{"id":2977,"date":"2011-01-09T08:55:38","date_gmt":"2011-01-09T07:55:38","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/die-60er-jahre-edgar-wind\/"},"modified":"2023-12-18T08:44:17","modified_gmt":"2023-12-18T07:44:17","slug":"die-60er-jahre-edgar-wind","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2011\/01\/die-60er-jahre-edgar-wind\/","title":{"rendered":"Die 60er Jahre: Edgar Wind"},"content":{"rendered":"<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Die%2060er%20Jahre%3A%20Edgar%20Wind https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2011%2F01%2Fdie-60er-jahre-edgar-wind%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p>Manche Einsichten sind sehr simpel. 1963 schreibt Edgar Wind:<\/p>\n<blockquote>\n<p>Machen wir uns nichts vor: Kunst ist unbequem, ganz besonders f\u00fcr den K\u00fcnstler selbst.<sup class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000003e110000000000000000_2977\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000003e110000000000000000_2977-1\">1<\/a><\/sup><span id=\"mfn-content-0000000000003e110000000000000000_2977-1\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Edgar Wind: Kunst und Anarchie, Frankfurt\/M. 1994, S.9.<\/span><\/p>\n<\/blockquote>\n<p>Sch\u00f6ne Gr\u00fc\u00dfe aus den 60er Jahren \u2026<\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Die%2060er%20Jahre%3A%20Edgar%20Wind https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2011%2F01%2Fdie-60er-jahre-edgar-wind%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Februar 2006","format":false,"excerpt":"Karl, der Taschenspieler lebt nicht mehr +++ Thomas Quasthoff erh\u00e4lt seinen dritten Grammy +++ Edgar Reitz wird Ehrendoktor der Mainzer Universit\u00e4t +++ Die Kritische Masse verabschiedet sich von Karl und gratuliert Herrn Reitz. Karl, Du warst wunderbar. Edgar, mach weiter so.","rel":"","context":"In \"Edgar Reitz\"","block_context":{"text":"Edgar Reitz","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/edgarreitz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10373,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/11\/frage-worauf-hoffen-bilanzen-aus-dem-oktober-und-fuer-die-zukunft\/","url_meta":{"origin":2977,"position":4},"title":"Frage: Worauf hoffen? Bilanzen aus dem Oktober und f\u00fcr die Zukunft","author":"der huflaikhan","date":"6. November 2024","format":false,"excerpt":"Bilanz einer Musikwelt im Oktober in Deutschland \u2013 Die Avantgarde des Untergangs \u2013 Zeichen der Hoffnung nicht kleinreden \u2013 Sicherheitsgurte f\u00fcr die Welt verpflichtend machen \u2013 Aktuell interessiert sich wahrscheinlich eher weniger wer daf\u00fcr. Auch Glasperlenpalaver das hier \u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Mein Welttheater. MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/Mein-Welttheater.-MH.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/Mein-Welttheater.-MH.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/Mein-Welttheater.-MH.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/Mein-Welttheater.-MH.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/Mein-Welttheater.-MH.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":68,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2000\/06\/das-rauhe-und-das-glatte\/","url_meta":{"origin":2977,"position":5},"title":"Das Rauhe und das Glatte","author":"huflaikhan","date":"30. Juni 2000","format":false,"excerpt":"Von Roscoe Mitchell bis Till Br\u00f6nner Wie antiquiert muss in diesem Zusammenhang zum Beispiel das St\u00fcck \u201eLeola\u201d von \u201eRoscoe Mitchell And The Note Factory\u201d aus dem Jahr 1998 erscheinen. Es gibt keine pr\u00e4zisen Instrumentaleins\u00e4tze, der Intonation nach ist diese Musik einfach unsauber gespielt. Dabei handelt es sich bei den Musikern\u2026","rel":"","context":"In &quot;jazzzeitung&quot;","block_context":{"text":"jazzzeitung","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/jazzzeitung\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2977","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=2977"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/2977\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=2977"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=2977"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=2977"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}