{"id":3043,"date":"2012-05-28T20:51:25","date_gmt":"2012-05-28T19:51:25","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/undercover-im-ritzcarlton-am-potsdamer-platz\/"},"modified":"2023-12-18T08:44:16","modified_gmt":"2023-12-18T07:44:16","slug":"undercover-im-ritzcarlton-am-potsdamer-platz","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/05\/undercover-im-ritzcarlton-am-potsdamer-platz\/","title":{"rendered":"Undercover im Ritz\/Carlton am Potsdamer Platz"},"content":{"rendered":"<p>Wie ich einmal fast Dieter Bohlen angesichtig geworden&nbsp;w&auml;re. 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8616,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/11\/eine-kochshow-1959-tonbaender-und-komponisten\/","url_meta":{"origin":3043,"position":0},"title":"Eine Kochshow 1959: Tonb\u00e4nder und Komponisten","author":"der huflaikhan","date":"13. November 2015","format":"video","excerpt":"https:\/\/youtu.be\/1RjMuB8Qkd8 Es ist ja schon viel \u00fcber die gesellschaftliche Bedeutung und Situation des Komponisten geschrieben worden. Hier sieht man ihn direkt bei der Arbeit. Und wo steht er? Er steht nicht, er sitzt. Und wo sitzt er? Nicht auf einem bequemen Stuhl in einem Komponierh\u00e4usl, sondern irgendwo in der Ecke\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/1RjMuB8Qkd8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":166,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2003\/05\/achse-des-bloeden\/","url_meta":{"origin":3043,"position":1},"title":"Achse des Bl\u00f6den","author":"huflaikhan","date":"10. Mai 2003","format":false,"excerpt":"Die Katzen pfeifen es vom Dach: Hier sind ein paar Schrauben locker. Nein, es geht nicht um die Hobbyheimwerker mit staatlicher Zulassung beim Deutschen Musikrat. Denn das Musikleben ist medientr\u00e4chtig l\u00e4ngst den Kinderschuhen amtlicher Musikr\u00e4te entwachsen. Mindestens acht Millionen Menschen suchen eben nicht den Deutschen Musikrat sondern Deutschlands Superstar. Freilich\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3318,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/01\/ein-frage-herr-luhmann\/","url_meta":{"origin":3043,"position":2},"title":"Eine Frage, Herr Luhmann!","author":"huflaikhan","date":"28. Januar 2014","format":false,"excerpt":"Ich hab da mal 'ne Frage, Herr Luhmann. Ihr Verlag, vielleicht sogar Sie selbst schreiben auf den Klappentext zu \"Die Kunst der Gesellschaft\": \u201eNiemand sonst macht das, was sie macht.\u201c Das stimmt wahrscheinlich. Aber das f\u00fchrt mich zu der Frage, wie sehr oder wenig abgeschlossen ihre Sammlung \"Der\/Die\/Das \u2026 der\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"H\u00fcppel beim Nachdenkenspaziergang. 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April 2004","format":false,"excerpt":"Heute in der Zeit ein Interview mit Helmut Lachenmann, einem der sicher kl\u00fcgsten Komponisten unserer Zeit. Das Musikforum des Deutschen Musikrates hatte in seiner ersten Ausgabe E- und U-Musik gegen\u00fcbergestellt, als Frage. Darin hat Bohlen sich mit Johann Sebastian Bach verglichen, der heute so komponieren t\u00e4te wie er, Bohlen, schon\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2254,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/08\/name-doping\/","url_meta":{"origin":3043,"position":4},"title":"Name-Doping","author":"hufi","date":"2. August 2007","format":false,"excerpt":"Im Nachhinein wundert es nicht. Dennoch war die aktuelle Pressemeldung des Deutschen B\u00fchnenvereins sehr beschmunzelnswert. Wird darin doch die deutsche Wirtschaft aufgefordert, ihr Engagement im Sponsoring zu \u00fcberdenken. Die deutsche Wirtschaft sponsort n\u00e4mlich Sport und Kultur. Und mit gro\u00dfer Wahrscheinlichkeit Sport mehr als Kultur. Das hat Gr\u00fcnde, die einfach darin\u2026","rel":"","context":"In \"Kultur\"","block_context":{"text":"Kultur","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/kultur\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8344,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/08\/name-doping-2\/","url_meta":{"origin":3043,"position":5},"title":"Name-Doping","author":"der huflaikhan","date":"2. August 2007","format":false,"excerpt":"Im Nachhinein wundert es nicht. Dennoch war die aktuelle Pressemeldung des Deutschen B\u00fchnenvereins sehr beschmunzelnswert. Wird darin doch die deutsche Wirtschaft aufgefordert, ihr Engagement im Sponsoring zu \u00fcberdenken. Die deutsche Wirtschaft sponsort n\u00e4mlich Sport und Kultur. Und mit gro\u00dfer Wahrscheinlichkeit Sport mehr als Kultur. Das hat Gr\u00fcnde, die einfach darin\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Die wahre Kulturwirtschaft. 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