{"id":333,"date":"2004-02-11T18:52:47","date_gmt":"2004-02-11T17:52:47","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/krzystof-penderecki-schnellgedicht\/"},"modified":"2023-12-18T08:49:51","modified_gmt":"2023-12-18T07:49:51","slug":"krzystof-penderecki-schnellgedicht","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/","title":{"rendered":"Krzystof Penderecki &#8211; Schnellgedicht"},"content":{"rendered":"<div style=\"text-align: center;\"><b>Penderecki<\/b><\/p>\n<p> Namen sind wie Schall und Rauch,<br \/> seine Musik,<br \/> die ists auch.<\/div>\n<p>&nbsp;<\/p>\n<div class=\"shariff shariff-align-left shariff-widget-align-left\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Krzystof%20Penderecki%20%E2%80%93%20Schnellgedicht https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F02%2Fkrzystof-penderecki-schnellgedicht%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button facebook shariff-nocustomcolor\" style=\"background-color:#4273c8\"><a href=\"https:\/\/www.facebook.com\/sharer\/sharer.php?u=https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F02%2Fkrzystof-penderecki-schnellgedicht%2F\" title=\"Bei Facebook teilen\" aria-label=\"Bei Facebook teilen\" role=\"button\" rel=\"nofollow\" class=\"shariff-link\" style=\"; background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Krzystof%20Penderecki%20%E2%80%93%20Schnellgedicht https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F02%2Fkrzystof-penderecki-schnellgedicht%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#0085ff; color:#0085ff\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#0085ff\"><svg width=\"20\" height=\"20\" version=\"1.1\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 20 20\"><path class=\"st0\" d=\"M4.89,3.12c2.07,1.55,4.3,4.71,5.11,6.4.82-1.69,3.04-4.84,5.11-6.4,1.49-1.12,3.91-1.99,3.91.77,0,.55-.32,4.63-.5,5.3-.64,2.3-2.99,2.89-5.08,2.54,3.65.62,4.58,2.68,2.57,4.74-3.81,3.91-5.48-.98-5.9-2.23-.08-.23-.11-.34-.12-.25,0-.09-.04.02-.12.25-.43,1.25-2.09,6.14-5.9,2.23-2.01-2.06-1.08-4.12,2.57-4.74-2.09.36-4.44-.23-5.08-2.54-.19-.66-.5-4.74-.5-5.3,0-2.76,2.42-1.89,3.91-.77h0Z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#0085ff\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button threema shariff-nocustomcolor shariff-mobile\" style=\"background-color:#4fbc24\"><a href=\"threema:\/\/compose?text=Krzystof%20Penderecki%20%E2%80%93%20Schnellgedicht%20https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F02%2Fkrzystof-penderecki-schnellgedicht%2F\" title=\"Bei Threema teilen\" aria-label=\"Bei Threema teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#1f1f1f; color:#1f1f1f\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#1f1f1f\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#1f1f1f\" d=\"M30.8 10.9c-0.3-1.4-0.9-2.6-1.8-3.8-2-2.6-5.5-4.5-9.4-5.2-1.3-0.2-1.9-0.3-3.5-0.3s-2.2 0-3.5 0.3c-4 0.7-7.4 2.6-9.4 5.2-0.9 1.2-1.5 2.4-1.8 3.8-0.1 0.5-0.2 1.2-0.2 1.6 0 0.4 0.1 1.1 0.2 1.6 0.4 1.9 1.3 3.4 2.9 5 0.8 0.8 0.8 0.8 0.7 1.3 0 0.6-0.5 1.6-1.7 3.6-0.3 0.5-0.5 0.9-0.5 0.9 0 0.1 0.1 0.1 0.5 0 0.8-0.2 2.3-0.6 5.6-1.6 1.1-0.3 1.3-0.4 2.3-0.4 0.8 0 1.1 0 2.3 0.2 1.5 0.2 3.5 0.2 4.9 0 5.1-0.6 9.3-2.9 11.4-6.3 0.5-0.9 0.9-1.8 1.1-2.8 0.1-0.5 0.2-1.1 0.2-1.6 0-0.7-0.1-1.1-0.2-1.6-0.3-1.4 0.1 0.5 0 0zM20.6 17.3c0 0.4-0.4 0.8-0.8 0.8h-7.7c-0.4 0-0.8-0.4-0.8-0.8v-4.6c0-0.4 0.4-0.8 0.8-0.8h0.2l0-1.6c0-0.9 0-1.8 0.1-2 0.1-0.6 0.6-1.2 1.1-1.7s1.1-0.7 1.9-0.8c1.8-0.3 3.7 0.7 4.2 2.2 0.1 0.3 0.1 0.7 0.1 2.1v0 1.7h0.1c0.4 0 0.8 0.4 0.8 0.8v4.6zM15.6 7.3c-0.5 0.1-0.8 0.3-1.2 0.6s-0.6 0.8-0.7 1.3c0 0.2 0 0.8 0 1.5l0 1.2h4.6v-1.3c0-1 0-1.4-0.1-1.6-0.3-1.1-1.5-1.9-2.6-1.7zM25.8 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM18.1 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2zM10.4 28.2c0 1.2-1 2.2-2.1 2.2s-2.1-1-2.1-2.1c0-1.2 1-2.1 2.2-2.1s2.2 1 2.2 2.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#1f1f1f\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button rss shariff-nocustomcolor\" style=\"background-color:#ff8c00\"><a href=\"https:\/\/www.kritische-masse.de\/logbuch\/feed\/rss\/\" title=\"RSS-feed\" aria-label=\"RSS-feed\" role=\"button\" class=\"shariff-link\" style=\"; background-color:#fe9312; color:#fe9312\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#fe9312\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 32 32\"><path fill=\"#fe9312\" d=\"M4.3 23.5c-2.3 0-4.3 1.9-4.3 4.3 0 2.3 1.9 4.2 4.3 4.2 2.4 0 4.3-1.9 4.3-4.2 0-2.3-1.9-4.3-4.3-4.3zM0 10.9v6.1c4 0 7.7 1.6 10.6 4.4 2.8 2.8 4.4 6.6 4.4 10.6h6.2c0-11.7-9.5-21.1-21.1-21.1zM0 0v6.1c14.2 0 25.8 11.6 25.8 25.9h6.2c0-17.6-14.4-32-32-32z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#fe9312\">RSS-feed<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div>","protected":false},"excerpt":{"rendered":"<p>Penderecki Namen sind wie Schall und Rauch, seine Musik, die ists auch. &nbsp;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"","ocean_second_sidebar":"","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"","ocean_custom_header_template":"","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"","ocean_menu_typo_font_family":"","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"","osh_disable_topbar_sticky":"default","osh_disable_header_sticky":"default","osh_sticky_header_style":"default","osh_sticky_header_effect":"","osh_custom_sticky_logo":0,"osh_custom_retina_sticky_logo":0,"osh_custom_sticky_logo_height":0,"osh_background_color":"","osh_links_color":"","osh_links_hover_color":"","osh_links_active_color":"","osh_links_bg_color":"","osh_links_hover_bg_color":"","osh_links_active_bg_color":"","osh_menu_social_links_color":"","osh_menu_social_hover_links_color":"","_FSMCFIC_featured_image_caption":"","_FSMCFIC_featured_image_nocaption":"","_FSMCFIC_featured_image_hide":"","_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_bluesky_dont_syndicate":"","_bluesky_syndication_accounts":"","_bluesky_syndication_text":"","_metis_text_type":"","_metis_text_length":78,"_post_count":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"anyone","activitypub_status":"","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[2652],"tags":[],"class_list":["post-333","post","type-post","status-publish","format-standard","hentry","category-diemusik","entry"],"desktop_mode_lock":null,"desktop_mode_contributors":[{"userId":1,"userName":"der huflaikhan","userAvatarUrl":"https:\/\/secure.gravatar.com\/avatar\/c23aee426d58e69f14ef471114d4cac215eec702ee1bc331e2a62ea77e96ed60?s=96&d=blank&r=g"}],"desktop_mode_attached_media":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Krzystof Penderecki - Schnellgedicht - Kritische Masse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Krzystof Penderecki - Schnellgedicht - Kritische Masse\" \/>\n<meta property=\"og:description\" content=\"Penderecki Namen sind wie Schall und Rauch, seine Musik, die ists auch. &nbsp;\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/\" \/>\n<meta property=\"og:site_name\" content=\"Kritische Masse\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/hufner\" \/>\n<meta property=\"article:published_time\" content=\"2004-02-11T17:52:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-18T07:49:51+00:00\" \/>\n<meta name=\"author\" content=\"huflaikhan\" \/>\n<meta name=\"twitter:label1\" content=\"Verfasst von\" \/>\n\t<meta name=\"twitter:data1\" content=\"huflaikhan\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2004\\\/02\\\/krzystof-penderecki-schnellgedicht\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2004\\\/02\\\/krzystof-penderecki-schnellgedicht\\\/\"},\"author\":{\"name\":\"huflaikhan\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/68ba534ff428038503fc5320a3c8f932\"},\"headline\":\"Krzystof Penderecki &#8211; Schnellgedicht\",\"datePublished\":\"2004-02-11T17:52:47+00:00\",\"dateModified\":\"2023-12-18T07:49:51+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2004\\\/02\\\/krzystof-penderecki-schnellgedicht\\\/\"},\"wordCount\":17,\"publisher\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/14c491f46504e7f6b79db161f76def1c\"},\"articleSection\":[\"die Musik\"],\"inLanguage\":\"de\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2004\\\/02\\\/krzystof-penderecki-schnellgedicht\\\/\",\"url\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2004\\\/02\\\/krzystof-penderecki-schnellgedicht\\\/\",\"name\":\"Krzystof Penderecki - Schnellgedicht - Kritische Masse\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#website\"},\"datePublished\":\"2004-02-11T17:52:47+00:00\",\"dateModified\":\"2023-12-18T07:49:51+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2004\\\/02\\\/krzystof-penderecki-schnellgedicht\\\/#breadcrumb\"},\"inLanguage\":\"de\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2004\\\/02\\\/krzystof-penderecki-schnellgedicht\\\/\"]}]},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2004\\\/02\\\/krzystof-penderecki-schnellgedicht\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Startseite\",\"item\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"\u0085\",\"item\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/2005\\\/11\\\/content\\\/\"},{\"@type\":\"ListItem\",\"position\":3,\"name\":\"Krzystof Penderecki &#8211; Schnellgedicht\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#website\",\"url\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/\",\"name\":\"kritische masse\",\"description\":\"amt f\u00fcr vermassungsschutz\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/14c491f46504e7f6b79db161f76def1c\"},\"alternateName\":\"das logbuch der kritischen masse\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"de\"},{\"@type\":[\"Person\",\"Organization\"],\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/14c491f46504e7f6b79db161f76def1c\",\"name\":\"der huflaikhan\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-kritischmasse_man_512.jpg\",\"url\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-kritischmasse_man_512.jpg\",\"contentUrl\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-kritischmasse_man_512.jpg\",\"width\":512,\"height\":512,\"caption\":\"der huflaikhan\"},\"logo\":{\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/wp-content\\\/uploads\\\/2024\\\/01\\\/cropped-kritischmasse_man_512.jpg\"},\"description\":\"Betreiber der Kritischen Masse seit 1995. Seit 2023 Wiederaufnahme. Promotion mit einer Arbeit \u00fcber Adornos kompositorische und theoretische Auseinandersetzung mit der Zw\u00f6lftontechnik. Arbeit f\u00fcr den Bayerischen und den Mitteldeutschen Rundfunk als freier Autor und Regisseur \u2013 zumindest bis Ende 2015. Online-Redaktion f\u00fcr neue musikzeitung, Jazzzeitung und Oper &amp; Tanz. Ungl\u00fccklich, aber fast taub.\",\"sameAs\":[\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/\",\"https:\\\/\\\/www.facebook.com\\\/hufner\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/#\\\/schema\\\/person\\\/68ba534ff428038503fc5320a3c8f932\",\"name\":\"huflaikhan\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"de\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g\",\"caption\":\"huflaikhan\"},\"description\":\"Musikwissenschaftler, Ideologiekritiker seit 1964.\",\"sameAs\":[\"https:\\\/\\\/kritische-masse.de\"],\"url\":\"https:\\\/\\\/www.kritische-masse.de\\\/logbuch\\\/author\\\/huflaikhan\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Krzystof Penderecki - Schnellgedicht - Kritische Masse","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/","og_locale":"de_DE","og_type":"article","og_title":"Krzystof Penderecki - Schnellgedicht - Kritische Masse","og_description":"Penderecki Namen sind wie Schall und Rauch, seine Musik, die ists auch. &nbsp;","og_url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/","og_site_name":"Kritische Masse","article_publisher":"https:\/\/www.facebook.com\/hufner","article_published_time":"2004-02-11T17:52:47+00:00","article_modified_time":"2023-12-18T07:49:51+00:00","author":"huflaikhan","twitter_misc":{"Verfasst von":"huflaikhan"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/#article","isPartOf":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/"},"author":{"name":"huflaikhan","@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/68ba534ff428038503fc5320a3c8f932"},"headline":"Krzystof Penderecki &#8211; Schnellgedicht","datePublished":"2004-02-11T17:52:47+00:00","dateModified":"2023-12-18T07:49:51+00:00","mainEntityOfPage":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/"},"wordCount":17,"publisher":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/14c491f46504e7f6b79db161f76def1c"},"articleSection":["die Musik"],"inLanguage":"de"},{"@type":"WebPage","@id":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/","url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/","name":"Krzystof Penderecki - Schnellgedicht - Kritische Masse","isPartOf":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/#website"},"datePublished":"2004-02-11T17:52:47+00:00","dateModified":"2023-12-18T07:49:51+00:00","breadcrumb":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/#breadcrumb"},"inLanguage":"de","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/"]}]},{"@type":"BreadcrumbList","@id":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Startseite","item":"https:\/\/www.kritische-masse.de\/logbuch\/"},{"@type":"ListItem","position":2,"name":"\u0085","item":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/11\/content\/"},{"@type":"ListItem","position":3,"name":"Krzystof Penderecki &#8211; Schnellgedicht"}]},{"@type":"WebSite","@id":"https:\/\/www.kritische-masse.de\/logbuch\/#website","url":"https:\/\/www.kritische-masse.de\/logbuch\/","name":"kritische masse","description":"amt f\u00fcr vermassungsschutz","publisher":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/14c491f46504e7f6b79db161f76def1c"},"alternateName":"das logbuch der kritischen masse","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.kritische-masse.de\/logbuch\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"de"},{"@type":["Person","Organization"],"@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/14c491f46504e7f6b79db161f76def1c","name":"der huflaikhan","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/cropped-kritischmasse_man_512.jpg","url":"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/cropped-kritischmasse_man_512.jpg","contentUrl":"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/cropped-kritischmasse_man_512.jpg","width":512,"height":512,"caption":"der huflaikhan"},"logo":{"@id":"https:\/\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2024\/01\/cropped-kritischmasse_man_512.jpg"},"description":"Betreiber der Kritischen Masse seit 1995. Seit 2023 Wiederaufnahme. Promotion mit einer Arbeit \u00fcber Adornos kompositorische und theoretische Auseinandersetzung mit der Zw\u00f6lftontechnik. Arbeit f\u00fcr den Bayerischen und den Mitteldeutschen Rundfunk als freier Autor und Regisseur \u2013 zumindest bis Ende 2015. Online-Redaktion f\u00fcr neue musikzeitung, Jazzzeitung und Oper &amp; Tanz. Ungl\u00fccklich, aber fast taub.","sameAs":["https:\/\/www.kritische-masse.de\/logbuch\/","https:\/\/www.facebook.com\/hufner"]},{"@type":"Person","@id":"https:\/\/www.kritische-masse.de\/logbuch\/#\/schema\/person\/68ba534ff428038503fc5320a3c8f932","name":"huflaikhan","image":{"@type":"ImageObject","inLanguage":"de","@id":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&d=blank&r=g","caption":"huflaikhan"},"description":"Musikwissenschaftler, Ideologiekritiker seit 1964.","sameAs":["https:\/\/kritische-masse.de"],"url":"https:\/\/www.kritische-masse.de\/logbuch\/author\/huflaikhan\/"}]}},"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","categories_names":["die Musik"],"post_class":[["post-333","post","type-post","status-publish","format-standard","hentry","category-diemusik","entry"]],"author_avatar":["<img alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":1264,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/06\/siegfried-palm-ist-tot-cellist-lehrer-intendant-kulturpolitiker\/","url_meta":{"origin":333,"position":0},"title":"Siegfried Palm ist tot: Cellist, Lehrer, Intendant, Kulturpolitiker","author":"huflaikhan","date":"7. Juni 2005","format":false,"excerpt":"(nmz) Mit Siegfried Palm starb gestern in Frechen bei K\u00f6ln eine kulturelle Leit- und Vaterfigur der deutschen Musikszene des zwanzigsten Jahrhunderts. Als Interpret widmeten ihm die wichtigsten Komponisten der zeitgen\u00f6ssischen Musik Solowerke: Bernd Alois Zimmermann, Iannis Xenakis, Mauricio Kagel, Krzystof Penderecki, Wolfgang Rihm und viele andere. Palm hat sie lebendig\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1139,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/04\/penderecki-komponiert-ein-werk-zum-gedenken-papst-johannes-paul-ii\/","url_meta":{"origin":333,"position":1},"title":"Penderecki komponiert ein Werk zum Gedenken an Papst Johannes Paul II.","author":"huflaikhan","date":"12. April 2005","format":false,"excerpt":"In diesen Tagen nimmt die Welt Abschied von Papst Johannes Paul II. Der Komponist Krzysztof Penderecki tut dies auf seine ganz eigene Weise: Gleich nach der Todesmeldung hat er damit begonnen, einen weiteren Satz f\u00fcr sein Polnisches Requem zu komponieren und damit seinen Landsmann Karol Wojtyla zu ehren. Die beiden\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/04\/penderecki-komponiert-ein-werk-zum-gedenken-papst-johannes-paul-ii\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2371,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/02\/taktlos-119-schall-und-rauch\/","url_meta":{"origin":333,"position":2},"title":"taktlos 119: schall und rauch","author":"hufi","date":"5. Februar 2008","format":false,"excerpt":"Am letzten Sonntag wurde aus dem Studio 9 des Bayerischen Rundfunks eine neue Ausgabe von taktlos gesendet. Es ging um Schall und Rauch und \u00fcber das bayerische Rauchverbot und die Zukunft des Jazz und so weiter. Um all das ging es und um Gesundheit und Nichtraucher und um heroische Zeiten\u2026","rel":"","context":"Mit 2 Kommentaren","block_context":{"text":"Mit 2 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/2008\/02\/taktlos-119-schall-und-rauch\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2654,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/07\/die-bitterkeit-der-musikvermittlung\/","url_meta":{"origin":333,"position":3},"title":"Die Bitterkeit der Musikvermittlung","author":"huflaikhan","date":"3. Juli 2012","format":false,"excerpt":"Musikvermittlung ist kein Begriff der letzten Jahre. Es gibt ihn lange schon. Vollkommen unerwartet sicher bei Adorno in seiner Einleitung in die Musiksoziologie. Er hei\u00dft da einfach Vermittlung. Und er meint etwas anderes. Das war 60er. Anfang der 70er schaffen es bestimmte Musikprodukte h\u00f6her und weiter. In Potsdam habe ich\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Waldo de los rios. Symphonies","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/07\/waldo-de-los-rios.jpg?fit=400%2C372&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2260,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/08\/schall-und-rauch\/","url_meta":{"origin":333,"position":4},"title":"Schall und Rauch","author":"hufi","date":"10. August 2007","format":false,"excerpt":"Markus Hechtle, Karlsruhe, komponiert neue Musik. Das Filmteam von nmzmedia hat sich zu ihm aufgemacht, besucht und befragt dann auch. Zun\u00e4chst liest Hechtle Ausz\u00fcge aus seinem Text \u201eAushalten und Durchzittern von Zeit\", anschlie\u00dfend stellt er sich den Fragen Theo Gei\u00dflers. Ein ganz ein- und ausdruckvoller Film \u00fcber einen Komponisten, der\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2007\/08\/schall-und-rauch\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":429,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/musiker-im-fahrstuhl\/","url_meta":{"origin":333,"position":5},"title":"Musiker im Fahrstuhl","author":"huflaikhan","date":"6. Mai 2004","format":false,"excerpt":"So sieht ein Ensemble von Musikern aus, das sich im Fahrstuhl befindet. Gespielt haben sie bei taktlos 77 - neue musik f\u00fcr kinder - in der Hochschule f\u00fcr Musik und darstellende Kunst Stuttgart ein paar Werke hochbegabter Komponisten aus der Stuttgarter Musikschule. Die Kompositionen: Sehr sch\u00f6n und wirklich besser als\u2026","rel":"","context":"Mit 1 Kommentar","block_context":{"text":"Mit 1 Kommentar","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/05\/musiker-im-fahrstuhl\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=333"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/333\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=333"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=333"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}