{"id":334,"date":"2004-02-12T10:25:02","date_gmt":"2004-02-12T09:25:02","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/ursula-gaisa-31\/"},"modified":"2023-12-18T08:49:51","modified_gmt":"2023-12-18T07:49:51","slug":"ursula-gaisa-31","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/ursula-gaisa-31\/","title":{"rendered":"Ursula Gaisa 31 :)"},"content":{"rendered":"<p>Einunddrei\u00dfig wird sie,<br \/>\n<br \/>\ngescheit ist sie,<br \/>\n<br \/>\nlang leb&#8217; sie,<br \/>\n<br \/>\nich mag sie.<br \/><\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ursula%20Gaisa%2031%20%3A%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fursula-gaisa-31%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" 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sie.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Ursula%20Gaisa%2031%20%3A%29 https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fursula-gaisa-31%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 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Den Ausgang nahm es in der taz mit dem Kommentar von Niklaus Habl\u00fctzel, der die Forderungen der durch Anw\u00e4lte vertretenen Hamburger Stiftung zur F\u00f6rderung von Wissenschaft und Kultur als\u2026","rel":"","context":"Mit 3 Kommentaren","block_context":{"text":"Mit 3 Kommentaren","link":"https:\/\/www.kritische-masse.de\/logbuch\/adorno-und-das-urheberrecht\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":8513,"url":"https:\/\/www.kritische-masse.de\/logbuch\/sport-fuer-musikinstrumente\/","url_meta":{"origin":334,"position":2},"title":"Sport f\u00fcr Musikinstrumente \u2013 Scheitern als Leben","author":"der huflaikhan","date":"11. November 2014","format":false,"excerpt":"Matthias Kaul und Neele H\u00fclcker haben Spa\u00df mit Musikinstrumenten. Drei Studien. Man beachte vor allem den Ort der Inszenierung. Nur auf den ersten Blick m\u00f6gen die zum Beispiel bereitgestellten Leitern im Hintergrund wie zuf\u00e4llig angeordnet wirken. 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