{"id":3070,"date":"2012-06-10T11:18:17","date_gmt":"2012-06-10T10:18:17","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/em-2012-irland-vs-kroatien-22\/"},"modified":"2023-12-18T08:44:16","modified_gmt":"2023-12-18T07:44:16","slug":"em-2012-irland-vs-kroatien-22","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-irland-vs-kroatien-22\/","title":{"rendered":"EM 2012: Irland vs. Kroatien 2:2"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=EM%202012%3A%20Irland%20vs.%20Kroatien%202%3A2 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2012%2F06%2Fem-2012-irland-vs-kroatien-22%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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&quot; SPLINTERY &quot; pour quatuor &agrave; cordes (1977)<\/p>\n<p><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/6uUROknyHE0\" width=\"420\"><\/iframe><\/p>\n<p>Howard Ferguson: Octet (1933)<\/p>\n<p><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/MP2-dZcGicU\" width=\"420\"><\/iframe><\/p>\n<p>Gar nicht so einfach, einen irischen Komponisten zu finden. James Joyce hat hat wirklich nicht viele Werke hinterlassen. Andere Komponisten hingen wohl eher in der Pinte und haben B&ouml;ll zu Tageb&uuml;chern inspiriert. Ferguson hat wenigstens einen halb ertr&auml;glichen irischen Namen und kennt mindestens 8 Instrumente, was sein Oktett hier beweist. Krostische Komponisten sind ebenso selten wie gut. Aber mit Milko Kelemen hat man einen, der auch ab und zu mal gespielt wird. Der eine sagt, zu selten, der andere: zu h&auml;ufig. Von der Papierform her m&uuml;sste Kroatien gewinnen. Aber Irland braucht die Punkte, seit auch im Eurovision Song Contest nichts mehr geht. 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&quot; SPLINTERY &quot; pour quatuor &agrave; cordes (1977) Howard Ferguson: Octet (1933) Gar nicht so einfach, einen irischen Komponisten zu finden. James Joyce hat hat wirklich nicht viele Werke hinterlassen. Andere Komponisten hingen wohl eher in der Pinte und haben B&ouml;ll zu Tageb&uuml;chern inspiriert. 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Juni 2012","format":false,"excerpt":"Bengt Hambraeus vs. Valentin Silvestrov Bengt Hambraeus - Doppelrohr II valentin silvestrov: silent songs An sich eine klare Sache. Das St\u00fcck von Bengt Hambraeus, einem viel zu selten gespielten Komponisten hat trotz seines etwas schwachen Titels die Nase vorn - da geht was ab. Silvestrovs Lied von 1974 dagegen schwummert\u2026","rel":"","context":"In \"Bengt Hambraeus\"","block_context":{"text":"Bengt Hambraeus","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bengthambraeus\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3068,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-portugal-vs-brd-2045\/","url_meta":{"origin":3070,"position":3},"title":"EM 2012: Portugal vs. BRD &#8211; 1:1","author":"huflaikhan","date":"9. Juni 2012","format":false,"excerpt":"Rudi Stephan vs. Lu\u00eds de Freitas Branco Rudi Stephan: Musik f\u00fcr Orchester in einem Satz (1910) (1\/2) Lu\u00eds de Freitas Branco: Para\u00edsos Artificiais (Symphonic Poem) Es macht einem schon etwas Sorgen, irgendeinen portugiesischen Komponisten zu nennen, au\u00dfer Emmanuel Nunes. Fado und so Zeug h\u00f6rt man ja allerorten. Wenn man noch\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3071,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-frankreich-vs-england-31\/","url_meta":{"origin":3070,"position":4},"title":"EM 2012: Frankreich vs. England 3:1","author":"huflaikhan","date":"11. Juni 2012","format":false,"excerpt":"Grisey vs. Ferneyhough GERARD GRISEY - TALEA Ferneyhough: Exordium [w\/ score] Geht man nach rein musikalischen Erw\u00e4hgungen vor, ist klar, wer die Nase vorn hat. Frankreich. Nicht nur die Auswahl an Komponisten ist viel \u00fcberw\u00e4ltigender, auch musikalisch sieht es eher so aus, als sei die Spielanlage des Engl\u00e4nders zu komplex.\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3069,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-spanien-vs-italien\/","url_meta":{"origin":3070,"position":5},"title":"EM 2012: Spanien vs. Italien","author":"huflaikhan","date":"10. Juni 2012","format":false,"excerpt":"Tomas Marco vs. Giacinto Scelsi Tomas Marco: String Quartet No. 2 Giacinto Scelsi : String Quartet no. 5 2:1 f\u00fcr Spanien. 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