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Juni 2005","format":false,"excerpt":"(nmz) Mit Siegfried Palm starb gestern in Frechen bei K\u00f6ln eine kulturelle Leit- und Vaterfigur der deutschen Musikszene des zwanzigsten Jahrhunderts. Als Interpret widmeten ihm die wichtigsten Komponisten der zeitgen\u00f6ssischen Musik Solowerke: Bernd Alois Zimmermann, Iannis Xenakis, Mauricio Kagel, Krzystof Penderecki, Wolfgang Rihm und viele andere. Palm hat sie lebendig\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":297,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/12\/2003-topps-und-flopps\/","url_meta":{"origin":2928,"position":1},"title":"2003 in Topps und Flopps","author":"huflaikhan","date":"20. Dezember 2003","format":false,"excerpt":"Es geh\u00f6rt sich nicht und doch passierts jetzt zum ersten Mal. Eine Liste mit sch\u00f6nen Dingen, die sich im letzten Jahr ergeben haben. Bei Nennungen handelt es sich daher nicht zwingend um Neuheiten. Musik Corinne Douarre: Virages Bernd Begemann: Rezession Baby! the broken beats: the weather beats the rhythm Iannis\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/12\/2003-topps-und-flopps\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":207,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/07\/iannis-xenakis-la-legende-d-eer-diatope\/","url_meta":{"origin":2928,"position":2},"title":"Iannis Xenakis: La L\u00e9gende d\u2018eer [diatope]","author":"huflaikhan","date":"29. Juli 2003","format":false,"excerpt":"\u201ePi\u00e8ce electroacoustique pour bande 8 pistes 1977\/1978\u201c: ebenfalls so ein Monsterst\u00fcck f\u00fcr Tonband, das aber einen ganz anderen Aufbau als Persepolis hat. Nicht das dichte Gegrummel von Persepolis sondern viel ziselierter. Xenakis beschreibt sie folgenderma\u00dfen: \u201ePi\u00e8ce electroacoustique pour bande 8 pistes 1977\/1978\u201c: ebenfalls so ein Monsterst\u00fcck f\u00fcr Tonband, das aber\u2026","rel":"","context":"In "Tontr\u00e4ger"","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Legenden von Xenakis","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030726-masse-cd-xenakis-legende.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":205,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/07\/iannis-xenakis-persepolis-remixes-edition-i\/","url_meta":{"origin":2928,"position":3},"title":"Iannis Xenakis: Persepolis \u2013 Remixes (Edition I)","author":"huflaikhan","date":"28. Juli 2003","format":false,"excerpt":"Persepolis (1971) von Iannis Xenakis ist urspr\u00fcnglich f\u00fcr eine Outdoor-Auff\u00fchrung an alten persischen Pl\u00e4tzen gedacht gewesen \u2013 erg\u00e4nzt um zahlreiche multimediale Zusatzbestandteile. Persepolis ist ein Tonbandst\u00fcck aus \u201ekonkreten Kl\u00e4ngen\u201c in der L\u00e4nge von 56 Minuten. 56 Minuten puren musikalischen Dauerstresses k\u00f6nnte man auch sagen. Es quietschen und kreischen da Kl\u00e4nge\u2026","rel":"","context":"In "Tontr\u00e4ger"","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Persepolis","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030726-masse-cd-xenakis-persepolis.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2465,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/07\/schlag-zeug\/","url_meta":{"origin":2928,"position":4},"title":"Schlag-Zeug","author":"huflaikhan","date":"18. Juli 2008","format":false,"excerpt":"Ist immer etwas schwierig, wenn man Vors\u00e4tzen untreu wird. Etwa: Videos einbauen. Denn das machen viele ganz gerne und auch manchmal sympathisch. Das Dekorative \u00fcberwiegt jedoch in vielen F\u00e4llen und das Auffinden des Absurden oder Kuriosen. Im Bereich der sog. E-Musik entwickelt sich aber eine ganze andere Welt auch. N\u00e4mlich\u2026","rel":"","context":"In "das Netz"","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":440,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/musik-ist-keine-sprache\/","url_meta":{"origin":2928,"position":5},"title":"\u00bbMusik ist keine Sprache\u00ab","author":"huflaikhan","date":"17. Mai 2004","format":false,"excerpt":"Endlich wieder die Signatur in der Newsgroup de.rec.musik.klassik eingesetzt: Musik ist keine Sprache. Jedes Musikst\u00fcck ist eine Art Felsblock in einer komplexen Form mit Schrammen und Mustern, die darauf und darein geritzt sind und die ein Mensch auf tausend verschiedene Weisen entziffern k\u00f6nnen, ohne dass eine dieser Weisen die beste\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2928"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2928\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}