{"id":3084,"date":"2012-06-20T10:34:10","date_gmt":"2012-06-20T09:34:10","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/der-kreis\/"},"modified":"2023-12-18T08:44:16","modified_gmt":"2023-12-18T07:44:16","slug":"der-kreis","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/06\/der-kreis\/","title":{"rendered":"Der Kreis"},"content":{"rendered":"<p>Immer mehr dreht man sich im Kreis. Angefangene B\u00fccher werden 10 mal angefangen. &quot;Die Interaktivit\u00e4t bedroht uns von allen Seiten&quot;, schreibt Jean Baudrillard in &quot;Die Intelligenz des B\u00f6sen&quot;.<sup id=\"mfn-content-0000000000004d490000000000000000_3084-1\" class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000004d490000000000000000_3084\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000004d490000000000000000_3084-1\">1<\/a><\/sup><span role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Jean Baudrillard: Die Intelligenz des B\u00f6sen, Wien 2006, S. 65.<\/span><\/p>\n<p>Wie viel Zeit man doch pl\u00f6tzlich hat, wenn allein die Interaktivit\u00e4t der Netze ausbleibt. Und wie viel Zeit sie neuerdings frisst, wenn man selbst auf Reisen online ist. Selbst die 99-prozentige Abschaffung des Fernsehens wird durch das Netz \u00fcberkompensiert. Das Netz durchl\u00f6chert einen aber auch noch in den Phasen der Netzinaktivit\u00e4t.&nbsp;<\/p>\n<p>Der Verlust ist sicher nicht ohne Gewinn. Aber der Gewinn wird im Moment durch die \u00dcberdrehtheit in eine rein fl\u00fcchtige Ware von Momenten \u00fcberf\u00fchrt. Der Nachrichten-Tod. 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background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div><h3 class=\"modern-footnotes-list-heading \">Fussnoten:<\/h3><ul class=\"modern-footnotes-list \"><li id=\"footnote-0000000000004d490000000000000000_3084-1\"><span>1<\/span><div>Jean Baudrillard: Die Intelligenz des B\u00f6sen, Wien 2006, S. 65. <a href=\"#mfn-content-0000000000004d490000000000000000_3084-1\" class=\"modern-footnotes-scroll-to-footnote\" aria-label=\"Back to reference 1 in text\">\u21a9\ufe0e<\/a><\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Immer mehr dreht man sich im Kreis. Angefangene B\u00fccher werden 10 mal angefangen. &quot;Die Interaktivit\u00e4t bedroht uns von allen Seiten&quot;, schreibt Jean Baudrillard in &quot;Die Intelligenz des B\u00f6sen&quot;. Wie viel Zeit man doch pl\u00f6tzlich hat, wenn allein die Interaktivit\u00e4t der Netze ausbleibt. Und wie viel Zeit sie neuerdings frisst, wenn man selbst auf Reisen online [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Der%20Kreis https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2012%2F06%2Fder-kreis%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8644,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/05\/baudrillard-ende-der-kunst\/","url_meta":{"origin":3084,"position":0},"title":"Baudrillard: Ende der Kunst \u2013 Nutzlosigkeit","author":"der huflaikhan","date":"27. Mai 2016","format":false,"excerpt":"Es gab wahrscheinlich noch nie so viel Ausdruck wie zur Zeit. Im Prinzip, ja Prinzip, dr\u00fccken nat\u00fcrlich alle zu jeder Zeit immer etwas aus. Die Dinge sowieso, aber die Menschen in ihrer Existenz auch. Jeder Mensch ist eine K\u00fcnstler, auch ohne es zu wollen. Jeder Mensch kann vom anderen als\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/aesthetische_kunstfehler\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8360,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/04\/fahrten-durch-unsgesellige-landschaften-i-bis-iii\/","url_meta":{"origin":3084,"position":1},"title":"Fahrten durch ungesellige Landschaften I bis III","author":"der huflaikhan","date":"3. April 2008","format":false,"excerpt":"I Bev\u00f6lkerungsbeschwichtigung - Koeppen Er meinte die Situation zu durchschauen: sie barg Gift und Bazillen. Was waren denn diese Siedlungen anderes als die nationalistischen Siedlungen der Kinderreichen, als SS- und SA-Siedlungen, nur billiger, nur enger, nur sch\u00e4biger, nur d\u00fcrftiger? Und wenn man diese Blaupausen betrachtete, es war der Nazistil, in\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3443,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/04\/die-konsumgesellschaft-und-die-erm-dung-1970\/","url_meta":{"origin":3084,"position":2},"title":"Die Konsumgesellschaft und die Erm\u00fcdung (1970)","author":"huflaikhan","date":"6. April 2015","format":false,"excerpt":"Die Helden des Konsums sind m\u00fcde. (\u2026) Denn die Fatigue ist ein unterschwelliger Protest, der sich gegen die eigene Person wendet und sich in ihrem eigenen K\u00f6rper \u201everk\u00f6rpert\u201c, weil dieser unter bestimmten Bedingungen das Einzige ist, woran sich das enteignete Individuum noch halten kann. (\u2026) \u201eDas ist absolut klassisch\u201c, kommentiert\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"M\u00fcdes Haus. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/04\/mmauvs-2120064.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/04\/mmauvs-2120064.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/04\/mmauvs-2120064.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/04\/mmauvs-2120064.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/04\/mmauvs-2120064.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":3388,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/11\/emanzipatives-internet-oder-auslastung-der-demokratie\/","url_meta":{"origin":3084,"position":3},"title":"Emanzipatives Internet oder Auslastung der Demokratie","author":"huflaikhan","date":"11. November 2014","format":false,"excerpt":"Beim Blick auf das Besondere verliert man aus den Augen, was nebenbei automatisch auch passiert.\u00a0 Beim Internet und seinen zugeh\u00f6rigen M\u00f6glichkeiten, Dinge auf einfache und schnelle Art zu ver\u00f6ffentlichen (im Gegensatz zur Organisation einer Druckmaschine und dem Vertrieb der Erzeugnisse), ist immer der emanzpipative Charakter bei Vertretern der Gegen\u00f6ffentlchkeit herausgestellt\u2026","rel":"","context":"In \"Aufkl\u00e4rung\"","block_context":{"text":"Aufkl\u00e4rung","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/aufklrung\/"},"img":{"alt_text":"Musikerin in der \u00d6ffentlichkeit. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/musiker_black.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/musiker_black.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/musiker_black.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/musiker_black.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/11\/musiker_black.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8503,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/11\/emanzipatives-internet-oder-auslastung-der-demokratie-2\/","url_meta":{"origin":3084,"position":4},"title":"Emanzipatives Internet oder Auslastung der Demokratie","author":"der huflaikhan","date":"10. November 2014","format":false,"excerpt":"Beim Blick auf das Besondere verliert man aus den Augen, was nebenbei automatisch auch passiert.\u00a0 Beim Internet und seinen zugeh\u00f6rigen M\u00f6glichkeiten, Dinge auf einfache und schnelle Art zu ver\u00f6ffentlichen (im Gegensatz zur Organisation einer Druckmaschine und dem Vertrieb der Erzeugnisse), ist immer der emanzpipative Charakter bei Vertretern der Gegen\u00f6ffentlichkeit herausgestellt\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"Postmeister","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/09\/20050905-postmeister.png?fit=500%2C360&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8346,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/08\/spamffiti-kool-killer-und-spam-2007\/","url_meta":{"origin":3084,"position":5},"title":"Spamffiti \u2013 Kool Killer und Spam [2007]","author":"der huflaikhan","date":"8. August 2007","format":false,"excerpt":"Vor einiger Zeit habe ich geschwind mich durch den \"Aufstand der Zeichen\" des franz\u00f6sischen Autors Jean Baudrillard durchgelesen. Zun\u00e4chst wegen eines Textes zur Medientheorie. Auch weil ich Baudrillard immer f\u00fcr einen Trottel hielt, es aber Hinweise darauf gab, dass manche in seinen Analysen so etwas wie eine total \u00fcberdrehte fortentwickelte,\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3084","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3084"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3084\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3084"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3084"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3084"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}