{"id":3209,"date":"2013-02-25T22:07:38","date_gmt":"2013-02-25T21:07:38","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/was-heute-noch-essbar-i-t\/"},"modified":"2023-12-20T18:00:28","modified_gmt":"2023-12-20T17:00:28","slug":"was-heute-noch-essbar-i-t","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/02\/was-heute-noch-essbar-i-t\/","title":{"rendered":"Was heute noch essbar i\u00dft"},"content":{"rendered":"<p>Ich hatte diese Foto schon einmal im Blog verwendet. Aber da erinnert sich eh niemand mehr dran. Also, was kann man noch essen:<\/p>\n<p style=\"margin-left: 40px;\"><strong>Champigongs<\/strong><\/p>\n<p>Die Musik scheint ja noch nicht so total betroffen zu sein von derlei Skandalen. Man denke sich nur, es k\u00e4me heraus, dass Kurtags Musik in Wirklichkeit nur Material von abgehaltertem Bruckner ist. Oder Martin Sch\u00fcttlers Musik tats\u00e4chlich von Martin Sch\u00fcttler ist.<\/p>\n<p>Wenn man es freilich dann doch pr\u00e4zise ansieht, f\u00e4llt einem auf: Ja, auch die Musik hat ein Problem. Und zwar kein Kleines. Es sind bis auf drei Ausnahmen in der Musikgeschichte \u00fcberhaupt keine Werke, die nicht auf Plagiaten beruhen. Das eine ist das erste St\u00fcck \u00fcberhaupt, das gemacht wurde; das zweite ist von so einem Italiener namens Martino Sch\u00fcttlereri oder so und das dritte wird noch geschrieben werden m\u00fcssen.<\/p>\n<p>Alles andere, und Johannes Kreidler wird es demn\u00e4chst nachweisen, alles andere ist nur aufgekochter Bockmist. Legehennen-Achtel, Fu\u00dfnotenfleisch der Musikgeschichte. Naja eben gef\u00fcllte Gongs.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Was%20heute%20noch%20essbar%20i%C3%9Ft https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2013%2F02%2Fwas-heute-noch-essbar-i-t%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Was%20heute%20noch%20essbar%20i%C3%9Ft https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2013%2F02%2Fwas-heute-noch-essbar-i-t%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Aber da erinnert sich eh niemand mehr dran. Also, was kann man noch essen: Champigongs Die Musik scheint ja noch nicht so total betroffen zu sein von derlei Skandalen. Man denke sich nur, es k\u00e4me heraus, dass Kurtags Musik in Wirklichkeit nur Material von abgehaltertem Bruckner [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Was%20heute%20noch%20essbar%20i%C3%9Ft https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2013%2F02%2Fwas-heute-noch-essbar-i-t%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient 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Darmstadt und die Zw\u00f6lftontechnik","author":"der huflaikhan","date":"3. August 2016","format":false,"excerpt":"Es ist in der bisherigen Musikwissenschaft noch gar nicht so recht beachtet worden, man hat es schlicht bislang \u00fcbersehen, aber die Zw\u00f6lftontechnik ist definitiv in Darmstadt\/Hessen \"erfunden\" worden. Und das war so: Im Jahr 1917 hat der junge Arnold Sch\u00f6nberg einmal die Stadt Darmstadt besucht. Er war Mitglied des Begleittrosses\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Achtung, Animation","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/2016\/08\/12tontechnik.gif?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8658,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/04\/aufgelesen-auserlesen-das-netz-spuckt-und-spukt\/","url_meta":{"origin":3209,"position":1},"title":"Aufgelesen \u2013 Auserlesen: Das Netz spuckt und spukt","author":"der huflaikhan","date":"29. April 2016","format":false,"excerpt":"Die letzte Woche kam man gar nicht hinterher, so viel war da los. Nat\u00fcrlich auch die nmz wurde f\u00fcr den Druck frisch angerichtet. Das soziale Netz verbreitert sich st\u00fcndlich, sek\u00fcndlich. Wenn man nur nachzusehen wollte, was man alles verpasst hat, hat man schon wieder alles m\u00f6gliche verpasst. Es war das\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8709,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2017\/06\/vaterland\/","url_meta":{"origin":3209,"position":2},"title":"Vaterland!","author":"der huflaikhan","date":"10. Juni 2017","format":false,"excerpt":"Das Vaterland hat einen Platten. Heute in der N\u00e4he des Wochenmarktes in Kleinmachnow gesehen. Es gab schon Marken mit Position! Wenn man sich \u00fcber Wikipedia etwas schlau macht, dann wird man feststellen, dass die bei \"Vaterland\" zuerst eigentlich als \"Firma Herfeld & Co. zun\u00e4chst Blasinstrumente und Akkordeons\" herstellte. Man \"war\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Das Vaterland hat einen Platten. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/vaterland_c_hufner-1024x1024.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/vaterland_c_hufner-1024x1024.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/vaterland_c_hufner-1024x1024.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2017\/06\/vaterland_c_hufner-1024x1024.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1866,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/08\/bildungsoffensive-musikunterricht\/","url_meta":{"origin":3209,"position":3},"title":"Bildungsoffensive Musikunterricht?","author":"huflaikhan","date":"30. August 2006","format":false,"excerpt":"\u201eDas Grundsatzpapier der Konrad-Adenauer-Stiftung in der Diskussion.\u201c So untertitelt erscheint heute ein Buch, das sich mit den Vorschl\u00e4gen eben jener Stiftung auseinandersetzt. Sieben Autoren beleuchten von verschiedenen Seiten aus dieses \u201eGrundsatz-Papier\u201c, welches am Ende auf die Zementierung eines musikalischen Werkkanons hinausl\u00e4uft und diesen verbindlich f\u00fcr den Musikunterricht vorschreiben m\u00f6chte. Wie\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2006\/08\/bildungsoffensive-musikunterricht\/#comments"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/08\/kas.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":8890,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2023\/09\/anton-webern-1983-kiew-kyjiv-kiev\/","url_meta":{"origin":3209,"position":4},"title":"Anton Webern 1983 \u2013 Kiew\/Kyj\u00efv\/Kiev","author":"der huflaikhan","date":"13. September 2023","format":false,"excerpt":"Das haben mir meine Eltern offenbar 1984 von einer Bildungsreise nach (damals) Leningrad mitgebracht. Die Orchesterwerke von Anton Webern. Zweisprachig (aber im Prinzip sogar mindestens viersprachig: ukrainisch, russisch, italienisch und deutsch. Gedruckt in Kiew 1983. Sicherlich nicht lizenziert durch die Universal Edition. War f\u00fcr mich eine ganz feine Sache. Und\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Postmoderne der Postmoderne. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/03\/home-office.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/03\/home-office.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/03\/home-office.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/03\/home-office.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2015\/03\/home-office.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8411,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/12\/enzyklopaedie-der-neuen-musik-schueler-von\/","url_meta":{"origin":3209,"position":5},"title":"Enzyklop\u00e4die der Neuen Musik: Sch\u00fcler von \u2026","author":"der huflaikhan","date":"4. Dezember 2013","format":false,"excerpt":"Seit Jahrhunderten eine einge\u00fcbte Sache. Komponisten outen sich als \u201eSch\u00fcler von und zu\u201c. Etikett druff und fertig. a) W\u00fcrde mich mal interessieren, welcher KomponistIn mal sagt: Leider! Das war K\u00e4se bei XXX oder etwas in der Art. Und b) Warum? Gew\u00e4hlt oder auserw\u00e4hlt, oder beides? Ich oute mich auch gleich\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"Mein Vater 1992.","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2005\/12\/20051201-kurt-hufner.jpg?fit=500%2C355&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/02\/SANY0008.jpg?fit=1067%2C800&ssl=1","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3209","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3209"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3209\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/3210"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3209"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3209"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3209"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}