{"id":324,"date":"2004-02-08T08:02:00","date_gmt":"2004-02-08T07:02:00","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/stille-fuer-99-cents\/"},"modified":"2023-12-18T08:49:51","modified_gmt":"2023-12-18T07:49:51","slug":"stille-fuer-99-cents","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/stille-fuer-99-cents\/","title":{"rendered":"Stille f\u00fcr 99 Cents"},"content":{"rendered":"<p>\u00dcber Apples <a href=\"http:\/\/www.apple.com\/itunes\/\" target=\"_blank\" rel=\"noopener\">iTunes-MusicStore<\/a> l\u00e4sst  sich auch Stille gut verkaufen. Das zumindest berichtete Ina Fried in der <a href=\"http:\/\/www.sfgate.com\/cgi-bin\/article.cgi?f=\/c\/a\/2004\/02\/06\/BUGMD4QA901.DTL\" target=\"_blank\" rel=\"noopener\">SF Chronicle<\/a> und hat nachgeforscht.<br \/>\n<!--break--><br \/>\nEs handle sich dabei um insgesamt neun Titel, von denen drei, \u0084Silent\u0093 bezeichnet, von der Gruppe Slum Village stammen. Weitere Titel im Angebot von iTunes sind &#8220;Silence,&#8221; von Ciccone Youth, &#8220;Silence&#8221; von Bill Schaeffer und &#8220;One Minute of Silence&#8221; von Project Grudge. Das lie\u00df die Journalistin aufhorchen. Jeder Track besteht eben aus Stille und kostet 99 US-Cents. Da sei die Frage nach dem Preis-Leistungs-Verh\u00e4ltnis gestellt. Fried r\u00e4t dabei zum Download des St\u00fcckes von Bill Schaeffer, denn mit gut zwei Minuten enth\u00e4lt es gut doppelt so viel Nichts wie jedes der anderen aufgef\u00fchrten St\u00fccke. Nicht im iTunes-Store verf\u00fcgbar ist leider das Meisterwerk von John Cage mit dem Titel 4\u009133\u0091\u0091, bei welchem es sich immerhin um Neue Musik handelt und mit Sicherheit den st\u00e4rksten Eindruck hinterl\u00e4sst und auch kompositionstechnisch den anderen St\u00fccken weit \u00fcberlegen ist und schlussendlich auch das beste Preis-Leistungsverh\u00e4ltnis bieten w\u00fcrde. Da sage doch noch mal einer, dass neue Musik esoterisch und abgehoben oder geradezu elfenbeint\u00fcrmern sei.<br \/>\n<!--more--><br \/>\n\u00dcber Apples <a href=\"http:\/\/www.apple.com\/itunes\/\" target=\"_blank\" rel=\"noopener\">iTunes-MusicStore<\/a> l\u00e4sst  sich auch Stille gut verkaufen. Das zumindest berichtete Ina Fried in der <a href=\"http:\/\/www.sfgate.com\/cgi-bin\/article.cgi?f=\/c\/a\/2004\/02\/06\/BUGMD4QA901.DTL\" target=\"_blank\" rel=\"noopener\">SF Chronicle<\/a> und hat nachgeforscht.<br \/>\n<!--break--><br \/>\nEs handle sich dabei um insgesamt neun Titel, von denen drei, \u0084Silent\u0093 bezeichnet, von der Gruppe Slum Village stammen. Weitere Titel im Angebot von iTunes sind &#8220;Silence,&#8221; von Ciccone Youth, &#8220;Silence&#8221; von Bill Schaeffer und &#8220;One Minute of Silence&#8221; von Project Grudge. Das lie\u00df die Journalistin aufhorchen. Jeder Track besteht eben aus Stille und kostet 99 US-Cents. Da sei die Frage nach dem Preis-Leistungs-Verh\u00e4ltnis gestellt. Fried r\u00e4t dabei zum Download des St\u00fcckes von Bill Schaeffer, denn mit gut zwei Minuten enth\u00e4lt es gut doppelt so viel Nichts wie jedes der anderen aufgef\u00fchrten St\u00fccke. Nicht im iTunes-Store verf\u00fcgbar ist leider das Meisterwerk von John Cage mit dem Titel 4\u009133\u0091\u0091, bei welchem es sich immerhin um Neue Musik handelt und mit Sicherheit den st\u00e4rksten Eindruck hinterl\u00e4sst und auch kompositionstechnisch den anderen St\u00fccken weit \u00fcberlegen ist und schlussendlich auch das beste Preis-Leistungsverh\u00e4ltnis bieten w\u00fcrde. Da sage doch noch mal einer, dass neue Musik esoterisch und abgehoben oder geradezu elfenbeint\u00fcrmern sei. <\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Stille%20f%C3%BCr%2099%20Cents https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fstille-fuer-99-cents%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Stille%20f%C3%BCr%2099%20Cents https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fstille-fuer-99-cents%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Das zumindest berichtete Ina Fried in der SF Chronicle und hat nachgeforscht. Es handle sich dabei um insgesamt neun Titel, von denen drei, \u0084Silent\u0093 bezeichnet, von der Gruppe Slum Village stammen. Weitere Titel im Angebot von iTunes sind &#8220;Silence,&#8221; von Ciccone Youth, &#8220;Silence&#8221; von Bill Schaeffer [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Stille%20f%C3%BCr%2099%20Cents https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fstille-fuer-99-cents%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":57,"url":"https:\/\/www.kritische-masse.de\/logbuch\/cluster-experten\/","url_meta":{"origin":324,"position":0},"title":"Cluster: Experten","author":"huflaikhan","date":"14. Juli 2004","format":false,"excerpt":"Haben sie schon einmal versucht, Musik von Helmut Lachenmann aus dem Internet zu laden? Internet haben sie nicht? Sie Gl\u00fccklicher. Andernfalls: Probieren sie mal. \u0084Dal niente, al niente\u0093, sag ich nur, Null Komma nufftig. Dagegen findet man immerhin einiges von Iannis Xenakis oder John Cage. Ist eigentlich nicht so schlimm,\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11449,"url":"https:\/\/www.kritische-masse.de\/logbuch\/in-der-hoerbar-der-nmz-kw-39\/","url_meta":{"origin":324,"position":1},"title":"In der H\u00f6rBar der nmz KW 39","author":"der huflaikhan","date":"28. September 2025","format":false,"excerpt":"Die letzte Woche hatte ich wieder Dienst. Vier Aufnahmen aus der Welt der Musik zwischen Jazz und Field Recording. Treen \u2013 Kaik\u014d Aus den Welten Litauens, D\u00e4nemarks, Norwegens und Deutschlands bringen die Musiker:inne ihre Tonbildungs- und Phrasierungserfahrungen mit und kombinieren diese undurchschaubar. Weiterlesen Brunhild Ferrari \u2013 Errant Ear Errant Ear\u2026","rel":"","context":"In &quot;H\u00f6rBar&quot;","block_context":{"text":"H\u00f6rBar","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/hoerbar\/"},"img":{"alt_text":"Treen \u2013 Kaik\u014d","src":"https:\/\/i0.wp.com\/hoerbar.nmz.de\/wp-content\/uploads\/2025\/09\/treen-200x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":9174,"url":"https:\/\/www.kritische-masse.de\/logbuch\/das-stille-paradox-vergessenwerdenwollen-tschuess-durchhoerbarkeit\/","url_meta":{"origin":324,"position":2},"title":"Das Stille-Paradox \/ Vergessenwerdenwollen \/ Tsch\u00fcss Durchh\u00f6rbarkeit","author":"der huflaikhan","date":"15. Februar 2024","format":false,"excerpt":"Wenn Musik erklingt, ist Stille das, was man nicht h\u00f6rt. Wenn keine Musik erklingt, ist Stille das, was man h\u00f6rt. Paradox! Albrecht Selges neues Buch Silence ist bei rowohlt erschienen. F\u00fcr das Van Magazin hat er eine Playlist ganz ohne 4'33\" erstellt. Das hat wiederum mich daran erinnert, dass ich\u2026","rel":"","context":"In &quot;Enzyklop\u00e4die der Neuen Musik&quot;","block_context":{"text":"Enzyklop\u00e4die der Neuen Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/enzyklopaedie-der-neuen-musik\/"},"img":{"alt_text":"02 15 ordnung im urlaub","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/02\/02_15_ordnung_im_urlaub.jpg?fit=1200%2C696&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8593,"url":"https:\/\/www.kritische-masse.de\/logbuch\/schweigen-glocken-uertext-duos-und-ttip\/","url_meta":{"origin":324,"position":3},"title":"Schweigen, Glocken, \u00dcrtext, Duos und TTIP","author":"der huflaikhan","date":"21. August 2015","format":false,"excerpt":"Schweigen, das in der Kasse bei Apple klingelt Mit Nichts was Gutes tun? https:\/\/twitter.com\/DKultur\/status\/634351533556133888 Im Interview von DKultur wird das ganz differenziert gesehen. Denn es ist eine Ersch\u00f6pfungsform, aber besser hier und so. Das l\u00e4sst sich nicht wiederholen ohne dass es schal wird. Die Erl\u00f6se kommen den Fl\u00fcchtlingen zugute. Und\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/dasnetz\/"},"img":{"alt_text":"Tulpe, rot","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/06\/2006-06-tulpe.jpg?fit=1024%2C745&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/06\/2006-06-tulpe.jpg?fit=1024%2C745&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/06\/2006-06-tulpe.jpg?fit=1024%2C745&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2006\/06\/2006-06-tulpe.jpg?fit=1024%2C745&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":1547,"url":"https:\/\/www.kritische-masse.de\/logbuch\/bill-frisell-eastwest\/","url_meta":{"origin":324,"position":4},"title":"Bill Frisell: East\/West","author":"huflaikhan","date":"5. Dezember 2005","format":false,"excerpt":"Ich mag den Klang seiner Gitarre, seine unspektakul\u00e4re Art, die T\u00f6ne herauszukizzeln, die Art der Arrangements. Ich mag das seit Gary Larsons \u201eTales from the Far Side\u201c (einem Trickfilm, zu dem Frisell Musik beisteuerte; Video leider verliehen und nie wieder gesehen*) und auch seit den diversen Coverversionen von Popsongs. East\/West,\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1684,"url":"https:\/\/www.kritische-masse.de\/logbuch\/hufi-braucht-hilfe\/","url_meta":{"origin":324,"position":5},"title":"Hufi braucht Hilfe","author":"huflaikhan","date":"11. April 2006","format":false,"excerpt":"Liebes Internettagebuch, liebe Leserinnen und Leser, Hufi sucht ein gutes, einfaches, hoch zu skalierendes, kostenloses, sicheres Programm, um tageaktuell zu diskutieren, Audio-Daten und Video-Daten bereitzustelllen, Podcast und Sonstcasts an iTunes und Konsorten zu schicken. Erste Laufversuche mit Wordpress (mit Podpress) verlaufen ganz positiv. Loudblog ist sch\u00f6n, aber die Einbindung in\u2026","rel":"","context":"Mit 11 Kommentaren","block_context":{"text":"Mit 11 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/hufi-braucht-hilfe\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/324","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=324"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/324\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=324"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=324"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=324"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}