{"id":3071,"date":"2012-06-11T09:40:14","date_gmt":"2012-06-11T08:40:14","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/em-2012-frankreich-vs-england-31\/"},"modified":"2023-12-18T08:44:16","modified_gmt":"2023-12-18T07:44:16","slug":"em-2012-frankreich-vs-england-31","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-frankreich-vs-england-31\/","title":{"rendered":"EM 2012: Frankreich vs. England 3:1"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=EM%202012%3A%20Frankreich%20vs.%20England%203%3A1 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2012%2F06%2Fem-2012-frankreich-vs-england-31%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><p><strong>Grisey vs. Ferneyhough<\/strong><\/p>\n<p>GERARD GRISEY &#8211; TALEA<\/p>\n<p><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/D1fTm7_l0Dc\" width=\"560\"><\/iframe><\/p>\n<p>Ferneyhough: Exordium [w\/ score]<\/p>\n<p><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/jqDr9DLtvEk\" width=\"560\"><\/iframe><\/p>\n<p>Geht man nach rein musikalischen Erw&auml;hgungen vor, ist klar, wer die Nase vorn hat. Frankreich. Nicht nur die Auswahl an Komponisten ist viel &uuml;berw&auml;ltigender, auch musikalisch sieht es eher so aus, als sei die Spielanlage des Engl&auml;nders zu komplex. Auch wenn er weniger Instrumente zur Verf&uuml;gung hat, scheint es doch so, als verzettele der Engl&auml;nder sich zu sehr.<!--break-->Ein bisschen musikalische Kick &amp; Rush w&auml;re nicht ganz bl&ouml;de. Ans&auml;tze dazu sind vorhanden, mancher musikalischer Steilpass sitzt tats&auml;chlich. Der Franzose nutzt den musikalischen Raum viel besser. Eine gute Abwehr im Piano ist das Fundament, auf das der Franzose bauen kann. Manchmal wirkt das alles etwas sehr verspielt. Aber damit geibt es nat&uuml;rlich die Chance f&uuml;r manche &Uuml;berraschung. 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TALEA Ferneyhough: Exordium [w\/ score] Geht man nach rein musikalischen Erw&auml;hgungen vor, ist klar, wer die Nase vorn hat. Frankreich. Nicht nur die Auswahl an Komponisten ist viel &uuml;berw&auml;ltigender, auch musikalisch sieht es eher so aus, als sei die Spielanlage des Engl&auml;nders zu komplex. 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Juni 2012","format":false,"excerpt":"England: Scarborough Fair - Gregorian Chant (HD) Gitte Haenning - Schwedisches Volkslied (1976) Ist da ein Unterschied zwischen Schweden und Frankreich. Man m\u00f6chte meinen: Nein. Beide sind keine Amis. Das spricht f\u00fcr sie. Aber zu welchem Ergebnis kommt man. Gitte gewinnt das musikalische Duell unzweifellhaft - auch dank ihrer famosen\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3077,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-italien-vs-kroatien-22\/","url_meta":{"origin":3071,"position":1},"title":"EM 2012: Italien vs. Kroatien &#8211; 2:2","author":"huflaikhan","date":"14. Juni 2012","format":false,"excerpt":"Italien: bunga bunga_ballo di gruppoKroatien: Kroatisches Lied-zweistimmig (Sve je ona meni)Klarer Fall f\u00fcr eine Spielabsage. Beide Vertreter nehmen die Sache nicht ernst. Die Italiener machen einen riesen Wirbel f\u00fcr ein musikalisches Nichts. Die Kroaten bekommen nicht einmal ein gescheites Abspiel hin. Vor dem Tor stehen sich sich zu allem \u00dcberfluss\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3081,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-frankreich-vs-ukraine-21\/","url_meta":{"origin":3071,"position":2},"title":"EM 2012: Frankreich vs. Ukraine 2:1","author":"huflaikhan","date":"15. Juni 2012","format":false,"excerpt":"Frankreich: Edith Piaf- Le \u00e7a ira-1953Ukraine: Ich bete an die Macht der Liebe (Don Kosaken)Die einen haben schon die eine oder andere Revolution geschlagen. Vieles von dem wir hier letztlich partizipieren. Die anderen sind noch hintan. Die einen st\u00fcrmen schon, da beten die anderen. Ein ungleiches Paar. Schwer zu sagen,\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3076,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-niederland-vs-deutschland-43\/","url_meta":{"origin":3071,"position":3},"title":"EM 2012: Niederland vs. Deutschland &#8211; 4:3","author":"huflaikhan","date":"13. Juni 2012","format":false,"excerpt":"Niederlande: Volkslied Noord Nederland Deutschland: Kein Feuer keine Kohle Frisia cantat, Unternehmensgala. Standing ovations. Ein Bl\u00e4servorspiel, das jemnd verfasst haben muss, der lange genug Hindemith geh\u00f6rt hat und mit Copland mixte. Der Gesang? Naja. Dagegen der Gesang der Kings Singers, die ein altes deutsches Volkslied zum besten geben. Eines der\u2026","rel":"","context":"In \"Chor\"","block_context":{"text":"Chor","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/chor\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3068,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-portugal-vs-brd-2045\/","url_meta":{"origin":3071,"position":4},"title":"EM 2012: Portugal vs. BRD &#8211; 1:1","author":"huflaikhan","date":"9. Juni 2012","format":false,"excerpt":"Rudi Stephan vs. Lu\u00eds de Freitas Branco Rudi Stephan: Musik f\u00fcr Orchester in einem Satz (1910) (1\/2) Lu\u00eds de Freitas Branco: Para\u00edsos Artificiais (Symphonic Poem) Es macht einem schon etwas Sorgen, irgendeinen portugiesischen Komponisten zu nennen, au\u00dfer Emmanuel Nunes. Fado und so Zeug h\u00f6rt man ja allerorten. Wenn man noch\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":461,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/taktlos-77-neue-musik-fuer-kinder\/","url_meta":{"origin":3071,"position":5},"title":"taktlos 77: Neue Musik f\u00fcr Kinder","author":"huflaikhan","date":"30. Mai 2004","format":false,"excerpt":"Neue Musik f\u00fcr KinderMusik: Charles Ives: Three Places in New England Nr. 3 The Housatonic at Stockbridge von Anfang, unter dem Text lassenAutor: \u0084Elfj\u00e4hrige sind \u0096 was den Musikgeschmack betrifft \u0096 erstaunlich fertig. Die entscheidenden pr\u00e4genden Erfahrungen sind heute, st\u00e4rker als in der Vergangenheit, bereits in der Kindheit zu suchen\u0093,\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3071"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3071\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3071"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3071"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}