{"id":2953,"date":"2010-04-15T16:10:51","date_gmt":"2010-04-15T15:10:51","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/fische-sind-nicht-stumm-wenn-sie-singen\/"},"modified":"2023-12-18T08:44:18","modified_gmt":"2023-12-18T07:44:18","slug":"fische-sind-nicht-stumm-wenn-sie-singen","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/fische-sind-nicht-stumm-wenn-sie-singen\/","title":{"rendered":"Fische sind nicht stumm wenn sie singen"},"content":{"rendered":"<p><a href=\"http:\/\/www.dctp.tv\/#\/musik-wer-immer-hofft-stirbt-singend\/schubert-adorno-gesang-der-fische\" target=\"_blank\" rel=\"noopener\">Gesang der Fische<\/a> bei dctp.tv<\/p>\n<p><iframe loading=\"lazy\" width=\"290\" scrolling=\"no\" height=\"218\" frameborder=\"0\" src=\"http:\/\/www.dctp.tv\/embed\/02ff8580793b40ffb747e7a27a2438d9\/\" name=\"dctp-teaser\" marginwidth=\"0\" marginheight=\"0\"><br \/><\/iframe><\/p>\n<div class=\"shariff\"><ul 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1680,"url":"https:\/\/www.kritische-masse.de\/logbuch\/fragebogen-zur-musik\/","url_meta":{"origin":2953,"position":0},"title":"Fragebogen zur Musik","author":"huflaikhan","date":"31. M\u00e4rz 2006","format":false,"excerpt":"Vor einiger Zeit reichten mir Peter Pan und Hotel Mama einmal einen Fragebogen zur Musik weiter. Beide mussten nicht damit rechnen, dass ich darauf eingehen werde, weil die Fragen zu unpr\u00e4zise bzw. zu pr\u00e4zise und damit die Antworten zu simpel ausfallen m\u00fcssen. Ich habe ja nichts gegen die Popkultur und\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/fragebogen-zur-musik\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1842,"url":"https:\/\/www.kritische-masse.de\/logbuch\/immer-noch-schweden\/","url_meta":{"origin":2953,"position":1},"title":"Immer noch Schweden","author":"huflaikhan","date":"14. August 2006","format":false,"excerpt":"Die wissen auch nicht wos lang geht. Man ist das alles gr\u00fcn hier. Gehts noch?Ich m\u00f6chte ziehn in die Welt hinaus, Hinaus in die weite Welt; Wenn's nur so gr\u00fcn, so gr\u00fcn nicht w\u00e4r, Da drau\u00dfen in Wald und Feld! Ich m\u00f6chte die gr\u00fcnen Bl\u00e4tter all Pfl\u00fccken von jedem Zweig,\u2026","rel":"","context":"In \"Farbe\"","block_context":{"text":"Farbe","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/farbe\/"},"img":{"alt_text":"Uneinsichtig","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/08\/2006-08-wegistdasziel.jpg?fit=1024%2C768&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/08\/2006-08-wegistdasziel.jpg?fit=1024%2C768&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/08\/2006-08-wegistdasziel.jpg?fit=1024%2C768&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/08\/2006-08-wegistdasziel.jpg?fit=1024%2C768&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":9138,"url":"https:\/\/www.kritische-masse.de\/logbuch\/welttag-des-radios-honoraruntergrenze-neue-streichquartette-in-der-hoerbar\/","url_meta":{"origin":2953,"position":2},"title":"Welttag des Radios \/ Honoraruntergrenze \/ Neue Streichquartette in der H\u00f6rBar","author":"der huflaikhan","date":"13. Februar 2024","format":false,"excerpt":"Welttag des Radios +++ Teekistenbass und ein Radiorekorder namens Atlas +++ Bundeskulturministerium legt Honoraruntergrenzen fest +++ Neue Streichquartette in der H\u00f6rBar","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Spa\u00df mit Fotos. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_13_vor6_03.jpg?fit=866%2C960&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_13_vor6_03.jpg?fit=866%2C960&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_13_vor6_03.jpg?fit=866%2C960&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_13_vor6_03.jpg?fit=866%2C960&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":8508,"url":"https:\/\/www.kritische-masse.de\/logbuch\/musikvermittlungs-blues-geschichte-1983\/","url_meta":{"origin":2953,"position":3},"title":"Musikvermittlungs-Blues (Masse und Individuum)","author":"der huflaikhan","date":"23. Oktober 2014","format":false,"excerpt":"Einen der ersten gro\u00dfen Musikalisierungsversuche ist durchs Fernsehen der DDR dokumentiert worden. 1983 f\u00fcllte man sich mit Musik die Arenen und man verfolgte damit ein ehrgeiziges Ziel. http:\/\/youtu.be\/lF-XLRqqzaM Getarnt war dies als Sportveranstaltung, in Wirklichkeit wurden hier Musikmanager ausgebildet. Und Intendanten aller k\u00fcnftigen Rundfunkanstalten. Es passt alles so wunderbar zusammen.\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/lF-XLRqqzaM\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1166,"url":"https:\/\/www.kritische-masse.de\/logbuch\/anhalten\/","url_meta":{"origin":2953,"position":4},"title":"Anhalten: Beethoven, Schubert, Wagner \u2013 Emanzipation des Stillstands","author":"huflaikhan","date":"29. April 2005","format":false,"excerpt":"Manchmal ger\u00e4t Musik an Stellen, da sie anh\u00e4lt. Aus dem Fluss heraus, manchmal auch, um eine Ende anzudeuten. Sie steht scheinbar auf der Stelle und muss haushalten mit wenig. Bei des vorgestrigen H\u00f6rlekt\u00fcre fiel mir eine Stelle in Beethovens Klaviersonate op. 110 auf. Der letzte Satz besteht aus rezitativischen Teilen\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"Stille. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/stille.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/stille.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/stille.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/stille.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/01\/stille.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":386,"url":"https:\/\/www.kritische-masse.de\/logbuch\/gema-ansage-phonoline\/","url_meta":{"origin":2953,"position":5},"title":"GEMA-Ansage an Phonoline","author":"huflaikhan","date":"16. M\u00e4rz 2004","format":false,"excerpt":"Phonoline soll zur CeBit starten mit h\u00f6flichem Kanzlergru\u00df. Prima. Das soll anscheinend auch GEMA-Vorstand Kreile gesagt haben. Ungl\u00fccklich aber ist er dar\u00fcber, dass die Lizenzfrage f\u00fcr Phonoline noch nicht gekl\u00e4rt sei. Und er verbindet dieses Problem mit der Aufforderung an den Bundeskanzler, doch bitte auf den Wert geistigen Eigentums hinzuweisen.\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2953","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2953"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2953\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2953"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2953"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2953"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}