{"id":3337,"date":"2014-03-07T22:06:36","date_gmt":"2014-03-07T21:06:36","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/zettelkasten\/kritik-der-musik-ii-die-verwendung-von-musik\/"},"modified":"2023-12-18T11:21:04","modified_gmt":"2023-12-18T10:21:04","slug":"kritik-der-musik-ii-die-verwendung-von-musik","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/03\/kritik-der-musik-ii-die-verwendung-von-musik\/","title":{"rendered":"Kritik der Musik II &#8211; Die Verwendung von Musik"},"content":{"rendered":"<p>Soll das der neue Blockertext von YouTube sein:<\/p>\n<blockquote><p>\u201eDieses Video ist in Deutschland leider nicht verf\u00fcgbar, da es Musik enthalten k\u00f6nnte, \u00fcber deren Verwendung wir uns mit der Gema bisher nicht einigen konnten.\u201c<\/p><\/blockquote>\n<p>So gesehen \u00fcber die Website des <a href=\"http:\/\/www.focus.de\/digital\/musik-youtube-aendert-text-auf-video-sperrtafeln_id_3669987.html\" target=\"_blank\" rel=\"noopener\">Magazins Focus<\/a>.<\/p>\n<p>Ich verwende Musik ja gern zum Abschalten, muss ich jetzt da die GEMA fragen, oder YouTube. Ich glaube, solange die sich nicht geeinigt haben, darf man Musik \u00fcberhaupt nicht mehr verwenden. Denn es k\u00f6nnt ja gegen einen verwandt werden.<\/p>\n<p>YouTube, ein schlechter Verlierer. Aber nur, wenn das von Focus berichtete auch stimmt, was ja nicht so sehr wahrscheinlich sein muss, da es sich nicht um sogenannten Qualit\u00e4tsjournalismus handelt, sondern um den Focus.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kritik%20der%20Musik%20II%20%E2%80%93%20Die%20Verwendung%20von%20Musik https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fkritik-der-musik-ii-die-verwendung-von-musik%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Kritik%20der%20Musik%20II%20%E2%80%93%20Die%20Verwendung%20von%20Musik https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fkritik-der-musik-ii-die-verwendung-von-musik%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Ich verwende Musik ja gern zum Abschalten, muss ich jetzt da die GEMA fragen, [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Kritik%20der%20Musik%20II%20%E2%80%93%20Die%20Verwendung%20von%20Musik https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2014%2F03%2Fkritik-der-musik-ii-die-verwendung-von-musik%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 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alt='' src='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=96&#038;d=blank&#038;r=g' srcset='https:\/\/secure.gravatar.com\/avatar\/501e6823cd63847c2e8d3e53092cfbaf5f572cd136981466e10cf90502235bec?s=192&#038;d=blank&#038;r=g 2x' class='avatar avatar-96 photo' height='96' width='96' loading='lazy' decoding='async'\/>"],"featured_video":null,"jetpack-related-posts":[{"id":2993,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2011\/06\/youtube-vs-gema\/","url_meta":{"origin":3337,"position":0},"title":"YouTube vs. GEMA","author":"huflaikhan","date":"23. Juni 2011","format":false,"excerpt":"YouTube wei\u00df nicht so recht, was es will, wenn es jemanden anders ans Bein pinkeln will:Mal prangt:\u00a0\u201eLeider ist dieses Video, das Musik von UMG beinhaltet, in Deutschland nicht verf\u00fcgbar, da die GEMA die Verlagsrechte hieran nicht einger\u00e4umt hat.\u201cEin anderes mal: \u201eLeider ist dieses Video in Deutschland nicht verf\u00fcgbar, da es\u2026","rel":"","context":"In \"GEMA\"","block_context":{"text":"GEMA","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/gema\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8676,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2016\/07\/arbeitsplaetze-in-der-musikwelt-twittern-bei-der-gema\/","url_meta":{"origin":3337,"position":1},"title":"Berufe in der Musikwelt: Twitteraccountmanagerin bei der GEMA","author":"der huflaikhan","date":"14. Juli 2016","format":false,"excerpt":"Man k\u00f6nnte einfach den Gemeinplatz wiederholen \"Das Internet vergisst nicht(s)\" \u2013 der so wahr ist wie die inexistenten 404-Fehlerseiten. Richtiger ist vielmehr: \"Das Internet merkt (sich) nichts.\" Das ist die sogenannte Schwarmdemenz im Internet. Den Eindruck muss man jedenfalls bekommen, wenn man dem Twitteraccount der GEMA unter @gemadialog folgt und\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8556,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2015\/05\/die-sperrtafel-und-die-presse-youtube-vs-gema\/","url_meta":{"origin":3337,"position":2},"title":"Die Sperrtafel, die Presse und die Sklaverei des \u201edigitalen Zeitalters\u201c (YouTube vs. Gema)","author":"der huflaikhan","date":"20. Mai 2015","format":false,"excerpt":"Die Sache mit der Wahrheit in der Presseberichterstattung ist nicht immer so einfach. Seit Jahren ist ein Streit zur Lizenzierung von Musik zwischen der Gema und YouTube anh\u00e4ngig. Dabei spielten Sperrtafeln eine gro\u00dfe Rolle, die den meisten YouTube-Nutzern in Deutschland angezeigt wurden. Kurz gesagt waren sie derart, dass YouTube behauptete,\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8500,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2014\/10\/gema-bullshit-bingo-heute-die-terror-gema\/","url_meta":{"origin":3337,"position":3},"title":"GEMA \u2013 Bullshit-Bingo \u2013 Heute: Die Terror-GEMA","author":"der huflaikhan","date":"13. Oktober 2014","format":false,"excerpt":"Es ist ja sehr still geworden um die GEMA. Die Sache mit YouTube ist zwar nicht gekl\u00e4rt, liegt aber auf Eis. Das Ende der alten in die Irre f\u00fchrenden Sperrtafeln war l\u00e4ngst beschlossen. Und nun: Titeln einige Gazetten, die GEMA unterst\u00fctze die IS, also indirekt, nicht pers\u00f6nlich, denn der Rapper\u2026","rel":"","context":"In &quot;die Politik&quot;","block_context":{"text":"die Politik","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-politik\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8780,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2018\/07\/upload-filter-unheilige-allianzen-und-falsche-samariter-2\/","url_meta":{"origin":3337,"position":4},"title":"Upload-Filter, unheilige Allianzen und falsche Samariter","author":"der huflaikhan","date":"7. Juli 2018","format":false,"excerpt":"Die Geschichte des Urheberrechts ist eine Geschichte von Missverst\u00e4ndnissen. So m\u00f6chte man einen Werbespruch aus dem letzten Jahrhundert f\u00fcr Binden paraphrasieren, wenn man sich die Entscheidung \u00fcber einen Richtlinienentwurf zur Modernisierung des Urheberrechts, der letzte Woche im EU-Parlament keine Mehrheit gefunden hat, anschaut. Im Kern geht es dabei nur darum,\u2026","rel":"","context":"In &quot;das Netz&quot;","block_context":{"text":"das Netz","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/dasnetz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1328,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2005\/07\/dmv-unterstuetzt-das-vorgehen-der-gema-gegen-illegale-musikdownloads\/","url_meta":{"origin":3337,"position":5},"title":"DMV unterst\u00fctzt das Vorgehen der GEMA gegen illegale Musikdownloads","author":"huflaikhan","date":"20. Juli 2005","format":false,"excerpt":"Es gibt Musikverb\u00e4nde, die sind so dumm und ignorant, dass es einem wehtun k\u00f6nnte. Der \u201eDeutsche Musikverleger-Verband\u201c ist ein solcher. Weil er selbst ja kaum etwas auf die Beine gestellt bekommt, h\u00e4ngt er sich an seinen Obervater, die GEMA ran. Jetzt unterst\u00fctzt er die GEMA bei ihrem Vorhaben, Accessprovider zum\u2026","rel":"","context":"In \"DMV\"","block_context":{"text":"DMV","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/dmv\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3337","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=3337"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/3337\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media\/3338"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=3337"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=3337"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=3337"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}