{"id":2946,"date":"2010-02-25T20:08:05","date_gmt":"2010-02-25T19:08:05","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/recorded-hackensack\/"},"modified":"2023-12-18T08:44:18","modified_gmt":"2023-12-18T07:44:18","slug":"recorded-hackensack","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/02\/recorded-hackensack\/","title":{"rendered":"Recorded in Hackensack"},"content":{"rendered":"<p>Just Squeeze Me, klingt es aus den Lautsprechern in einer Aufnahme, gut 55 Jahre alt, mit Red Garland, John Coltrane und Miles Davis, Paul Chambers und Philly Joe Jones machen den Rhythmus. Erst nach Minuten \u00fcberhaupt das Tenor von Coltrane &#8211; noch nicht so tiefsch\u00fcrfend, irgendwie auch, als ob das Mikro an einem vollkommen falschen Platz steht.<\/p>\n<p>Trotzdem sch\u00f6n. <\/p>\n<p><!--more--><br \/>\nJust Squeeze Me, klingt es aus den Lautsprechern in einer Aufnahme, gut 55 Jahre alt, mit Red Garland, John Coltrane und Miles Davis, Paul Chambers und Philly Joe Jones machen den Rhythmus. Erst nach Minuten \u00fcberhaupt das Tenor von Coltrane &#8211; noch nicht so tiefsch\u00fcrfend, irgendwie auch, als ob das Mikro an einem vollkommen falschen Platz steht.<\/p>\n<p>Trotzdem sch\u00f6n. <\/p>\n<p>Weniger sch\u00f6n, heute abend beim Versuch gescheitert, meine Espresso-Maschine anzuwerfen. Wasser l\u00e4uft \u00fcberall aus, nur nicht an der f\u00fcr den Zweck bestimmten Stelle, die dann auch den Geschmack mitbr\u00e4chte. Bestimmt zehn Jahre hat sie mitgemacht, die Jura subito. F\u00fcr mich immerhin eine g\u00fcnstige halbautomatische Maschine. Gut die Dichtungen f\u00fcr die Milchd\u00fcse war schon fr\u00fcher dahin. Was schade war, aber zu verschmerzen.<\/p>\n<p>Heute dann lecker Espresso aus der guten Alumaschine gemacht. Schmeckt ohnehin immer sehr gut.<\/p>\n<p>Just squeeze me.<\/p>\n<p>***<\/p>\n<p>Danach: Mit Rollins, 21-j\u00e4hrig. 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Erst nach Minuten \u00fcberhaupt das Tenor von Coltrane &#8211; noch nicht so tiefsch\u00fcrfend, irgendwie auch, als ob das Mikro an einem vollkommen falschen 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Die Musiksprache von Coltrane kleidet einen von innen her aus.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"hochschule hanns eisler - aschenbecher 2008. foto: hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":11758,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/02\/wahlkampfzeit-die-springerpresse-saugt-sich-fest\/","url_meta":{"origin":2946,"position":3},"title":"Wahlkampfzeit \u2013 Die Springerpresse saugt sich fest","author":"der huflaikhan","date":"18. Februar 2026","format":false,"excerpt":"[Das blieb hier lange als Entwurf, genau genommen seit 22 Tagen und war dann im Stehsatz. Auch wenn die Angelegenheit mit Abstimmungsverhaltensweisen wieder l\u00e4ngst unter den Tisch des Tempos der Zeit gefallen ist, gibt es noch weniges dazu gesagt. MH] K\u00f6nnte man meinen, wenn man sieht, wie selbst einst liberale\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/_Ra6l9oEhho\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":347,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/eric-dolphy-the-drive-bedrich-smetana-dalibor\/","url_meta":{"origin":2946,"position":4},"title":"Eric Dolphy: The Drive \/\/ Bedrich Smetana: Dalibor","author":"huflaikhan","date":"22. Februar 2004","format":false,"excerpt":"Heute nach mehrfachem Besehen des Giant-Steps-Films auch wieder die Dolphy-Packung (The Complete Prestige Recordings) herausgeholt. CD 2, Take 1: \u201cThe Drive\u201d ganz \u00e4hnlich wie Coltranes Giant Steps, abfallende Akkordbrechungen. Nicht ganz so harmonisch kompliziert, daf\u00fcr im Chrous mit kontrapunktischen Elementen, chromatische Linie in den Nebenstimmen. Wirkt dadurch sofort sehr substanzhaltig\u2026","rel":"","context":"In \"Bedrich Smetana\"","block_context":{"text":"Bedrich Smetana","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bedrichsmetana\/"},"img":{"alt_text":"Altes Bild von 1992 - Aus dem Berlin Mix von Christian Marclay","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/02\/20040222-taubesohr.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":671,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/08\/1956-der-coole-jazz-lennie-tristano-line-up\/","url_meta":{"origin":2946,"position":5},"title":"1956 \u2013 Der coole Jazz: Lennie Tristano: Line Up","author":"huflaikhan","date":"9. August 2004","format":false,"excerpt":"Im Musikunterricht waren wir gemeinsam in einer Klasse, w\u00e4hrend die anderen Kinder bunte Bilder malen oder klebten oder schnitten, kneteten. Man nannte das in unserer fortschrittlichen Lernanstalt \u00fcbrigens \u201eVisuelle Kommunikation\u201d. Wenigstens lie\u00df man den Begriff der Kreativit\u00e4t damals komischerweise weg. Also Roger und ich und noch ein paar wenige waren\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2946","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2946"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2946\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2946"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2946"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2946"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}