{"id":333,"date":"2004-02-11T18:52:47","date_gmt":"2004-02-11T17:52:47","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/krzystof-penderecki-schnellgedicht\/"},"modified":"2023-12-18T08:49:51","modified_gmt":"2023-12-18T07:49:51","slug":"krzystof-penderecki-schnellgedicht","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/krzystof-penderecki-schnellgedicht\/","title":{"rendered":"Krzystof Penderecki &#8211; Schnellgedicht"},"content":{"rendered":"<div style=\"text-align: center;\"><b>Penderecki<\/b><\/p>\n<p> Namen sind wie Schall und Rauch,<br \/> seine Musik,<br \/> die ists auch.<\/div>\n<p>&nbsp;<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Krzystof%20Penderecki%20%E2%80%93%20Schnellgedicht 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Juni 2005","format":false,"excerpt":"(nmz) Mit Siegfried Palm starb gestern in Frechen bei K\u00f6ln eine kulturelle Leit- und Vaterfigur der deutschen Musikszene des zwanzigsten Jahrhunderts. Als Interpret widmeten ihm die wichtigsten Komponisten der zeitgen\u00f6ssischen Musik Solowerke: Bernd Alois Zimmermann, Iannis Xenakis, Mauricio Kagel, Krzystof Penderecki, Wolfgang Rihm und viele andere. Palm hat sie lebendig\u2026","rel":"","context":"\u00c4hnlicher Beitrag","block_context":{"text":"\u00c4hnlicher Beitrag","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2654,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2012\/07\/die-bitterkeit-der-musikvermittlung\/","url_meta":{"origin":333,"position":1},"title":"Die Bitterkeit der Musikvermittlung","author":"huflaikhan","date":"3. Juli 2012","format":false,"excerpt":"Musikvermittlung ist kein Begriff der letzten Jahre. Es gibt ihn lange schon. Vollkommen unerwartet sicher bei Adorno in seiner Einleitung in die Musiksoziologie. Er hei\u00dft da einfach Vermittlung. Und er meint etwas anderes. Das war 60er. Anfang der 70er schaffen es bestimmte Musikprodukte h\u00f6her und weiter. In Potsdam habe ich\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Waldo de los rios. Symphonies","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2012\/07\/waldo-de-los-rios.jpg?fit=400%2C372&ssl=1&resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1139,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/04\/penderecki-komponiert-ein-werk-zum-gedenken-papst-johannes-paul-ii\/","url_meta":{"origin":333,"position":2},"title":"Penderecki komponiert ein Werk zum Gedenken an Papst Johannes Paul II.","author":"huflaikhan","date":"12. 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