{"id":3234,"date":"2013-07-02T21:09:01","date_gmt":"2013-07-02T20:09:01","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/kleine-musiklehre\/"},"modified":"2023-12-20T10:05:21","modified_gmt":"2023-12-20T09:05:21","slug":"kleine-musiklehre","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/07\/kleine-musiklehre\/","title":{"rendered":"Kleine Musiklehre"},"content":{"rendered":"<p><strong>Betroffenheitscluster:<\/strong> Tontraube mit Vorhalt. Synthese aus barocker Figur und alter neuer Musik. Funktioniert vor allem zur musikalischen Untermalung in Fernsehen und Film.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kleine%20Musiklehre https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2013%2F07%2Fkleine-musiklehre%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Kleine%20Musiklehre https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2013%2F07%2Fkleine-musiklehre%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Synthese aus barocker Figur und alter neuer Musik. Funktioniert vor allem zur musikalischen Untermalung in Fernsehen und Film.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kleine%20Musiklehre https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2013%2F07%2Fkleine-musiklehre%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Juni 2004","format":false,"excerpt":"Musik: Xenakis, La legende d'eer [ab 7' etwa] Autor: Wenn eine technische Angelegenheit so beschaffen ist, dass sie zwar im Hier und Jetzt denkbar, aber noch nicht umsetzbar ist, h\u00f6rt man h\u00e4ufig den Satz: \u0084Das ist noch Zukunftsmusik.\u0093 Man kann sich also etwas im Groben vorstellen, aber wie sich diese\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":878,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/11\/taktlos-83-krebsstation-musik-macht-mut\/","url_meta":{"origin":3234,"position":1},"title":"taktlos # 83: Krebsstation \u0096 Musik macht Mut","author":"huflaikhan","date":"5. November 2004","format":false,"excerpt":"Taktlos sendete am 3. November 2004 live aus dem Interdisziplin\u00e4ren Zentrum f\u00fcr Palliativmedizin im M\u00fcnchner Klinikum Gro\u00dfhadern. Von der m\u00f6glichst fr\u00fchen Begegnung mit Musik im menschlichen Leben ist reichlich die Rede. Die aktuelle Schlagzeile lautet da: Musikerziehung beginnt neun Monate vor der Geburt. \u00dcber die Bedeutung von Musik in Zeiten\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":461,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/taktlos-77-neue-musik-fuer-kinder\/","url_meta":{"origin":3234,"position":2},"title":"taktlos 77: Neue Musik f\u00fcr Kinder","author":"huflaikhan","date":"30. Mai 2004","format":false,"excerpt":"Neue Musik f\u00fcr KinderMusik: Charles Ives: Three Places in New England Nr. 3 The Housatonic at Stockbridge von Anfang, unter dem Text lassenAutor: \u0084Elfj\u00e4hrige sind \u0096 was den Musikgeschmack betrifft \u0096 erstaunlich fertig. 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Musik: Pierre Henry: Echo d\u0091 Orphee Track 22 Anfang 0:00 bis 0:06 etwa alternativ: Ravel: E\u0091Enfant et les sortil\u00e9ges Anfang Sprecher: Die Musikp\u00e4dagogen machen aber\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8259,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/04\/alte-geister-meister-musikindustrie-bei-bernhard\/","url_meta":{"origin":3234,"position":5},"title":"Alte Geister Meister &#8211; Musikindustrie bei Bernhard","author":"der huflaikhan","date":"2. April 2004","format":false,"excerpt":"Joshua von Brain farts empfahl mir doch die Lekt\u00fcre von Thomas Bernhards \u201cAlte Geister Meister\u201d - mein erstes Bernhard-Werk. Darin wunderbare Zeilen \u00fcber die Musikindustrie, die einen mit Musik zum\u00fclle und einen \u201ckrankhaften Musikkonsumatismus\u201d erzeuge. 1985 wurde der Text verfasst - vision\u00e4r. 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