{"id":3314,"date":"2014-01-24T17:07:47","date_gmt":"2014-01-24T16:07:47","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/recht-und-kunst\/"},"modified":"2023-12-20T09:02:47","modified_gmt":"2023-12-20T08:02:47","slug":"recht-und-kunst","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/recht-und-kunst\/","title":{"rendered":"Recht und Kunst"},"content":{"rendered":"<p>Eigentlich nur ein Verweis auf einen geschriebenen Text f\u00fcr nmz online zum Thema, wie sehr sich Kunst und Recht lieben.<br \/>\n<!--more--><\/p>\n<p>Mancher Dialog ist m\u00fchsam. Mein Bericht von einer <a href=\"http:\/\/www.nmz.de\/online\/recht-und-kuenstlerisch-kulturelle-praxis-im-disput-ein-dialog-ueber-pop-und-musik-und-ueber-\" target=\"_blank\" rel=\"noopener\">Veranstaltung in Berlin<\/a> in der <a class=\"further_info\" href=\"http:\/\/www.nmz.de\/online\/abkuehlungsversuche-mit-samthandschuhen-dialogreihe-zum-thema-immaterielle-gueter-wem-gehoert\" target=\"_blank\" rel=\"noopener\">Dialogreihe zum Thema \u201eImmaterielle G\u00fcter: Wem geh\u00f6rt mein Werk?\u201c. <\/a><\/p>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Recht%20und%20Kunst https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Frecht-und-kunst%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" 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1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li 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Teilweise sind Erg\u00e4nzungen und Korrekturen n\u00f6tig, weil es Auflagen der Europ\u00e4ischen Kommission gibt, teilweise werden diese Anforderungen genutzt, um weitergehende neue Anspr\u00fcche zu begr\u00fcnden.\u2026","rel":"","context":"In &quot;nmz&quot;","block_context":{"text":"nmz","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/texte\/nmz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8342,"url":"https:\/\/www.kritische-masse.de\/logbuch\/neues-aus-dem-grand-tokio-hotel-abgrund-urheberrecht-als-musikalische-warenkunde\/","url_meta":{"origin":3314,"position":1},"title":"Neues aus dem Grand-Tokio-Hotel-Abgrund \u2013 Urheberrecht als musikalische Warenkunde","author":"der huflaikhan","date":"22. Juni 2008","format":false,"excerpt":"Das Gezerre um die angemessene Verg\u00fctung von urheberrechtlichen Leistungen will kein Ende nehmen. Seit einigen Jahren werden sogenannte K\u00f6rbe zum Urheberrecht gepackt. 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August 2012","format":false,"excerpt":"Zum Thema Sonntagsreden und Montagshandeln eine aktuelle Information des Deutschen Kulturrates - sozusagen in eigener Sache. Erg\u00e4nzend zum Vortrag zuvor. Es passt wie die Faust aufs Auge. Heute kommt mir eine Stellungnahme zum Thema Urheberrecht von Olaf Zimmermann zu Gesicht, die, gemessen am eigenen Verhalten als Kulturrat, eigenartig unseri\u00f6s wirken\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Tanz ums goldene Urheberkalb. 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August 2012","format":false,"excerpt":"Gedanken zur urheberrechtlichen Doppelmoral bei Organisationen, die angeblich f\u00fcr ein starkes Urheberrecht k\u00e4mpfen. Vorank\u00fcndigung. Deutscher Kulturrat und GEMA. Ich \u00fcberleg schon seit ein paar Tagen, ob ich ein paar Beispiele aus dem Bereich urheberrechtlicher Doppelmoral anhand zweier Organisationen aufschreiben soll. Wenn nur die Dokumentation nicht\u00a0so aufw\u00e4ndig w\u00e4re? a) Der Deutsche\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Doppelblick statt Doppelmoral. 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Januar 2024","format":false,"excerpt":"Man kommt gar nicht so schnell nach, wie die Musik-Kultur-Welt rotiert. Es wird berichtet, dass es eine deutliche Abnahme von klassischer Musik im Radio gegeben hat (Deutsches Musikinformationszentrum). Es wird berichtet, dass der bayerische Ministerpr\u00e4sident Markus S\u00f6der die Rundfunkorchester halbieren m\u00f6chte (Musik heute). Es wird beklagt, dass der \"Oscar\" des\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/"},"img":{"alt_text":"Wei\u00df wie wei\u00df. 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