{"id":3026,"date":"2012-03-14T20:01:56","date_gmt":"2012-03-14T19:01:56","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/komisch-der-wagner-der-revolution\/"},"modified":"2023-12-18T08:44:16","modified_gmt":"2023-12-18T07:44:16","slug":"komisch-der-wagner-der-revolution","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/komisch-der-wagner-der-revolution\/","title":{"rendered":"Komisch, der Wagner der Revolution"},"content":{"rendered":"<blockquote>\n<p>Das ist die Kunst, wie sie jetzt die ganze civilisirte Welt erf\u00fcllt! Ihr wirkliches Wesen ist die Industrie, ihr moralischer Zweck der Gelderwerb, ihr \u00e4sthetisches Vorgeben die Unterhaltung der Gelangweilten.[S\u00e4mtliche Schriften und Dichtungen: Dritter Band. Richard Wagner: Werke, Schriften und Briefe, S. 1044(vgl. Wagner-SuD Bd. 3, S. 19)http:\/\/www.digitale-bibliothek.de\/band107.htm ]<\/p>\n<\/blockquote>\n<p>Warum nur hat er Recht gehabt und so wenig danach gelebt. Oder hat er doch?<\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Komisch%2C%20der%20Wagner%20der%20Revolution https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkomisch-der-wagner-der-revolution%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Komisch%2C%20der%20Wagner%20der%20Revolution https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkomisch-der-wagner-der-revolution%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Ihr wirkliches Wesen ist die Industrie, ihr moralischer Zweck der Gelderwerb, ihr \u00e4sthetisches Vorgeben die Unterhaltung der Gelangweilten.[S\u00e4mtliche Schriften und Dichtungen: Dritter Band. Richard Wagner: Werke, Schriften und Briefe, S. 1044(vgl. Wagner-SuD Bd. 3, S. 19)http:\/\/www.digitale-bibliothek.de\/band107.htm ] Warum nur hat er Recht gehabt [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Komisch%2C%20der%20Wagner%20der%20Revolution https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fkomisch-der-wagner-der-revolution%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":460,"url":"https:\/\/www.kritische-masse.de\/logbuch\/richard-wagner-sie-sind-nur-ableiter\/","url_meta":{"origin":3026,"position":0},"title":"Richard Wagner: \u201c\u2026 sie sind nur Ableiter.\u201d","author":"huflaikhan","date":"30. Mai 2004","format":false,"excerpt":"Richard Wagner ist ein umstrittener K\u00fcnstler, nicht nur heute sondern auch zu seiner Zeit. In seiner revolution\u00e4ren Phase als Autor (so um 1850) hatte er einer unentschiedenen Art des Kommunismus sich zugewandt. In jener Zeit enstanden dicht hintereinander zuweilen dicke Abhandlungen wie \u201eDas Kunstwerk der Zukunft\u201d (1849), \u201cDie Kunst und\u2026","rel":"","context":"In \"Kulturentwicklung\"","block_context":{"text":"Kulturentwicklung","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/kulturentwicklung\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8244,"url":"https:\/\/www.kritische-masse.de\/logbuch\/richard-wagner-sie-sind-nur-ableiter-2\/","url_meta":{"origin":3026,"position":1},"title":"Richard Wagner: \u201c\u2026 sie sind nur Ableiter.\u201d","author":"der huflaikhan","date":"30. Mai 2004","format":false,"excerpt":"Richard Wagner ist ein umstrittener K\u00fcnstler, nicht nur heute sondern auch zu seiner Zeit. In seiner revolution\u00e4ren Phase als Autor (so um 1850) hatte er einer unentschiedenen Art des Kommunismus sich zugewandt. In jener Zeit enstanden dicht hintereinander zuweilen dicke Abhandlungen wie \u201eDas Kunstwerk der Zukunft\u201d (1849), \u201cDie Kunst und\u2026","rel":"","context":"In &quot;das Urheberrecht&quot;","block_context":{"text":"das Urheberrecht","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/das-urheberrecht\/"},"img":{"alt_text":"In der Berlinschen Galerie. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/05\/berlinische_galerie_wagner_c_hufner-1024x696.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/05\/berlinische_galerie_wagner_c_hufner-1024x696.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/05\/berlinische_galerie_wagner_c_hufner-1024x696.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/05\/berlinische_galerie_wagner_c_hufner-1024x696.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":59,"url":"https:\/\/www.kritische-masse.de\/logbuch\/dr-hufner-analysiert-richard-wagner-vorspiel-zu-die-meistersinger-von-nuernberg\/","url_meta":{"origin":3026,"position":2},"title":"Dr. Hufner analysiert: Richard Wagner, Vorspiel zu \u0084Die Meistersinger von N\u00fcrnberg\u0093","author":"huflaikhan","date":"19. September 2004","format":false,"excerpt":"Vorauszuschicken ist: Mit Wagner verbindet mich nicht viel. Vorauszuschicken ist: Mit Wagner verbindet mich nicht viel. Als Student musste (durfte \u2014 wie auch immer) ich in Philosophie referieren \u00fcber Wagner Schriften \u201eDas Kunsterwerk der Zukunft\u201c und \u201eOper und Drama\u201c \u2014 zwei fette B\u00fccher (eines auch noch in Frakturausgabe \u2014 gut\u2026","rel":"","context":"In &quot;Programmhefte&quot;","block_context":{"text":"Programmhefte","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/programmhefte\/"},"img":{"alt_text":"Russische Briefmarke mit Wagner vornedrauf von 1963","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/09\/20040919-wagner.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2575,"url":"https:\/\/www.kritische-masse.de\/logbuch\/adagietto\/","url_meta":{"origin":3026,"position":3},"title":"Adagietto","author":"huflaikhan","date":"24. Januar 2009","format":false,"excerpt":"Und nochmals: ich werde ein besserer Mensch, wenn mir dieser Bizet zuredet. Auch ein besserer Musikant, ein besserer Zuh\u00f6rer. Kann man \u00fcberhaupt noch besser zuh\u00f6ren?[Friedrich Nietzsche: Werke und Briefe: Der Fall Wagner. Friedrich Nietzsche: Werke, S. 7472(vgl. Nietzsche-W Bd. 2, S. 906) (c) C. Hanser Verlaghttp:\/\/www.digitale-bibliothek.de\/band31.htm ] Und nochmals: ich\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8454,"url":"https:\/\/www.kritische-masse.de\/logbuch\/breireuth-fracktale-probleme-mit-tannhaeuser\/","url_meta":{"origin":3026,"position":4},"title":"Breireuth \u2013 Fracktale Probleme mit Tannh\u00e4user","author":"der huflaikhan","date":"26. Juli 2014","format":false,"excerpt":"Gestern war der Start der Festspiele in Bayreuth mit dem Tannh\u00e4user. Live zu h\u00f6ren auf BR-Klassik. Und ein bisserl hat auch der moderne Zuh\u00f6rer seinen Platz gefunden. Es wird gewittert, was das Smartphone hergibt. Zum Beispiel Castorf, der sich \u00fcber das Stadttheater beklagende Regisseur und Intendant der Volksb\u00fchne am Rosa-Luxemburgplatz\u2026","rel":"","context":"In &quot;die Kultur&quot;","block_context":{"text":"die Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kultur\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/KClnUaYlGns\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":218,"url":"https:\/\/www.kritische-masse.de\/logbuch\/anbetung-fussball-wagner-schlechter-geschmack\/","url_meta":{"origin":3026,"position":5},"title":"Anbetung: Fussball &#8211; Wagner;  schlechter Geschmack?","author":"huflaikhan","date":"12. August 2003","format":false,"excerpt":"Musik: Football\u2018s coming home Baddiel, Skinner & Lightning Seeds - three lions '98 (football's coming home) Sprecher: F\u00fcr Fussball ist es jetzt viel zu hei\u00df. Da zieht es einen lieber in abgedunkelte klimatisierte Opernh\u00e4user. Der unumstrittene Herr der Ringe ist dabei ein gewisser Richard Wagner. Gro\u00dfe Theater-Gesten, dickfl\u00fcssige Musik, die\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/anbetung-fussball-wagner-schlechter-geschmack\/#comments"},"img":{"alt_text":"Wagner","src":"https:\/\/i0.wp.com\/www.nmz.de\/taktlos\/grafik\/ra.gif?resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3026"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3026\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}