{"id":3220,"date":"2013-05-14T09:50:42","date_gmt":"2013-05-14T08:50:42","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/rat-f-r-den-verband-der-musikindustrie\/"},"modified":"2023-12-20T17:53:00","modified_gmt":"2023-12-20T16:53:00","slug":"rat-f-r-den-verband-der-musikindustrie","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/rat-f-r-den-verband-der-musikindustrie\/","title":{"rendered":"Rat f\u00fcr den Verband der Musikindustrie"},"content":{"rendered":"<p>Lieber Verband, nachdem ihr euch erfolgreich vor einigen Jahren in Bundesverband der Musikindustrie umbenannt habt, k\u00f6nntet ihr auch den ECHO, euren Kommerzpreis umbenennen in das, was er wirklich taugt und was er ist, n\u00e4mlich ein BLECHO.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a 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Juni 2012","format":false,"excerpt":"Sie sind dem Preis verfallen. Das Bundesjazzorchester erh\u00e4lt den ECHO Jazz, Jugend musiziert erhielt den ECHO Klassik. Auf beiden Websites prangt jetzt ein h\u00fcbsches (?) Logo mit dem Titel: Deutscher Musikpreis. Deutscher Musikpreis, das klingt aus den Ohren der Musikindustrie etwas anders, eher nach Stalin-Orden. Den ECHO vergibt die Kulturorganisation\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3059,"url":"https:\/\/www.kritische-masse.de\/logbuch\/preisverfallen-stalin-orden-f-r-die-musikr-te\/","url_meta":{"origin":3220,"position":1},"title":"Preisverfallen &#8211; Stalin-Orden f\u00fcr die Musikr\u00e4te","author":"huflaikhan","date":"6. Juni 2012","format":false,"excerpt":"Sie sind dem Preis verfallen. Das Bundesjazzorchester erh\u00e4lt den ECHO Jazz, Jugend musiziert erhielt den ECHO Klassik. Auf beiden Websites prangt jetzt ein h\u00fcbsches (?) Logo mit dem Titel: Deutscher Musikpreis. Deutscher Musikpreis, das klingt aus den Ohren der Musikindustrie etwas anders, eher nach Stalin-Orden.\u00a0 Den ECHO vergibt die Kulturorganisation\u2026","rel":"","context":"In \"BuJazzO\"","block_context":{"text":"BuJazzO","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bujazzo\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":3216,"url":"https:\/\/www.kritische-masse.de\/logbuch\/heuchelei-der-musikindustrie-thema-freiwild-thema-musikindustrie\/","url_meta":{"origin":3220,"position":2},"title":"Heuchelei der Musikindustrie &#8211; Thema Frei.Wild, Thema Musikindustrie","author":"huflaikhan","date":"11. M\u00e4rz 2013","format":false,"excerpt":"Jedes Jahr gibt es mehrere ECHOS der Musikindustrie (Pop, Jazz, Klassik). Einer schlimmer als der andere. Im Vorfeld der aktuellen ECHO-Verleihung hat man jemanden nominiert, den man nicht will, auch wenn er das Planziel (Verkauf von Platten) gut erreicht hat. Mir war Frei.Wild, die Band um die es geht, bis\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Jugendb\u00fccherei. 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Ging es vor f\u00fcnf Jahren um die Gruppe Frei.Wild, die nominiert war, was teilweise unter den Mitnominierten zu \u00dcbellaune f\u00fchrte, ist es in diesem Jahr Farid Bang und Kollegah. Es ist klar, dass in der Popmusik nicht immer\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-politik\/"},"img":{"alt_text":"Wolfgang B\u00f6rnsen. Beiratssprecher. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/04\/boernsen_c_hufner-1024x685.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/04\/boernsen_c_hufner-1024x685.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/04\/boernsen_c_hufner-1024x685.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/04\/boernsen_c_hufner-1024x685.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":8750,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kein-echo-aus-der-echokammer-der-musikindustrie-oder-ueber-die-deutsche-mehrheit\/","url_meta":{"origin":3220,"position":4},"title":"Kein ECHO aus der Echokammer der Musikindustrie. Oder: \u00dcber die deutsche Mehrheit","author":"der huflaikhan","date":"31. M\u00e4rz 2018","format":false,"excerpt":"Der Musikpreis der Musikindustrie, der Echo, der hat jetzt sogar eine eigene Seite mit Fragen und Antworten. Man ist bem\u00fcht um Aufkl\u00e4rung. Viele Frage werden in den sozialen Netzwerken ja auch immer wieder gestellt und da kann man bequemerweise nun auf strukturierte Antworten verweisen. Die Antworten sind durchaus heiter im\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/diemusik\/"},"img":{"alt_text":"Erfolg ist relativ. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/03\/kiz-geldfressen_c_hufner-1024x674.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/03\/kiz-geldfressen_c_hufner-1024x674.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/03\/kiz-geldfressen_c_hufner-1024x674.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2018\/03\/kiz-geldfressen_c_hufner-1024x674.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3055,"url":"https:\/\/www.kritische-masse.de\/logbuch\/kontinuit-t-jazz-echot-es-zzaj\/","url_meta":{"origin":3220,"position":5},"title":"Kontinuit\u00e4t &#8211; Jazz echot es zzaJ","author":"huflaikhan","date":"4. Juni 2012","format":false,"excerpt":"Jetzt hei\u00dft es: Nicht nachlassen, Hufi. Das Blog muss verzettelt werden. Es w\u00e4r da auch was zu erz\u00e4hlen, zum Beispiel \u00fcber den Echo Jazz, der\u00a0gestern in Dreden\u00a0\u00fcber die B\u00fchne gegangen ist. 1000 Preistr\u00e4ger - gef\u00fchlt. F\u00fcr\u00a0eben\u00a0so was wie Aufnahmen. Ausnahmen?\u00a0 Musikindustrie soll ruhig machen. Mich wundert\u00a0nur die neue Liebe\u00a0des Jazzverbandes\u2026","rel":"","context":"In \"Bildung\"","block_context":{"text":"Bildung","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bildung\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2013\/05\/blecho-0503.jpg?fit=900%2C596&ssl=1","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3220"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3220\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/3221"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3220"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3220"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}