{"id":2928,"date":"2009-11-24T15:04:43","date_gmt":"2009-11-24T14:04:43","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/nach-der-digitalen-kaelte\/"},"modified":"2023-12-18T08:44:18","modified_gmt":"2023-12-18T07:44:18","slug":"nach-der-digitalen-kaelte","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/11\/nach-der-digitalen-kaelte\/","title":{"rendered":"Nach der digitalen K\u00e4lte"},"content":{"rendered":"<p>H\u00f6rte es und war vergn\u00fcgt. Der Xenakis des 18. Jahrhunderts. 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1264,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/06\/siegfried-palm-ist-tot-cellist-lehrer-intendant-kulturpolitiker\/","url_meta":{"origin":2928,"position":0},"title":"Siegfried Palm ist tot: Cellist, Lehrer, Intendant, Kulturpolitiker","author":"huflaikhan","date":"7. Juni 2005","format":false,"excerpt":"(nmz) Mit Siegfried Palm starb gestern in Frechen bei K\u00f6ln eine kulturelle Leit- und Vaterfigur der deutschen Musikszene des zwanzigsten Jahrhunderts. Als Interpret widmeten ihm die wichtigsten Komponisten der zeitgen\u00f6ssischen Musik Solowerke: Bernd Alois Zimmermann, Iannis Xenakis, Mauricio Kagel, Krzystof Penderecki, Wolfgang Rihm und viele andere. Palm hat sie lebendig\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":297,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/12\/2003-topps-und-flopps\/","url_meta":{"origin":2928,"position":1},"title":"2003 in Topps und Flopps","author":"huflaikhan","date":"20. Dezember 2003","format":false,"excerpt":"Es geh\u00f6rt sich nicht und doch passierts jetzt zum ersten Mal. Eine Liste mit sch\u00f6nen Dingen, die sich im letzten Jahr ergeben haben. Bei Nennungen handelt es sich daher nicht zwingend um Neuheiten. Musik Corinne Douarre: Virages Bernd Begemann: Rezession Baby! the broken beats: the weather beats the rhythm Iannis\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/12\/2003-topps-und-flopps\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":207,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/07\/iannis-xenakis-la-legende-d-eer-diatope\/","url_meta":{"origin":2928,"position":2},"title":"Iannis Xenakis: La L\u00e9gende d\u2018eer [diatope]","author":"huflaikhan","date":"29. Juli 2003","format":false,"excerpt":"\u201ePi\u00e8ce electroacoustique pour bande 8 pistes 1977\/1978\u201c: ebenfalls so ein Monsterst\u00fcck f\u00fcr Tonband, das aber einen ganz anderen Aufbau als Persepolis hat. Nicht das dichte Gegrummel von Persepolis sondern viel ziselierter. 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Juli 2003","format":false,"excerpt":"Persepolis (1971) von Iannis Xenakis ist urspr\u00fcnglich f\u00fcr eine Outdoor-Auff\u00fchrung an alten persischen Pl\u00e4tzen gedacht gewesen \u2013 erg\u00e4nzt um zahlreiche multimediale Zusatzbestandteile. Persepolis ist ein Tonbandst\u00fcck aus \u201ekonkreten Kl\u00e4ngen\u201c in der L\u00e4nge von 56 Minuten. 56 Minuten puren musikalischen Dauerstresses k\u00f6nnte man auch sagen. 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