{"id":3043,"date":"2012-05-28T20:51:25","date_gmt":"2012-05-28T19:51:25","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/undercover-im-ritzcarlton-am-potsdamer-platz\/"},"modified":"2023-12-18T08:44:16","modified_gmt":"2023-12-18T07:44:16","slug":"undercover-im-ritzcarlton-am-potsdamer-platz","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/05\/undercover-im-ritzcarlton-am-potsdamer-platz\/","title":{"rendered":"Undercover im Ritz\/Carlton am Potsdamer Platz"},"content":{"rendered":"<p>Wie ich einmal fast Dieter Bohlen angesichtig geworden&nbsp;w&auml;re. 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November 2015","format":"video","excerpt":"https:\/\/youtu.be\/1RjMuB8Qkd8 Es ist ja schon viel \u00fcber die gesellschaftliche Bedeutung und Situation des Komponisten geschrieben worden. Hier sieht man ihn direkt bei der Arbeit. Und wo steht er? Er steht nicht, er sitzt. Und wo sitzt er? Nicht auf einem bequemen Stuhl in einem Komponierh\u00e4usl, sondern irgendwo in der Ecke\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/1RjMuB8Qkd8\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3318,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/01\/ein-frage-herr-luhmann\/","url_meta":{"origin":3043,"position":1},"title":"Eine Frage, Herr Luhmann!","author":"huflaikhan","date":"28. Januar 2014","format":false,"excerpt":"Ich hab da mal 'ne Frage, Herr Luhmann. Ihr Verlag, vielleicht sogar Sie selbst schreiben auf den Klappentext zu \"Die Kunst der Gesellschaft\": \u201eNiemand sonst macht das, was sie macht.\u201c Das stimmt wahrscheinlich. Aber das f\u00fchrt mich zu der Frage, wie sehr oder wenig abgeschlossen ihre Sammlung \"Der\/Die\/Das \u2026 der\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"H\u00fcppel beim Nachdenkenspaziergang. 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Nein, es geht nicht um die Hobbyheimwerker mit staatlicher Zulassung beim Deutschen Musikrat. Denn das Musikleben ist medientr\u00e4chtig l\u00e4ngst den Kinderschuhen amtlicher Musikr\u00e4te entwachsen. Mindestens acht Millionen Menschen suchen eben nicht den Deutschen Musikrat sondern Deutschlands Superstar. Freilich\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":421,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/lachenmann-contra-bohlen\/","url_meta":{"origin":3043,"position":3},"title":"Lachenmann contra Bohlen","author":"huflaikhan","date":"29. April 2004","format":false,"excerpt":"Heute in der Zeit ein Interview mit Helmut Lachenmann, einem der sicher kl\u00fcgsten Komponisten unserer Zeit. Das Musikforum des Deutschen Musikrates hatte in seiner ersten Ausgabe E- und U-Musik gegen\u00fcbergestellt, als Frage. Darin hat Bohlen sich mit Johann Sebastian Bach verglichen, der heute so komponieren t\u00e4te wie er, Bohlen, schon\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8383,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/preisverfallen-stalin-orden-fuer-die-musikraete\/","url_meta":{"origin":3043,"position":4},"title":"Preisverfallen \u2013 Stalin-Orden f\u00fcr die Musikr\u00e4te","author":"der huflaikhan","date":"7. Juni 2012","format":false,"excerpt":"Sie sind dem Preis verfallen. Das Bundesjazzorchester erh\u00e4lt den ECHO Jazz, Jugend musiziert erhielt den ECHO Klassik. Auf beiden Websites prangt jetzt ein h\u00fcbsches (?) Logo mit dem Titel: Deutscher Musikpreis. Deutscher Musikpreis, das klingt aus den Ohren der Musikindustrie etwas anders, eher nach Stalin-Orden. Den ECHO vergibt die Kulturorganisation\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":19624,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2026\/05\/adorno-und-der-pseudoliberalismus-relevanz-heute\/","url_meta":{"origin":3043,"position":5},"title":"Adorno und der Pseudoliberalismus: Relevanz heute","author":"der huflaikhan","date":"14. Mai 2026","format":false,"excerpt":"Der Beauftragte der Bundesregierung f\u00fcr Kultur und Medien, ja, so hei\u00dft es offiziell in seinem Amt, f\u00e4hrt nach Wien. Interessant? Ja, vielleicht bleibt er ja dort. Dieter Nuhr erh\u00e4lt den Leo-Baeck-Preis des Zentralrats der Juden. Interessant? Ja, denn das er\u00f6ffnet selbst jemandem wie Julian Reichelt die M\u00f6glichkeit, auf seine alten\u2026","rel":"","context":"In &quot;es geht auch schlechter&quot;","block_context":{"text":"es geht auch schlechter","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/es-geht-auch-schlechter\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3043","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3043"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3043\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3043"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3043"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3043"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}