{"id":297,"date":"2003-12-20T17:52:05","date_gmt":"2003-12-20T16:52:05","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/2003-topps-und-flopps\/"},"modified":"2023-12-18T08:50:11","modified_gmt":"2023-12-18T07:50:11","slug":"2003-topps-und-flopps","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/12\/2003-topps-und-flopps\/","title":{"rendered":"2003 in Topps und Flopps"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=2003%20in%20Topps%20und%20Flopps https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F12%2F2003-topps-und-flopps%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Es geh&ouml;rt sich nicht und doch passierts jetzt zum ersten Mal. Eine Liste mit sch&ouml;nen Dingen, die sich im letzten Jahr ergeben haben. Bei Nennungen handelt es sich daher nicht zwingend um Neuheiten.<\/p>\n<p><b>Musik<\/b><br \/>\n<a href=\"http:\/\/www.douarre.de\/virages.htm\" target=\"_blank\" rel=\"noopener\">Corinne Douarre: Virages<\/a><br \/>\n<a href=\"http:\/\/www.berndbegemann.de\/disko\/rezession.php3\" target=\"_blank\" rel=\"noopener\">Bernd Begemann: Rezession Baby!<\/a><br \/>\n<a href=\"http:\/\/www.hazelwood.de\/brokenbeats\/record_weather.php\" target=\"_blank\" rel=\"noopener\">the broken beats: the weather beats the rhythm<\/a><br \/>\n<a href=\"http:\/\/www.asphodel.com\/cat\/asp_2005.html\" target=\"_blank\" rel=\"noopener\">Iannis Xenakis: Persepolis Remixes Edition I<\/a><\/p>\n<p><b>Komponisten<\/b><br \/>\nLeos Janacek<br \/>\nMaurice Ravel<br \/>\nBedrich Smetana<br \/>\nIannis Xenakis<\/p>\n<p><b>Buch<\/b><br \/>\n<a href=\"http:\/\/www.digitale-bibliothek.de\/export\/1187Beschreibung.htm\" target=\"_blank\" rel=\"noopener\">Theodor W. Adorno: Gesammelte Schriften (Digitale Bibliothek)<\/a><br \/>\n&Ouml;d&ouml;n von Horvath: Himmelw&auml;rts und andere Prosa<br \/>\nRichard Sennett: Respekt im Zeitalter der Ungleichheit<br \/>\n14. Shell Jugend-Studie<\/p>\n<p><b>Zeitschrift<\/b><br \/>\n<a href=\"http:\/\/www.brandeins.de\/\" target=\"_blank\" rel=\"noopener\">Brand eins<\/a><br \/>\n<a href=\"http:\/\/www.blaetter.de\" target=\"_blank\" rel=\"noopener\">Bl&auml;tter f&uuml;r Deutsche und Internationale Politik<\/a><br \/>\n<a href=\"http:\/\/www.cilip.de\/\" target=\"_blank\" rel=\"noopener\">B&uuml;rgerrechte und Polizei<\/a><br \/>\n<a href=\"http:\/\/www.nmz.de\/\" target=\"_blank\" rel=\"noopener\">nmz &#8211; neue musikzeitung<\/a><\/p>\n<p><b>Internet<\/b><br \/>\nJanko R&ouml;ttgers: <a href=\"http:\/\/www.mixburnrip.de\/\" title=\"Mix, Burn &#038; R.I.P.\" target=\"_blank\" rel=\"noopener\">Mix Burn RIP<\/a><br \/>\nMoe&#8217;s Blog: <a href=\"http:\/\/weblog.plasticthinking.org\/\" title=\"PlasticThinking: Moe's Blog. Leben und Lernen auf dem Web.\" target=\"_blank\" rel=\"noopener\">Moe&#8217;s Blog. Leben und Lernen auf dem Web.<\/a><br \/>\ntaktlos: <a href=\"http:\/\/www.nmz.de\/taktlos\/\" title=\"musikmagazin des Bayerischen Rundfunks und der nmz\" target=\"_blank\" rel=\"noopener\">das ist taktlos<\/a><\/p>\n<p><b>Tools<\/b><br \/>\nMagic Mail Monitor: <a href=\"http:\/\/mmm3.sourceforge.net\/\" title=\"Magic Mail Monitor 3 GPL\" target=\"_blank\" rel=\"noopener\">Spart das Downloaden von M&uuml;ll<\/a><br \/>\nNucleus CMS: <a href=\"http:\/\/nucleuscms.org\/\" title=\"Nucleus CMS\" target=\"_blank\" rel=\"noopener\">L&auml;uft hier<\/a><br \/>\n40tude dialog: <a href=\"http:\/\/www.40tude.com\/dialog\/\" target=\"_blank\" rel=\"noopener\">Newsreader<\/a><\/p>\n<p><b>Lokale<\/b><br \/>\n<a href=\"http:\/\/www.regensburg.it\/lebensart\/1224-76,1,0.html\" target=\"_blank\" rel=\"noopener\">Caf&eacute;-Bar<\/a><br \/>\n<a href=\"http:\/\/www.pernsteiner.net\" target=\"_blank\" rel=\"noopener\">Caf&eacute;-Konditorei Pernsteiner<\/a><br \/>\n<a href=\"http:\/\/mqdirect.mapquest.de\/map.adp?venue=2lu0z%26l\" target=\"_blank\" rel=\"noopener\">Landshuter Hof<\/a><\/p>\n<p><b>Top-Flopps:<\/b><br \/>\n<a href=\"http:\/\/www.bahn.de\" title=\"Deutsche Bahn AG\" target=\"_blank\" rel=\"noopener\">Deutsche Bahn AG<\/a><br \/>\nMDR KULTUR im kommenden Jahr als MDR FIGARO<br \/>\nAdorno und die Zw&ouml;lftontechnik: Buch von mir von 1995 .:. Amazon.de-Verkaufsrang 690.252<br \/>\nIch &#8211; als Gast in der <a href=\"http:\/\/www.nmz.de\/taktlos\/2003\/takt70.shtml\" target=\"_blank\" rel=\"noopener\">70. Ausgabe von taktlos<\/a><br \/>\nMein Kreislauf am Ende des Jahres<\/p>\n<p>Das mal nur schnell die Situation.<br \/>\n<!--more--><br \/>\nEs geh&ouml;rt sich nicht und doch passierts jetzt zum ersten Mal. Eine Liste mit sch&ouml;nen Dingen, die sich im letzten Jahr ergeben haben. Bei Nennungen handelt es sich daher nicht zwingend um Neuheiten.<\/p>\n<p><b>Musik<\/b><br \/>\n<a href=\"http:\/\/www.douarre.de\/virages.htm\" target=\"_blank\" rel=\"noopener\">Corinne Douarre: Virages<\/a><br \/>\n<a href=\"http:\/\/www.berndbegemann.de\/disko\/rezession.php3\" target=\"_blank\" rel=\"noopener\">Bernd Begemann: Rezession Baby!<\/a><br \/>\n<a href=\"http:\/\/www.hazelwood.de\/brokenbeats\/record_weather.php\" target=\"_blank\" rel=\"noopener\">the broken beats: the weather beats the rhythm<\/a><br \/>\n<a href=\"http:\/\/www.asphodel.com\/cat\/asp_2005.html\" target=\"_blank\" rel=\"noopener\">Iannis Xenakis: Persepolis Remixes Edition I<\/a><\/p>\n<p><b>Komponisten<\/b><br \/>\nLeos Janacek<br \/>\nMaurice Ravel<br \/>\nBedrich Smetana<br \/>\nIannis Xenakis<\/p>\n<p><b>Buch<\/b><br \/>\n<a href=\"http:\/\/www.digitale-bibliothek.de\/export\/1187Beschreibung.htm\" target=\"_blank\" rel=\"noopener\">Theodor W. Adorno: Gesammelte Schriften (Digitale Bibliothek)<\/a><br \/>\n&Ouml;d&ouml;n von Horvath: Himmelw&auml;rts und andere Prosa<br \/>\nRichard Sennett: Respekt im Zeitalter der Ungleichheit<br \/>\n14. Shell Jugend-Studie<\/p>\n<p><b>Zeitschrift<\/b><br \/>\n<a href=\"http:\/\/www.brandeins.de\/\" target=\"_blank\" rel=\"noopener\">Brand eins<\/a><br \/>\n<a href=\"http:\/\/www.blaetter.de\" target=\"_blank\" rel=\"noopener\">Bl&auml;tter f&uuml;r Deutsche und Internationale Politik<\/a><br \/>\n<a href=\"http:\/\/www.cilip.de\/\" target=\"_blank\" rel=\"noopener\">B&uuml;rgerrechte und Polizei<\/a><br \/>\n<a href=\"http:\/\/www.nmz.de\/\" target=\"_blank\" rel=\"noopener\">nmz &#8211; neue musikzeitung<\/a><\/p>\n<p><b>Internet<\/b><br \/>\nJanko R&ouml;ttgers: <a href=\"http:\/\/www.mixburnrip.de\/\" title=\"Mix, Burn &#038; R.I.P.\" target=\"_blank\" rel=\"noopener\">Mix Burn RIP<\/a><br \/>\nMoe&#8217;s Blog: <a href=\"http:\/\/weblog.plasticthinking.org\/\" title=\"PlasticThinking: Moe's Blog. Leben und Lernen auf dem Web.\" target=\"_blank\" rel=\"noopener\">Moe&#8217;s Blog. Leben und Lernen auf dem Web.<\/a><br \/>\ntaktlos: <a href=\"http:\/\/www.nmz.de\/taktlos\/\" title=\"musikmagazin des Bayerischen Rundfunks und der nmz\" target=\"_blank\" rel=\"noopener\">das ist taktlos<\/a><\/p>\n<p><b>Tools<\/b><br \/>\nMagic Mail Monitor: <a href=\"http:\/\/mmm3.sourceforge.net\/\" title=\"Magic Mail Monitor 3 GPL\" target=\"_blank\" rel=\"noopener\">Spart das Downloaden von M&uuml;ll<\/a><br \/>\nNucleus CMS: <a href=\"http:\/\/nucleuscms.org\/\" title=\"Nucleus CMS\" target=\"_blank\" rel=\"noopener\">L&auml;uft hier<\/a><br \/>\n40tude dialog: <a href=\"http:\/\/www.40tude.com\/dialog\/\" target=\"_blank\" rel=\"noopener\">Newsreader<\/a><\/p>\n<p><b>Lokale<\/b><br \/>\n<a href=\"http:\/\/www.regensburg.it\/lebensart\/1224-76,1,0.html\" target=\"_blank\" rel=\"noopener\">Caf&eacute;-Bar<\/a><br \/>\n<a href=\"http:\/\/www.pernsteiner.net\" target=\"_blank\" rel=\"noopener\">Caf&eacute;-Konditorei Pernsteiner<\/a><br \/>\n<a href=\"http:\/\/mqdirect.mapquest.de\/map.adp?venue=2lu0z%26l\" target=\"_blank\" rel=\"noopener\">Landshuter Hof<\/a><\/p>\n<p><b>Top-Flopps:<\/b><br \/>\n<a href=\"http:\/\/www.bahn.de\" title=\"Deutsche Bahn AG\" target=\"_blank\" rel=\"noopener\">Deutsche Bahn AG<\/a><br \/>\nMDR KULTUR im kommenden Jahr als MDR FIGARO<br \/>\nAdorno und die Zw&ouml;lftontechnik: Buch von mir von 1995 .:. Amazon.de-Verkaufsrang 690.252<br \/>\nIch &#8211; als Gast in der <a href=\"http:\/\/www.nmz.de\/taktlos\/2003\/takt70.shtml\" target=\"_blank\" rel=\"noopener\">70. Ausgabe von taktlos<\/a><br \/>\nMein Kreislauf am Ende des Jahres<\/p>\n<p>Das mal nur schnell die Situation.<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=2003%20in%20Topps%20und%20Flopps https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F12%2F2003-topps-und-flopps%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=2003%20in%20Topps%20und%20Flopps https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F12%2F2003-topps-und-flopps%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Eine Liste mit sch&ouml;nen Dingen, die sich im letzten Jahr ergeben haben. Bei Nennungen handelt es sich daher nicht zwingend um Neuheiten. Musik Corinne Douarre: Virages Bernd Begemann: Rezession Baby! the broken beats: the weather beats the rhythm Iannis Xenakis: Persepolis Remixes Edition I [&hellip;]<\/p>\n<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=2003%20in%20Topps%20und%20Flopps https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2003%2F12%2F2003-topps-und-flopps%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 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Juli 2003","format":false,"excerpt":"\u201ePi\u00e8ce electroacoustique pour bande 8 pistes 1977\/1978\u201c: ebenfalls so ein Monsterst\u00fcck f\u00fcr Tonband, das aber einen ganz anderen Aufbau als Persepolis hat. Nicht das dichte Gegrummel von Persepolis sondern viel ziselierter. 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Juli 2003","format":false,"excerpt":"Persepolis (1971) von Iannis Xenakis ist urspr\u00fcnglich f\u00fcr eine Outdoor-Auff\u00fchrung an alten persischen Pl\u00e4tzen gedacht gewesen \u2013 erg\u00e4nzt um zahlreiche multimediale Zusatzbestandteile. Persepolis ist ein Tonbandst\u00fcck aus \u201ekonkreten Kl\u00e4ngen\u201c in der L\u00e4nge von 56 Minuten. 56 Minuten puren musikalischen Dauerstresses k\u00f6nnte man auch sagen. Es quietschen und kreischen da Kl\u00e4nge\u2026","rel":"","context":"In &quot;Tontr\u00e4ger&quot;","block_context":{"text":"Tontr\u00e4ger","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/rezension\/tontrger\/"},"img":{"alt_text":"Persepolis","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2003\/07\/20030726-masse-cd-xenakis-persepolis.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2928,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/11\/nach-der-digitalen-kaelte\/","url_meta":{"origin":297,"position":2},"title":"Nach der digitalen K\u00e4lte","author":"huflaikhan","date":"24. November 2009","format":false,"excerpt":"H\u00f6rte es und war vergn\u00fcgt. Der Xenakis des 18. Jahrhunderts. 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Jedes Musikst\u00fcck ist eine Art Felsblock in einer komplexen Form mit Schrammen und Mustern, die darauf und darein geritzt sind und die ein Mensch auf tausend verschiedene Weisen entziffern k\u00f6nnen, ohne dass eine dieser Weisen die beste\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2465,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/07\/schlag-zeug\/","url_meta":{"origin":297,"position":4},"title":"Schlag-Zeug","author":"huflaikhan","date":"18. Juli 2008","format":false,"excerpt":"Ist immer etwas schwierig, wenn man Vors\u00e4tzen untreu wird. Etwa: Videos einbauen. Denn das machen viele ganz gerne und auch manchmal sympathisch. Das Dekorative \u00fcberwiegt jedoch in vielen F\u00e4llen und das Auffinden des Absurden oder Kuriosen. Im Bereich der sog. E-Musik entwickelt sich aber eine ganze andere Welt auch. N\u00e4mlich\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":57,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/cluster-experten\/","url_meta":{"origin":297,"position":5},"title":"Cluster: Experten","author":"huflaikhan","date":"14. Juli 2004","format":false,"excerpt":"Haben sie schon einmal versucht, Musik von Helmut Lachenmann aus dem Internet zu laden? Internet haben sie nicht? Sie Gl\u00fccklicher. Andernfalls: Probieren sie mal. \u0084Dal niente, al niente\u0093, sag ich nur, Null Komma nufftig. Dagegen findet man immerhin einiges von Iannis Xenakis oder John Cage. 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