Italien: bunga bunga_ballo di gruppo<\/p>\n
<\/iframe><\/p>\n<p>Kroatien: Kroatisches Lied-zweistimmig (Sve je ona meni)<\/p>\n<p><iframe loading=\"lazy\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"http:\/\/www.youtube.com\/embed\/LFLZXJzuP30\" width=\"560\"><\/iframe><\/p>\n<p>Klarer Fall f\u00fcr eine Spielabsage. Beide Vertreter nehmen die Sache nicht ernst. Die Italiener machen einen riesen Wirbel f\u00fcr ein musikalisches Nichts. Die Kroaten bekommen nicht einmal ein gescheites Abspiel hin. Vor dem Tor stehen sich sich zu allem \u00dcberfluss im Weg. Als ob beide Mannschaften ihren musikalischen Sachverstand gemeinsam in der Adria versenkt h\u00e4tte. So wird das nix.<\/p>\n<p><!--break--><\/p>\n<p>Koordiniert die einen bis ins Plastikbein hinein, bem\u00fcht die anderen, auf akustiisch-\u00e4stehtsiches Mitleid hoffend. Solche Duelle m\u00f6chte man eigentlich nicht sehen. Absolut EM-untauglich. 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Beide Vertreter nehmen die Sache nicht ernst. Die Italiener machen einen riesen Wirbel f\u00fcr ein musikalisches Nichts. Die Kroaten bekommen nicht einmal ein gescheites Abspiel hin. Vor dem Tor stehen sich sich zu allem \u00dcberfluss im Weg. Als […]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=EM%202012%3A%20Italien%20vs.%20Kroatien%20%E2%80%93%202%3A2 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2012%2F06%2Fem-2012-italien-vs-kroatien-22%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&d=blank&r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":3069,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-spanien-vs-italien\/","url_meta":{"origin":3077,"position":0},"title":"EM 2012: Spanien vs. Italien","author":"huflaikhan","date":"10. Juni 2012","format":false,"excerpt":"Tomas Marco vs. Giacinto Scelsi Tomas Marco: String Quartet No. 2 Giacinto Scelsi : String Quartet no. 5 2:1 f\u00fcr Spanien. Nicht ganz so ber\u00fchmt wie andere Spanische Komponisten d\u00fcrfte das Werk von Tomas Marco sein. Mein erster Kontakt ging \u00fcber die Literatur. Da hat Marco ein Gedicht zu Webern\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3070,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-irland-vs-kroatien-22\/","url_meta":{"origin":3077,"position":1},"title":"EM 2012: Irland vs. Kroatien 2:2","author":"huflaikhan","date":"10. Juni 2012","format":false,"excerpt":"Ferguson vs. Kelemen MILKO KELEMEN - \" SPLINTERY \" pour quatuor \u00e0 cordes (1977) Howard Ferguson: Octet (1933) Gar nicht so einfach, einen irischen Komponisten zu finden. James Joyce hat hat wirklich nicht viele Werke hinterlassen. Andere Komponisten hingen wohl eher in der Pinte und haben B\u00f6ll zu Tageb\u00fcchern inspiriert.\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8680,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/08\/adagio-werbung-in-sehr-langsam\/","url_meta":{"origin":3077,"position":2},"title":"Adagio \u2013 Werbung in sehr langsam","author":"der huflaikhan","date":"9. August 2016","format":false,"excerpt":"Immer wieder gibt es Produkte aus der au\u00dfermusikalischen Lebenswelt die mit Attributen aus der musikalischen Welt verkn\u00fcpft werden. So beim Streamingdienst f\u00fcr klassische Musik idagio. So aber zum Beispiel auch beim Werbeprospekt eines Kaufhauses. Die Anziehsachen, die man dort findet, ich wei\u00df schon gar nicht mehr was es war, das\u2026","rel":"","context":"In "\u00c4sthetische Kunstfehler"","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3071,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-frankreich-vs-england-31\/","url_meta":{"origin":3077,"position":3},"title":"EM 2012: Frankreich vs. England 3:1","author":"huflaikhan","date":"11. Juni 2012","format":false,"excerpt":"Grisey vs. Ferneyhough GERARD GRISEY - TALEA Ferneyhough: Exordium [w\/ score] Geht man nach rein musikalischen Erw\u00e4hgungen vor, ist klar, wer die Nase vorn hat. Frankreich. Nicht nur die Auswahl an Komponisten ist viel \u00fcberw\u00e4ltigender, auch musikalisch sieht es eher so aus, als sei die Spielanlage des Engl\u00e4nders zu komplex.\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3068,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-portugal-vs-brd-2045\/","url_meta":{"origin":3077,"position":4},"title":"EM 2012: Portugal vs. BRD – 1:1","author":"huflaikhan","date":"9. Juni 2012","format":false,"excerpt":"Rudi Stephan vs. Lu\u00eds de Freitas Branco Rudi Stephan: Musik f\u00fcr Orchester in einem Satz (1910) (1\/2) Lu\u00eds de Freitas Branco: Para\u00edsos Artificiais (Symphonic Poem) Es macht einem schon etwas Sorgen, irgendeinen portugiesischen Komponisten zu nennen, au\u00dfer Emmanuel Nunes. Fado und so Zeug h\u00f6rt man ja allerorten. Wenn man noch\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3082,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/em-2012-england-vs-schweden-10\/","url_meta":{"origin":3077,"position":5},"title":"EM 2012: England vs. Schweden – 1:0","author":"huflaikhan","date":"15. Juni 2012","format":false,"excerpt":"England: Scarborough Fair - Gregorian Chant (HD) Gitte Haenning - Schwedisches Volkslied (1976) Ist da ein Unterschied zwischen Schweden und Frankreich. Man m\u00f6chte meinen: Nein. Beide sind keine Amis. Das spricht f\u00fcr sie. Aber zu welchem Ergebnis kommt man. Gitte gewinnt das musikalische Duell unzweifellhaft - auch dank ihrer famosen\u2026","rel":"","context":"In \"EM 2012\"","block_context":{"text":"EM 2012","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/em2012\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3077","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3077"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3077\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3077"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3077"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3077"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}