{"id":2967,"date":"2010-11-09T19:06:16","date_gmt":"2010-11-09T18:06:16","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/musik-aus-den-90ern\/"},"modified":"2023-12-18T08:44:17","modified_gmt":"2023-12-18T07:44:17","slug":"musik-aus-den-90ern","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2010\/11\/musik-aus-den-90ern\/","title":{"rendered":"Musik aus den 90ern"},"content":{"rendered":"<p><a href=\"http:\/\/mp3lemon.org\/song\/12320\/Stereolab_-_11_-_Motoroller_Scalatron\" target=\"_blank\" rel=\"noopener\"><b>Stereolab &#8211; Motoroller Scalatron<\/b><\/a><\/p>\n<p>Heerschaftszeiten<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Stereolab &#8211; Motoroller Scalatron 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Er studierte Musikwissenschaften, Philosophie und Psychologie\u2026","rel":"","context":"In &quot;Ich&quot;","block_context":{"text":"Ich","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/privates\/ich\/"},"img":{"alt_text":"Firefly Male mir ein Bild mit Martin Hufner als einem Musikjournalisten, der im Konzert sitzt","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/06\/Firefly-Male-mir-ein-Bild-mit-Martin-Hufner-als-einem-Musikjournalisten-der-im-Konzert-sitzt-30013.jpg?fit=1200%2C933&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":11642,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/11\/kerbel\/","url_meta":{"origin":2967,"position":1},"title":"Kerbel AI und GEMA-Bockigkeiten","author":"der huflaikhan","date":"18. November 2025","format":false,"excerpt":"Kurzes Update: Gema, Musiktexte Online, Idagio, H\u00f6rbar, mf:fm \u2013 Magazin f\u00fcr freies Musiktheater. Alle h\u00f6ren keine Podcasts.","rel":"","context":"In &quot;Amt f\u00fcr Vermassungsschutz&quot;","block_context":{"text":"Amt f\u00fcr Vermassungsschutz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/vermassungsschutz\/"},"img":{"alt_text":"#Selfie no. 33203.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/11\/Selfie-no.-33203.jpg?fit=806%2C806&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/11\/Selfie-no.-33203.jpg?fit=806%2C806&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/11\/Selfie-no.-33203.jpg?fit=806%2C806&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/11\/Selfie-no.-33203.jpg?fit=806%2C806&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2855,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/12\/erinnerung-charles-munch\/","url_meta":{"origin":2967,"position":2},"title":"Erinnerung an Charles Munch","author":"huflaikhan","date":"15. Dezember 2016","format":false,"excerpt":"Es gibt da offenbar einen wirklich besonderen Klang, eine besondere F\u00e4rbung der Musik. Die genau den Ton trifft, den ich als Jugendlicher h\u00f6rte. Bei meiner Tante im Nachbarstadtteil Westhagen, die ich damals meiner Erinnerung nach jeden Samstag besuchte (Cola, Kaugummi, Gurkensalat, Fernsehen, sp\u00e4ter lecker Steaks) - meine Mutter sagte mir\u2026","rel":"","context":"In &quot;Ich&quot;","block_context":{"text":"Ich","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/privates\/ich\/"},"img":{"alt_text":"Schweine k\u00f6nnen nichts daf\u00fcr. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/02\/schwein2.jpg?fit=1200%2C803&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/02\/schwein2.jpg?fit=1200%2C803&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/02\/schwein2.jpg?fit=1200%2C803&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/02\/schwein2.jpg?fit=1200%2C803&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2016\/02\/schwein2.jpg?fit=1200%2C803&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":477,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/06\/taktlos-78-zukunftsmusik\/","url_meta":{"origin":2967,"position":3},"title":"taktlos 78: Zukunftsmusik","author":"huflaikhan","date":"13. Juni 2004","format":false,"excerpt":"Musik: Xenakis, La legende d'eer [ab 7' etwa] Autor: Wenn eine technische Angelegenheit so beschaffen ist, dass sie zwar im Hier und Jetzt denkbar, aber noch nicht umsetzbar ist, h\u00f6rt man h\u00e4ufig den Satz: \u0084Das ist noch Zukunftsmusik.\u0093 Man kann sich also etwas im Groben vorstellen, aber wie sich diese\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":18355,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/04\/verlage-im-aufsichtsrat-der-gema-ohne-e-musik\/","url_meta":{"origin":2967,"position":4},"title":"Verlage im Aufsichtsrat der GEMA \u2013 Ohne E-Musik","author":"der huflaikhan","date":"27. April 2026","format":false,"excerpt":"Durch einen Faktencheck habe ich leider feststellen m\u00fcssen, dass im Bereich der E-Musik im Aufsichtsrat der GEMA mittlerweile keine E-Musik-Verlage mehr vertreten sind, die sich vor allem durch E-Musik-Aktivit\u00e4ten ausgezeichnet haben. Im Aufsichtsrat sitzt statt Boosey & Hawkes und Sikorski nun vielmehr die Dachmarke Concord, bei der das Gesch\u00e4ft mit\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1560,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/gratis-heisst-nicht-umsonst\/","url_meta":{"origin":2967,"position":5},"title":"Gratis [hei\u00dft nicht umsonst]","author":"huflaikhan","date":"23. Dezember 2005","format":false,"excerpt":"Langsam muss man an Weihnachtsgeschenke denken, wenn man denn jemand kennt, dem man solche Freude bereiten will. Passend flattert ein Propekt herein, eine Gratis-CD versprechend. Nein, keine gew\u00f6hnliche CD, eine Gold-Collection-CD soll es denn sein. Und nochmals nein, es handelt sich nicht um ein neues CD-Format in dieser formatgierigen Welt.\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/12\/gratis-heisst-nicht-umsonst\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2967"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2967\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}