{"id":3069,"date":"2012-06-10T10:50:43","date_gmt":"2012-06-10T09:50:43","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/em-2012-spanien-vs-italien\/"},"modified":"2023-12-18T08:44:16","modified_gmt":"2023-12-18T07:44:16","slug":"em-2012-spanien-vs-italien","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/em-2012-spanien-vs-italien\/","title":{"rendered":"EM 2012: Spanien vs. Italien"},"content":{"rendered":"<p><strong>Tomas Marco vs. Giacinto Scelsi<\/strong><\/p>\n<p>Tomas Marco: String Quartet No. 2<\/p>\n<p><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/MQfUj7g4J70\" width=\"560\"><\/iframe><\/p>\n<p>Giacinto Scelsi : String Quartet no. 5<\/p>\n<p><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/BYd8gbWIHGU\" width=\"420\"><\/iframe><\/p>\n<p>2:1 f&uuml;r Spanien. Nicht ganz so ber&uuml;hmt wie andere Spanische Komponisten d&uuml;rfte das Werk von Tomas Marco sein. Mein erster Kontakt ging &uuml;ber die Literatur. Da hat Marco ein Gedicht zu Webern verfasst. Mit &quot;beide Auen zu&quot; und so. Wikipedia meint herausgefunden zu haben, dass er studierte bei Bruno Maderna, Pierre Boulez, Karlheinz Stockhausen, Gy&ouml;rgy Ligeti, Gottfried Michael Koenig Und Theodor W. Adorno. ADORNO! Bei dem hat so mancher studiert. Nicht so sein Gegner: Scelsi. Der hat nur einen Ton studiert und war der erste Anonymous vor der Neue Musik. So ein Kreis als Eigenbild. Angeblich soll er auch nicht so richtig selbst komponiert, sondern nur improvisiert haben.<\/p>\n<p><!--break--><\/p>\n<p>Und wer anders hat daraus dann Musik gemacht. &quot;Musik&quot; in Anf&uuml;hrungsstrichen. Eigentlich ein angeblich geiler Musikpirat. Die Sache ist klar. Italien hat die gr&ouml;&szlig;ere Reputation und das bessere GEMA-Aufkommen. Aber Spanien die gewiss gr&ouml;&szlig;eren Potentiale. 2:1 f&uuml;r Spanien.<\/p>\n<p>Obwohl Adorno mehr Urlaub in Italien verbracht hat als an seinem Studierstuhl im Caf&eacute; Pl&uuml;sch, Frankfurt.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=EM%202012%3A%20Spanien%20vs.%20Italien https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fem-2012-spanien-vs-italien%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=EM%202012%3A%20Spanien%20vs.%20Italien https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fem-2012-spanien-vs-italien%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Nicht ganz so ber&uuml;hmt wie andere Spanische Komponisten d&uuml;rfte das Werk von Tomas Marco sein. Mein erster Kontakt ging &uuml;ber die Literatur. Da hat Marco ein Gedicht zu Webern verfasst. Mit &quot;beide Auen zu&quot; [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=EM%202012%3A%20Spanien%20vs.%20Italien https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fem-2012-spanien-vs-italien%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Mai 2003","format":false,"excerpt":"Unverstellte Ann\u00e4herung von vorn an unverbrauchte Musik Zusammengez\u00e4hlt sind sie gerade mal etwas mehr als hundert Jahre alt, die vier Streicher des Iturriaga Quartetts. Damit d\u00fcrften sie gegenw\u00e4rtig eines der j\u00fcngsten Quartett-Ensembles \u00fcberhaupt sein. Zum Teil stecken sie sogar im Moment noch im Hochschulpr\u00fcfungsstress. 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