{"id":3282,"date":"2013-12-04T20:10:31","date_gmt":"2013-12-04T19:10:31","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/sch-ler-von\/"},"modified":"2023-12-20T09:27:59","modified_gmt":"2023-12-20T08:27:59","slug":"sch-ler-von","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2013\/12\/sch-ler-von\/","title":{"rendered":"Sch\u00fcler von \u2026"},"content":{"rendered":"<p>Seit Jahrhunderten eine einge\u00fcbte Sache. Komponisten outen sich als \u201eSch\u00fcler von und zu\u201c. Etikett druff und fertig.<\/p>\n<p>a) W\u00fcrde mich mal interessieren, welcher KomponistIn mal sagt: Leider! Das war K\u00e4se bei XXX oder etwas in der Art. Und<\/p>\n<p>b) Warum? Gew\u00e4hlt oder auserw\u00e4hlt, oder beides?<\/p>\n<p>Ich oute mich auch gleich mal, ich war Sch\u00fcler von Anton Bruckner, habe den Meister gerne kopiert, war aber immer deutlich schlechter. Vor allem in der B-Note, also bei transponierenden Instrumenten.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sch%C3%BCler%20von%20%E2%80%A6 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2013%2F12%2Fsch-ler-von%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Sch%C3%BCler%20von%20%E2%80%A6 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2013%2F12%2Fsch-ler-von%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#999; color:#999\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#999\" d=\"M32 12.7v14.2q0 1.2-0.8 2t-2 0.9h-26.3q-1.2 0-2-0.9t-0.8-2v-14.2q0.8 0.9 1.8 1.6 6.5 4.4 8.9 6.1 1 0.8 1.6 1.2t1.7 0.9 2 0.4h0.1q0.9 0 2-0.4t1.7-0.9 1.6-1.2q3-2.2 8.9-6.1 1-0.7 1.8-1.6zM32 7.4q0 1.4-0.9 2.7t-2.2 2.2q-6.7 4.7-8.4 5.8-0.2 0.1-0.7 0.5t-1 0.7-0.9 0.6-1.1 0.5-0.9 0.2h-0.1q-0.4 0-0.9-0.2t-1.1-0.5-0.9-0.6-1-0.7-0.7-0.5q-1.6-1.1-4.7-3.2t-3.6-2.6q-1.1-0.7-2.1-2t-1-2.5q0-1.4 0.7-2.3t2.1-0.9h26.3q1.2 0 2 0.8t0.9 2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#999\">E-Mail<\/span>&nbsp;<\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Seit Jahrhunderten eine einge\u00fcbte Sache. Komponisten outen sich als \u201eSch\u00fcler von und zu\u201c. Etikett druff und fertig. a) W\u00fcrde mich mal interessieren, welcher KomponistIn mal sagt: Leider! Das war K\u00e4se bei XXX oder etwas in der Art. Und b) Warum? Gew\u00e4hlt oder auserw\u00e4hlt, oder beides? Ich oute mich auch gleich mal, ich war Sch\u00fcler von [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Sch%C3%BCler%20von%20%E2%80%A6 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2013%2F12%2Fsch-ler-von%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" 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Dezember 2013","format":false,"excerpt":"Seit Jahrhunderten eine einge\u00fcbte Sache. Komponisten outen sich als \u201eSch\u00fcler von und zu\u201c. Etikett druff und fertig. a) W\u00fcrde mich mal interessieren, welcher KomponistIn mal sagt: Leider! Das war K\u00e4se bei XXX oder etwas in der Art. Und b) Warum? Gew\u00e4hlt oder auserw\u00e4hlt, oder beides? 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Gespielt haben sie bei taktlos 77 - neue musik f\u00fcr kinder - in der Hochschule f\u00fcr Musik und darstellende Kunst Stuttgart ein paar Werke hochbegabter Komponisten aus der Stuttgarter Musikschule. Die Kompositionen: Sehr sch\u00f6n und wirklich besser als\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/musiker-im-fahrstuhl\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1181,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/05\/hochschule-von-innen-nichts-gescheites-drinnen\/","url_meta":{"origin":3282,"position":4},"title":"Hochschule von innen \u0096 nichts Gescheites drinnen","author":"huflaikhan","date":"7. Mai 2005","format":false,"excerpt":"Zentrale und Parteigeb\u00e4ude der NSDAP \u2014 M\u00fcnchen. Jetzt Hochschule f\u00fcr Musik und Theater. Musik soll angeblich den b\u00f6sen Geist ausgetrieben haben. 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