{"id":3331,"date":"2014-03-01T15:46:36","date_gmt":"2014-03-01T14:46:36","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/massenkultur-vorgef-hl-eines-nichtgef-hls\/"},"modified":"2023-12-18T11:26:00","modified_gmt":"2023-12-18T10:26:00","slug":"massenkultur-vorgef-hl-eines-nichtgef-hls","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/03\/massenkultur-vorgef-hl-eines-nichtgef-hls\/","title":{"rendered":"Massenkultur \u2013 Vorgef\u00fchl eines Nichtgef\u00fchls"},"content":{"rendered":"<p><strong>Ein Pl\u00e4doyer f\u00fcr das langweilige Bild<\/strong><\/p>\n<blockquote><p>\u201eMassenkultur ist ungeschminkte Schminke.\u201c<sup class=\"modern-footnotes-footnote \" data-mfn=\"1\" data-mfn-post-scope=\"0000000000003f550000000000000000_3331\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000003f550000000000000000_3331-1\">1<\/a><\/sup><span id=\"mfn-content-0000000000003f550000000000000000_3331-1\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"1\">Band 3: Dialektik der Aufkl\u00e4rung: Das Schema der Massenkultur. Theodor W. Adorno: Gesammelte Schriften, S. 1608 (vgl. GS 3, S. 317) <\/span><\/p><\/blockquote>\n<p>Da f\u00e4llt mir jetzt grad auch nichts mehr zu ein.<\/p>\n<blockquote><p>\u201eKitsch ist der Niederschlag entwerteter Formen und Floskeln in einer Formwelt, die ihrem Umkreis entr\u00fcckt ist. Was der Kunst von ehemals zugeh\u00f6rte und heute unternommen wird, rechnet zum Kitsch.\u201c<sup class=\"modern-footnotes-footnote \" data-mfn=\"2\" data-mfn-post-scope=\"0000000000003f550000000000000000_3331\"><a href=\"javascript:void(0)\"  role=\"button\" aria-pressed=\"false\" aria-describedby=\"mfn-content-0000000000003f550000000000000000_3331-2\">2<\/a><\/sup><span id=\"mfn-content-0000000000003f550000000000000000_3331-2\" role=\"tooltip\" class=\"modern-footnotes-footnote__note\" tabindex=\"0\" data-mfn=\"2\">Band 18: Musikalische Schriften V: Kitsch. Theodor W. Adorno: Gesammelte Schriften, S. 15628 (vgl. GS 18, S. 791)<\/span><\/p><\/blockquote>\n<p>Es ist der Ekel,\u00a0 der mir in letzter Zeit aus den \u201eperfektionierten\u201c Fotos entgegenspring: Tausendfach die Meerbilder mit Langzeitaufnahmen und mit ihrer hohen S\u00e4ttigung am Abend; die Aufnahmen von den einsamen und gleichwohl gesch\u00f6nten Menschen und so inszeniert, dass die Bilder br\u00fcchig werden m\u00fcssen und zum blo\u00dfen Kitsch, zum Vorgef\u00fchl eines Nichtgef\u00fchls werden. Optische Werke (Fotos) sind daf\u00fcr besonders anf\u00e4llig.<\/p>\n<p>Ich pl\u00e4diere daher f\u00fcr eine Abr\u00fcstung dieser hochgeladenen fotografischen Systeme. Ich pl\u00e4diere f\u00fcr das langweilige Bild, f\u00fcr das Bild ohne Witz, f\u00fcr das Bild, das einen nicht \u00fcberreden will und nicht einmal den Fotografen.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Massenkultur%20%E2%80%93%20Vorgef%C3%BChl%20eines%20Nichtgef%C3%BChls https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fmassenkultur-vorgef-hl-eines-nichtgef-hls%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Massenkultur%20%E2%80%93%20Vorgef%C3%BChl%20eines%20Nichtgef%C3%BChls https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fmassenkultur-vorgef-hl-eines-nichtgef-hls%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Theodor W. Adorno: Gesammelte Schriften, S. 1608 (vgl. GS 3, S. 317) <\/div><\/li><li><span>2<\/span><div>Band 18: Musikalische Schriften V: Kitsch. Theodor W. Adorno: Gesammelte Schriften, S. 15628 (vgl. GS 18, S. 791)<\/div><\/li><\/ul>","protected":false},"excerpt":{"rendered":"<p>Ein Pl\u00e4doyer f\u00fcr das langweilige Bild \u201eMassenkultur ist ungeschminkte Schminke.\u201c Da f\u00e4llt mir jetzt grad auch nichts mehr zu ein. \u201eKitsch ist der Niederschlag entwerteter Formen und Floskeln in einer Formwelt, die ihrem Umkreis entr\u00fcckt ist. Was der Kunst von ehemals zugeh\u00f6rte und heute unternommen wird, rechnet zum Kitsch.\u201c Es ist der Ekel,\u00a0 der mir [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Massenkultur%20%E2%80%93%20Vorgef%C3%BChl%20eines%20Nichtgef%C3%BChls https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fmassenkultur-vorgef-hl-eines-nichtgef-hls%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":8418,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/03\/ein-plaedoyer-fuer-das-langweilige-bild\/","url_meta":{"origin":3331,"position":0},"title":"Ein Pl\u00e4doyer f\u00fcr das langweilige Bild","author":"der huflaikhan","date":"1. M\u00e4rz 2014","format":false,"excerpt":"\u201eMassenkultur ist ungeschminkte Schminke.\u201c Da f\u00e4llt mir jetzt grad auch nichts mehr zu ein. \u201eKitsch ist der Niederschlag entwerteter Formen und Floskeln in einer Formwelt, die ihrem Umkreis entr\u00fcckt ist. Was der Kunst von ehemals zugeh\u00f6rte und heute unternommen wird, rechnet zum Kitsch.\u201c Es ist der Ekel,\u00a0 der mir in\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kunst\/"},"img":{"alt_text":"Gerichtsmedizin. 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Diese Paradoxie w\u00e4re zu entfalten: da\u00df sie Schaden nehme, wenn sie geplant und verwaltet wird; da\u00df aber, wenn sie sich selbst \u00fcberlassen bleibt, alles Kulturelle nicht nur die M\u00f6glichkeit der Wirkung, sondern die Existenz zu verlieren droht.\u201c\u2026","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"Selfie als Steuermann. 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Dezember 2014","format":false,"excerpt":"\u201eLeicht verb\u00fcnden die von sozialem Druck Deformierten sich mit der Gewalt, die sie zurichtete. Sie halten sich schadlos f\u00fcr den gesellschaftlichen Zwang, der ihnen selbst widerfuhr: an denen, die ihn offenbar zur Schau tragen.\u201c","rel":"","context":"In &quot;Zettelkasten&quot;","block_context":{"text":"Zettelkasten","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/zettelkasten\/"},"img":{"alt_text":"Uhrzeit. Foto: Hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/12\/uhr.jpg?fit=900%2C660&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/12\/uhr.jpg?fit=900%2C660&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/12\/uhr.jpg?fit=900%2C660&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2014\/12\/uhr.jpg?fit=900%2C660&ssl=1&resize=700%2C400 2x"},"classes":[]},{"id":2620,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2009\/09\/vielfalt-durch-geschwaetzigkeit\/","url_meta":{"origin":3331,"position":3},"title":"Manifeste Geschw\u00e4tzigkeitsleere","author":"huflaikhan","date":"15. September 2009","format":false,"excerpt":"Seit je hat Aufkl\u00e4rung im umfassendsten Sinn fortschreitenden Denkens das Ziel verfolgt, von den Menschen die Furcht zu nehmen und sie als Herren einzusetzen. Aber die vollends aufgekl\u00e4rte Erde strahlt im Zeichen triumphalen Unheils. Seit je hat Aufkl\u00e4rung im umfassendsten Sinn fortschreitenden Denkens das Ziel verfolgt, von den Menschen die\u2026","rel":"","context":"In &quot;die Urteilskraft&quot;","block_context":{"text":"die Urteilskraft","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dieurteilskraft\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8750,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2018\/03\/kein-echo-aus-der-echokammer-der-musikindustrie-oder-ueber-die-deutsche-mehrheit\/","url_meta":{"origin":3331,"position":4},"title":"Kein ECHO aus der Echokammer der Musikindustrie. Oder: \u00dcber die deutsche Mehrheit","author":"der huflaikhan","date":"31. M\u00e4rz 2018","format":false,"excerpt":"Der Musikpreis der Musikindustrie, der Echo, der hat jetzt sogar eine eigene Seite mit Fragen und Antworten. Man ist bem\u00fcht um Aufkl\u00e4rung. Viele Frage werden in den sozialen Netzwerken ja auch immer wieder gestellt und da kann man bequemerweise nun auf strukturierte Antworten verweisen. Die Antworten sind durchaus heiter im\u2026","rel":"","context":"In &quot;die Musik&quot;","block_context":{"text":"die Musik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/diemusik\/"},"img":{"alt_text":"Erfolg ist relativ. 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