{"id":3205,"date":"2013-02-18T22:25:28","date_gmt":"2013-02-18T21:25:28","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/newman-f-r-arme\/"},"modified":"2023-12-20T18:03:10","modified_gmt":"2023-12-20T17:03:10","slug":"newman-f-r-arme","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/newman-f-r-arme\/","title":{"rendered":"Newman f\u00fcr Arme"},"content":{"rendered":"<p>Wo ich eben bei Gursky war, bin ich ein paar Bilder sp\u00e4ter bei Newman.<br \/>\n<!--more--><\/p>\n<p>Wo ich eben bei Gursky war, bin ich ein paar Bilder sp\u00e4ter bei Newman. Diese simple Konstruktion aus Farben und Kies beantwortet gewisserma\u00dfen die Frage Newmans &#8220;Who&#8217;s afraid of Red \u2026&#8221; mit den Mitteln der modernen Kommunikationsforschung.<\/p>\n<p>Gelb!<\/p>\n<p>Obwohl, wenn man wei\u00df, was sich hinter dem schwarzen Tor in der roten H\u00fctte abspielt, ist die Gefahr des Gelben eher gering. Was immer in diesem Geb\u00e4ude passiert ist, am Ende hat es gut geschmeckt, hoffe ich.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Newman%20f%C3%BCr%20Arme https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fnewman-f-r-arme%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Juli 2004","format":false,"excerpt":"Beim schlendernden Zwischen-Heimweg vom Jazzweekend um die Ecke des Leeren Beutels geschaut. Da gibt es ein Haus, welches offenbar komplett entkernt worden ist. Die Fassage mit ihren teilweise neo-gotischen B\u00f6gen steht noch da. Die Gegend um die Ostengasse ist mittlerweile ein komisches Pflaster. Gesch\u00e4fte \u00f6ffnen und schlie\u00dfen in lockerer Weise.\u2026","rel":"","context":"In \"Kunst\"","block_context":{"text":"Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/kunst\/"},"img":{"alt_text":"Das Newman-Haus","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/07\/20040716-newman-haus.jpg?fit=500%2C375&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":886,"url":"https:\/\/www.kritische-masse.de\/logbuch\/usa-wahlen-einmal-anders-ausgewertet\/","url_meta":{"origin":3205,"position":1},"title":"USA-Wahlen, einmal anders ausgewertet","author":"huflaikhan","date":"10. November 2004","format":false,"excerpt":"Hier und sowieso dort. Maps and cartograms of the 2004 US presidential election results Michael Gastner, Cosma Shalizi, and Mark Newman University of Michigan","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www-personal.umich.edu\/~mejn\/election\/cartcolorslarge.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3254,"url":"https:\/\/www.kritische-masse.de\/logbuch\/provokation-die-wirklichkeit-nur-verklemmtheit-ist\/","url_meta":{"origin":3205,"position":2},"title":"Provokation, die in Wirklichkeit nur Verklemmtheit ist","author":"huflaikhan","date":"23. August 2013","format":false,"excerpt":"Werbung, wenn sie nicht mehr wei\u00df wohin, geht manchen Weg, der ins Nichts oder in die Peinlichkeit f\u00fchrt. So bei einer Firma, die etwas mit Faxnummern macht. Und wie der ZEITGEIST in der Netzzeitschrift zuschl\u00e4gt, das wei\u00df man jetzt besser. Die selbstzugeschriebene Provokation ist nur besonders bl\u00f6de Verklemmtheit. Ich schlage\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Francisco de Goya y Lucientes: Tagebuch-Album : \u00bbGehst du sehr weit?\u00ab 1803\u20131824, Pinsel in schwarzer Tusche, laviert, auf wei\u00dfem Papier, 20,5 \u00d7 14,1 cm, Madrid, Museo del Prado","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/08\/goya.jpg?fit=843%2C1200&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/08\/goya.jpg?fit=843%2C1200&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/08\/goya.jpg?fit=843%2C1200&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/08\/goya.jpg?fit=843%2C1200&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":3203,"url":"https:\/\/www.kritische-masse.de\/logbuch\/recherche-von-fotos\/","url_meta":{"origin":3205,"position":3},"title":"Recherche von Fotos","author":"huflaikhan","date":"18. Februar 2013","format":false,"excerpt":"Bei der Suche nach einem geeigneten Bild, das ich f\u00fcr die n\u00e4chste Ausgabe von taktlos verwenden k\u00f6nnte, st\u00f6bert man ja, gerade auch wenn das Archiv nicht hochstichwortig angelegt ist, ein bisschen umher. Umkreist m\u00f6gliche Bilder anhand der Kameradaten etc. Bei der Gelegenheit fiel mir ein Foto, gemacht mit der s\u00fc\u00dfen\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Gursky f\u00fcr Arme. \"25,90 Kronen\" - Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/gurskyyfuerarme-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/gurskyyfuerarme-scaled.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/gurskyyfuerarme-scaled.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/gurskyyfuerarme-scaled.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/gurskyyfuerarme-scaled.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8402,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kritik-und-foto-2\/","url_meta":{"origin":3205,"position":4},"title":"Kritik und Foto","author":"der huflaikhan","date":"28. Mai 2013","format":false,"excerpt":"Gerade habe ich im Blog von kwerfeldein (Foto-Magazin) einen Text \u00fcber das ultimative Foto gelesen, das es ja nicht gibt. Insofern ist Kritik eine nat\u00fcrliche Sache. Das ist in anderen Bereichen der Kunst nicht anders. Kritik geh\u00f6rt zur Kunst. Martin Gommel f\u00fchrt dabei einen Haufen von \u201ekritischen Bemerkungen\u201c an, die\u2026","rel":"","context":"In &quot;\u00c4sthetische Kunstfehler&quot;","block_context":{"text":"\u00c4sthetische Kunstfehler","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/aesthetische_kunstfehler\/"},"img":{"alt_text":"Bolland'sche Bierbrauerei Regensburg. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/0201\/05\/Bollandsche_Bierbrauerei.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2814,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kritik-und-foto\/","url_meta":{"origin":3205,"position":5},"title":"Kritik und Foto","author":"huflaikhan","date":"28. Mai 2013","format":false,"excerpt":"\u00dcber Kritiker und Fotografen. \u00dcber kritisierende Fotografen und fotografierende Kritiker. \u00dcber die Manipulation durch \u201eobjektive\u201c Daten. \u00dcber die Selbstmanipulation durchs Schielen auf die Resonanz. Gerade habe ich im Blog von kwerfeldein (Foto-Magazin) einen Text \u00fcber das ultimative Foto gelesen, das es ja nicht gibt. Insofern ist Kritik eine nat\u00fcrliche Sache.\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Bolland'sche Bierbrauerei Regensburg. 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