{"id":3017,"date":"2012-01-11T13:17:57","date_gmt":"2012-01-11T12:17:57","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/2-h-ren-mit-musik-von-bernhard-lang\/"},"modified":"2023-12-18T08:44:17","modified_gmt":"2023-12-18T07:44:17","slug":"2-h-ren-mit-musik-von-bernhard-lang","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/01\/2-h-ren-mit-musik-von-bernhard-lang\/","title":{"rendered":"2 \u00d7 h\u00f6ren mit Musik von Bernhard Lang"},"content":{"rendered":"<p><iframe loading=\"lazy\" src=\"http:\/\/player.vimeo.com\/video\/34861383?portrait=0&amp;color=ff9933\" width=\"500\" height=\"281\" frameborder=\"0\" webkitAllowFullScreen mozallowfullscreen allowFullScreen><\/iframe><\/p>\n<p><a href=\"http:\/\/vimeo.com\/34861383\" target=\"_blank\" rel=\"noopener\">2 \u00d7 h\u00f6ren &#8211; Veranstaltung im Konzerthaus<\/a> from <a href=\"http:\/\/vimeo.com\/hufner\" target=\"_blank\" rel=\"noopener\">Martin Hufner<\/a> on <a href=\"http:\/\/vimeo.com\" target=\"_blank\" rel=\"noopener\">Vimeo<\/a>.<\/p>\n<p>Unter dem Titel \u201e2 \u00d7 h\u00f6ren\u201c veranstaltet das Konzerthaus Berlin f\u00fcnf mal in der Saison Konzerte mit Moderation. Am 9. Januar stand Bernhard Langs St\u00fcck \u201eDifferenz\/Wiederholung 1.2\u201c auf dem Programm. Es spielten \u201eMitglieder des Kammerensembles Neue Musik Berlin\u201c. Die Moderation hatte Arno L\u00fccker.<\/p>\n<p>Im Anschluss an die Veranstaltung stellte ich Arno L\u00fccker und dem Regisseur Christian Mertens ein paar Fragen.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=2%20%C3%97%20h%C3%B6ren%20mit%20Musik%20von%20Bernhard%20Lang https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2012%2F01%2F2-h-ren-mit-musik-von-bernhard-lang%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=2%20%C3%97%20h%C3%B6ren%20mit%20Musik%20von%20Bernhard%20Lang https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2012%2F01%2F2-h-ren-mit-musik-von-bernhard-lang%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Unter dem Titel \u201e2 \u00d7 h\u00f6ren\u201c veranstaltet das Konzerthaus Berlin f\u00fcnf mal in der Saison Konzerte mit Moderation. Am 9. Januar stand Bernhard Langs St\u00fcck \u201eDifferenz\/Wiederholung 1.2\u201c auf dem Programm. Es spielten \u201eMitglieder des Kammerensembles Neue Musik Berlin\u201c. Die Moderation hatte Arno L\u00fccker. [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=2%20%C3%97%20h%C3%B6ren%20mit%20Musik%20von%20Bernhard%20Lang https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2012%2F01%2F2-h-ren-mit-musik-von-bernhard-lang%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":10416,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/11\/sonntagsmusiken\/","url_meta":{"origin":3017,"position":0},"title":"Sonntagsmusiken","author":"der huflaikhan","date":"17. November 2024","format":false,"excerpt":"Ein bisschen mal Musik h\u00f6ren. Mit Michael Kubes H\u00f6rBar und Arno L\u00fcckers Interpretationsvergleichen. Bluesky l\u00f6st immer mehr X ab. Gerade im Bereich der guten Kommunikation. Mal sehen, wie lange das anh\u00e4lt. Das Leben soll keine Straf sein \u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"\u201eMein Herr, ich will ehrlich zu Ihnen sein Ich traue Ihnen nicht u\u0308ber den Weg.\u201c MH","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/%E2%80%9EMein-Herr-ich-will-ehrlich-zu-Ihnen-sein-Ich-traue-Ihnen-nicht-ueber-den-Weg.-MH.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/%E2%80%9EMein-Herr-ich-will-ehrlich-zu-Ihnen-sein-Ich-traue-Ihnen-nicht-ueber-den-Weg.-MH.jpg?fit=1200%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/%E2%80%9EMein-Herr-ich-will-ehrlich-zu-Ihnen-sein-Ich-traue-Ihnen-nicht-ueber-den-Weg.-MH.jpg?fit=1200%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/%E2%80%9EMein-Herr-ich-will-ehrlich-zu-Ihnen-sein-Ich-traue-Ihnen-nicht-ueber-den-Weg.-MH.jpg?fit=1200%2C1200&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/11\/%E2%80%9EMein-Herr-ich-will-ehrlich-zu-Ihnen-sein-Ich-traue-Ihnen-nicht-ueber-den-Weg.-MH.jpg?fit=1200%2C1200&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":9209,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/02\/kulturradio-rahmenbruch-gefahr-willkommen-in-der-grauzone\/","url_meta":{"origin":3017,"position":1},"title":"Kulturradio \/ Rahmenbruch-Gefahr? \/ Willkommen in der Grauzone","author":"der huflaikhan","date":"16. Februar 2024","format":false,"excerpt":"+++ Rahmenbruchgefahr (Babboe) +++ Musikh\u00f6ren (Yoran) +++ \u00dcber Verf\u00fchrbarkeit (Altpapier) +++ Kulturradio (L\u00fccker) +++ 16. Februar (Wikipedia) +++ Weiter\u00fcben (Ich) +++ Grauzonenanalyse mit Mathis Ubben +++","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Fund in Brandenburg. 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Erfahrungen im Deutschland es Jahres 2024. Wo bleibt bei aller Gefahr nur das Rettende auch? Musik f\u00fcr die Insel mit den Violinkonzerten von Alban Berg und Johannes Brahms.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Eine Eislaterne. 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Juli 2015","format":"video","excerpt":"Diese kleinen Dinge und Ideen, die Sympathie hervorrufen. Das Konzerthaus macht Sommerpause. Viel Vergn\u00fcgen in dieser Zeit, wo auch immer. Aber bitte immer eine Klangkontrolle durchf\u00fchren! Morgens auf dem iPad geh\u00f6rt klang die Ocean Drum ein bisschen wie ein Staubsauger. Ja.","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":10880,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2025\/05\/das-ist-taktlos-herr-b\/","url_meta":{"origin":3017,"position":4},"title":"\u00abdas ist taktlos\u00bb, Herr B.","author":"der huflaikhan","date":"7. Mai 2025","format":false,"excerpt":"Verfemte Musik - Antonio Salieri - Jugend musiziert in der Kritik - das ist taktlos, Herr Br\u00fcggemann - Alban Bergs Violinkonzert im L\u00fccker-Interpret:innen-Test \u2013 Ein bunter Strau\u00df im Musikleben","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"taktlos169 \u2013 mit der nmz","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/05\/taktlos169-breit.png?fit=600%2C400&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/05\/taktlos169-breit.png?fit=600%2C400&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/05\/taktlos169-breit.png?fit=600%2C400&ssl=1&resize=525%2C300 1.5x"},"classes":[]},{"id":8725,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/09\/arno-luecker-in-einfacher-sprache\/","url_meta":{"origin":3017,"position":5},"title":"Arno L\u00fccker in einfacher Sprache","author":"der huflaikhan","date":"6. September 2017","format":false,"excerpt":"Die Gesellschaft zur Verteidigung der Sprache Adornos hat nun endlich zu einer Reaktion auf Arno L\u00fcckers Text zu Adorno im Bad Blog Of Musick herablassen k\u00f6nnen sich. So nicht, Arno. 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