00e4herung von vorn an unverbrauchte Musik Zusammengez\u00e4hlt sind sie gerade mal etwas mehr als hundert Jahre alt, die vier Streicher des Iturriaga Quartetts. Damit d\u00fcrften sie gegenw\u00e4rtig eines der j\u00fcngsten Quartett-Ensembles \u00fcberhaupt sein. Zum Teil stecken sie sogar im Moment noch im Hochschulpr\u00fcfungsstress. 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