{"id":3125,"date":"2012-08-13T19:26:44","date_gmt":"2012-08-13T18:26:44","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/mehrwert-um-1910\/"},"modified":"2023-12-18T08:44:15","modified_gmt":"2023-12-18T07:44:15","slug":"mehrwert-um-1910","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/08\/mehrwert-um-1910\/","title":{"rendered":"Mehrwert um 1910"},"content":{"rendered":"<p>Mehrwerttheorie bei Mahler \u2013 alter Musikerwitz \u2013 aber warum nicht \u2013 Jammer dieser Erde<br \/>\n<!--more--><\/p>\n<blockquote>\n<p>Die Laute schlagen und die Gl\u00e4ser leeren,<br \/> Das sind die Dinge, die zusammen passen.<br \/>Ein voller Becher Weins zur rechten Zeit<br \/>Ist mehr wert, ist mehr wert, ist mehr wert als alle Reiche dieser Erde!<br \/>Dunkel ist das Leben, ist der Tod.<\/p>\n<\/blockquote>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li 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Juli 2004","format":false,"excerpt":"Heute ging es durch einige Ticker: Lionel Sawkins, ein Musikwissenschaftler konnte gegen die Plattenfirma Hyperion Records Tantiemenforderungen durchsetzen. Dabei ging es um Werke des Komponisten Lalande (1657-1726), die auf einer Platte von Hyperion wiedergegeben worden sind. Eigentlich m\u00fcsste man denken, das geht auch so, denn der Komponist ist seit mehr\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":579,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/07\/still\/","url_meta":{"origin":3125,"position":1},"title":"Still","author":"huflaikhan","date":"21. Juli 2004","format":false,"excerpt":"Die V\u00f6gel hocken still in ihren Zweigen. Die Welt schl\u00e4ft ein \u0085Hans Bethge, Die Chinesische Fl\u00f6te (1907-1908) - auch: Gustav Mahler, Das Lied von der Erde, \u201cDer Abschied\u201d.","rel":"","context":"In \"Gustav Mahler\"","block_context":{"text":"Gustav Mahler","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/gustavmahler\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":9989,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2024\/07\/sage-und-schreibe\/","url_meta":{"origin":3125,"position":2},"title":"Sage und schreibe \u2026","author":"der huflaikhan","date":"27. Juli 2024","format":false,"excerpt":"\u2026 sechs Jahre ist es her. Ich denke immer wieder einmal daran, ob es nicht irgendetwas zu sagen g\u00e4be. Aber ich komme immer wieder zu dem Ergebnis, dass man nichts mehr sagen kann. G\u00e4be es etwas, was man sagen k\u00f6nnte, k\u00f6nnte man es trotzdem nicht sagen. Was man sagt, bezeugt,\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"mahler brahms reger bruckner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/07\/mahler_brahms_reger_bruckner.jpg?fit=1200%2C604&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8557,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/null-punkte-sind-gar-nix\/","url_meta":{"origin":3125,"position":3},"title":"Null Punkte sind gar nix","author":"der huflaikhan","date":"25. Mai 2015","format":false,"excerpt":"Der wichtigste Tag des j\u00e4hrlichen Musiklebens ist nun vorbei. Der Eurovision Songcontest wie er ja hei\u00dft. Zeitgleich mit dem Bundesfinale \"Jugend musiziert\" in Hamburg. Es gab Sieger, es gab Verlierer. Wen st\u00f6rt es. Die eigentliche \u00dcberraschung des Abends war, dass der Dirigent Paavo J\u00e4rvi offenbar Zeit hatte, sich das Spektakel\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/img.youtube.com\/vi\/QgKRsBXEraw\/0.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3308,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/01\/verdeckte-inhalte-wertsch\/","url_meta":{"origin":3125,"position":4},"title":"Verdeckte Inhalte (Wertsch)","author":"huflaikhan","date":"15. 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November 2004","format":false,"excerpt":"Taktlos sendete am 3. November 2004 live aus dem Interdisziplin\u00e4ren Zentrum f\u00fcr Palliativmedizin im M\u00fcnchner Klinikum Gro\u00dfhadern. Von der m\u00f6glichst fr\u00fchen Begegnung mit Musik im menschlichen Leben ist reichlich die Rede. Die aktuelle Schlagzeile lautet da: Musikerziehung beginnt neun Monate vor der Geburt. \u00dcber die Bedeutung von Musik in Zeiten\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3125","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3125"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3125\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3125"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3125"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3125"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}