{"id":2977,"date":"2011-01-09T08:55:38","date_gmt":"2011-01-09T07:55:38","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/die-60er-jahre-edgar-wind\/"},"modified":"2023-12-18T08:44:17","modified_gmt":"2023-12-18T07:44:17","slug":"die-60er-jahre-edgar-wind","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2011\/01\/die-60er-jahre-edgar-wind\/","title":{"rendered":"Die 60er Jahre: Edgar Wind"},"content":{"rendered":"<p>Manche Einsichten sind sehr simpel. 1963 schreibt Edgar Wind:<\/p>\n<blockquote>\n<p>Machen wir uns nichts vor: Kunst ist unbequem, ganz besonders f\u00fcr den K\u00fcnstler selbst.<sup id=\"mfn-content-0000000000004d0c0000000000000000_2977-1\" class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004d0c0000000000000000_2977\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004d0c0000000000000000_2977-1\">1<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Edgar Wind: Kunst und Anarchie, Frankfurt\/M. 1994, S.9.<\/span><\/p>\n<\/blockquote>\n<p>Sch\u00f6ne Gr\u00fc\u00dfe aus den 60er Jahren \u2026<\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Die%2060er%20Jahre%3A%20Edgar%20Wind https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2011%2F01%2Fdie-60er-jahre-edgar-wind%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div><h3 class=\"modern-footnotes-list-heading \">Fussnoten:<\/h3><ul class=\"modern-footnotes-list \"><li id=\"footnote-0000000000004d0c0000000000000000_2977-1\"><span>1<\/span><div>Edgar Wind: Kunst und Anarchie, Frankfurt\/M. 1994, S.9. <a href=\"#mfn-content-0000000000004d0c0000000000000000_2977-1\" class=\"modern-footnotes-scroll-to-footnote\" aria-label=\"Back to reference 1 in text\">\u21a9\ufe0e<\/a><\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Manche Einsichten sind sehr simpel. 1963 schreibt Edgar Wind: Machen wir uns nichts vor: Kunst ist unbequem, ganz besonders f\u00fcr den K\u00fcnstler selbst. Sch\u00f6ne Gr\u00fc\u00dfe aus den 60er Jahren \u2026 &nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Die%2060er%20Jahre%3A%20Edgar%20Wind https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2011%2F01%2Fdie-60er-jahre-edgar-wind%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8791,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2019\/01\/die-60er-jahre-edgar-wind-2\/","url_meta":{"origin":2977,"position":0},"title":"Die 60er Jahre: Edgar Wind","author":"der huflaikhan","date":"9. Januar 2019","format":false,"excerpt":"Manche Einsichten sind sehr simpel. 1963 schreibt Edgar Wind: \"Machen wir uns nichts vor: Kunst ist unbequem, ganz besonders f\u00fcr den K\u00fcnstler selbst.\" Sch\u00f6ne Gr\u00fc\u00dfe aus den 60er Jahren \u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"Baureferat","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/04\/baureferat.jpg?fit=500%2C721&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2640,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2011\/01\/das-leben-ndern-nicht-die-kunst\/","url_meta":{"origin":2977,"position":1},"title":"Das Leben \u00e4ndern, nicht die Kunst","author":"huflaikhan","date":"9. Januar 2011","format":false,"excerpt":"\u00a0Bei Edgar Wind und bei Adorno habe ich einige andere Einsichten gewonnen.In dem Kapitel \u00fcber \u00e4sthetische Partizipation stellt Wind fest, dass Kunst und Leben sich auseinanderentwickelt h\u00e4tten. Die Kunst sei in einer \"Randstellung\" zu finden. Und die K\u00fcnstler h\u00e4tten alles daran gesetzt, dies auch zu wollen:\"... die Gr\u00f6\u00dfe eines K\u00fcnstlers\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8792,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2019\/01\/das-leben-aendern-nicht-die-kunst\/","url_meta":{"origin":2977,"position":2},"title":"Das Leben \u00e4ndern, nicht die Kunst","author":"der huflaikhan","date":"10. Januar 2019","format":false,"excerpt":"Seit einiger Zeit wird immer wieder behauptet, dass die Menschen und die K\u00fcnste nicht zusammen f\u00e4nden. Man macht da gewiss Unterschiede zwischen den K\u00fcnsten. Bildende Kunst und Dichtung gelten als nur bedingt problematisch. Bei Musik gibt es ein Riesendurcheinander. Musikvermittlung wird eingesetzt. Denn irgendwie m\u00fcssen doch Musik und Menschen einander\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"Das Orchester. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/01\/orchesterselfie.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/01\/orchesterselfie.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/01\/orchesterselfie.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2019\/01\/orchesterselfie.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1634,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/02\/nachrichten-von-gestern\/","url_meta":{"origin":2977,"position":3},"title":"Nachrichten von gestern","author":"huflaikhan","date":"14. Februar 2006","format":false,"excerpt":"Karl, der Taschenspieler lebt nicht mehr +++ Thomas Quasthoff erh\u00e4lt seinen dritten Grammy +++ Edgar Reitz wird Ehrendoktor der Mainzer Universit\u00e4t +++ Die Kritische Masse verabschiedet sich von Karl und gratuliert Herrn Reitz. Karl, Du warst wunderbar. Edgar, mach weiter so.","rel":"","context":"In \"Edgar Reitz\"","block_context":{"text":"Edgar Reitz","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/edgarreitz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":68,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2000\/06\/das-rauhe-und-das-glatte\/","url_meta":{"origin":2977,"position":4},"title":"Das Rauhe und das Glatte","author":"huflaikhan","date":"30. Juni 2000","format":false,"excerpt":"Von Roscoe Mitchell bis Till Br\u00f6nner Wie antiquiert muss in diesem Zusammenhang zum Beispiel das St\u00fcck \u201eLeola\u201d von \u201eRoscoe Mitchell And The Note Factory\u201d aus dem Jahr 1998 erscheinen. Es gibt keine pr\u00e4zisen Instrumentaleins\u00e4tze, der Intonation nach ist diese Musik einfach unsauber gespielt. Dabei handelt es sich bei den Musikern\u2026","rel":"","context":"In &quot;jazzzeitung&quot;","block_context":{"text":"jazzzeitung","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/texte\/jazzzeitung\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10373,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/11\/frage-worauf-hoffen-bilanzen-aus-dem-oktober-und-fuer-die-zukunft\/","url_meta":{"origin":2977,"position":5},"title":"Frage: Worauf hoffen? Bilanzen aus dem Oktober und f\u00fcr die Zukunft","author":"der huflaikhan","date":"6. November 2024","format":false,"excerpt":"Bilanz einer Musikwelt im Oktober in Deutschland \u2013 Die Avantgarde des Untergangs \u2013 Zeichen der Hoffnung nicht kleinreden \u2013 Sicherheitsgurte f\u00fcr die Welt verpflichtend machen \u2013 Aktuell interessiert sich wahrscheinlich eher weniger wer daf\u00fcr. Auch Glasperlenpalaver das hier \u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Kritischen Masse&quot;","block_context":{"text":"Enzyklop\u00e4die der Kritischen Masse","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/enzyklopaedie-der-kritischen-masse\/"},"img":{"alt_text":"Mein Welttheater. 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