{"id":343,"date":"2004-02-21T13:42:34","date_gmt":"2004-02-21T12:42:34","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/giant-steps\/"},"modified":"2023-12-18T08:49:51","modified_gmt":"2023-12-18T07:49:51","slug":"giant-steps","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/giant-steps\/","title":{"rendered":"Giant Steps"},"content":{"rendered":"<div class=\"shariff shariff-align-flex-start shariff-widget-align-flex-start\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Giant%20Steps https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F02%2Fgiant-steps%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Giant%20Steps https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2F2004%2F02%2Fgiant-steps%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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background-color:#3b5998; color:#3b5998\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#3b5998\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 18 32\"><path fill=\"#3b5998\" d=\"M17.1 0.2v4.7h-2.8q-1.5 0-2.1 0.6t-0.5 1.9v3.4h5.2l-0.7 5.3h-4.5v13.6h-5.5v-13.6h-4.5v-5.3h4.5v-3.9q0-3.3 1.9-5.2t5-1.8q2.6 0 4.1 0.2z\"\/><\/svg><\/span><span class=\"shariff-text\" style=\"color:#3b5998\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button info shariff-nocustomcolor\" style=\"background-color:#a8a8a8\"><a href=\"http:\/\/ct.de\/-2467514\" title=\"Weitere Informationen\" aria-label=\"Weitere Informationen\" role=\"button\" rel=\"noopener \" class=\"shariff-link\" style=\"; background-color:#999; color:#999\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#999\"><svg width=\"32px\" height=\"20px\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 11 32\"><path fill=\"#999\" d=\"M11.4 24v2.3q0 0.5-0.3 0.8t-0.8 0.4h-9.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h1.1v-6.8h-1.1q-0.5 0-0.8-0.4t-0.4-0.8v-2.3q0-0.5 0.4-0.8t0.8-0.4h6.8q0.5 0 0.8 0.4t0.4 0.8v10.3h1.1q0.5 0 0.8 0.4t0.3 0.8zM9.2 3.4v3.4q0 0.5-0.4 0.8t-0.8 0.4h-4.6q-0.4 0-0.8-0.4t-0.4-0.8v-3.4q0-0.4 0.4-0.8t0.8-0.4h4.6q0.5 0 0.8 0.4t0.4 0.8z\"\/><\/svg><\/span><\/a><\/li><\/ul><\/div><div class=\"rightbox\"><%image(20040221-giantstep.jpg|200|108|Giant Steps mit Stress)%><\/div>\n<p>hei\u00dft ein St\u00fcck von John Coltrane aus dem Jahr 1959. Michal Levy, ein israelischer Student, hat dazu ein kongenialen Film gemacht, den man sich auf einer Seite von <a href=\"http:\/\/www.illegal-art.org\/video\/index.html#giant\" target=\"_blank\" rel=\"noopener\">Illegal-Art<\/a> wegsaugen kann. 110 MB als MPEG2 f\u00fcr 2 Minuten und ein bisserl, die es aber in sich haben. Musik, visualisiert auf ganz faszinierende Weise. Leider ist das Ganze nicht so einfach zu bekommen, wie man denkt, denn die Copyright-Holder der Aufnahme Coltranes w\u00fcnschen es nicht, dass seine Musik hier verwendet werden kann. Dumm. Am Sichersten f\u00e4hrt man vielleicht, wenn man sich den Film selbst synchronisiert \ud83d\ude09 . Er ist fanatastisch und f\u00fcr Jazz-Liebhaber zwingend. Wer die alten Filme von Fischinger leiden konnte, der wird diesen sowieso besonders finden. 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Michal Levy, ein israelischer Student, hat dazu ein kongenialen Film gemacht, den man sich auf einer Seite von Illegal-Art wegsaugen kann. 110 MB als MPEG2 f\u00fcr 2 Minuten und ein bisserl, die es aber in sich haben. Musik, visualisiert auf ganz faszinierende Weise. 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This site is optimized with the Yoast SEO plugin v27.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Giant Steps - Kritische Masse<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/giant-steps\/\" \/>\n<meta property=\"og:locale\" content=\"de_DE\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Giant Steps - Kritische Masse\" \/>\n<meta property=\"og:description\" content=\"hei\u00dft ein St\u00fcck von John Coltrane aus dem Jahr 1959. Michal Levy, ein israelischer Student, hat dazu ein kongenialen Film gemacht, den man sich auf einer Seite von Illegal-Art wegsaugen kann. 110 MB als MPEG2 f\u00fcr 2 Minuten und ein bisserl, die es aber in sich haben. Musik, visualisiert auf ganz faszinierende Weise. 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Wer irgendwelche Computerwerbung im Fernsehen h\u00f6rt, der bekommt sicher, so wie ich, immer eine mentale Krise, wenn da zwischendrin dieses \"Intel Inside\"-Soundlogo und die Bild\/Animationsmarke dazu h\u00f6rt. [mp3j track=\"Soundlogo Intel Inside@Intel_Inside_coltrane.mp3\" flip=\"y\"] Ich habe mir das neulich in Dauerschleife angeh\u00f6rt bei irgend so einem\u2026","rel":"","context":"In &quot;die Kommunikation&quot;","block_context":{"text":"die Kommunikation","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/die-kommunikation\/"},"img":{"alt_text":"A Love Supreme. 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Die Musiksprache von Coltrane kleidet einen von innen her aus.","rel":"","context":"In &quot;Angriff auf \u2026&quot;","block_context":{"text":"Angriff auf \u2026","link":"https:\/\/www.kritische-masse.de\/logbuch\/category\/angriffauf\/"},"img":{"alt_text":"hochschule hanns eisler - aschenbecher 2008. foto: hufner","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=350%2C200 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=525%2C300 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=700%2C400 2x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2025\/04\/hochschule-hanns-eisler.jpg?fit=1200%2C900&ssl=1&resize=1050%2C600 3x"},"classes":[]},{"id":8817,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2020\/01\/kein-vermaechtnis-zum-rihm-film-von-victor-grandits\/","url_meta":{"origin":343,"position":4},"title":"Kein Verm\u00e4chtnis \u2013 Zum Rihm-Film von Victor Grandits","author":"der huflaikhan","date":"30. 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Foto: SWR","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/01\/2_Wolfgang_Rihm_Das_Vermaechtnis_swr-1024x622.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/01\/2_Wolfgang_Rihm_Das_Vermaechtnis_swr-1024x622.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/01\/2_Wolfgang_Rihm_Das_Vermaechtnis_swr-1024x622.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2020\/01\/2_Wolfgang_Rihm_Das_Vermaechtnis_swr-1024x622.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":347,"url":"https:\/\/www.kritische-masse.de\/logbuch\/2004\/02\/eric-dolphy-the-drive-bedrich-smetana-dalibor\/","url_meta":{"origin":343,"position":5},"title":"Eric Dolphy: The Drive \/\/ Bedrich Smetana: Dalibor","author":"huflaikhan","date":"22. Februar 2004","format":false,"excerpt":"Heute nach mehrfachem Besehen des Giant-Steps-Films auch wieder die Dolphy-Packung (The Complete Prestige Recordings) herausgeholt. CD 2, Take 1: \u201cThe Drive\u201d ganz \u00e4hnlich wie Coltranes Giant Steps, abfallende Akkordbrechungen. Nicht ganz so harmonisch kompliziert, daf\u00fcr im Chrous mit kontrapunktischen Elementen, chromatische Linie in den Nebenstimmen. Wirkt dadurch sofort sehr substanzhaltig\u2026","rel":"","context":"In \"Bedrich Smetana\"","block_context":{"text":"Bedrich Smetana","link":"https:\/\/www.kritische-masse.de\/logbuch\/tag\/bedrichsmetana\/"},"img":{"alt_text":"Altes Bild von 1992 - Aus dem Berlin Mix von Christian Marclay","src":"https:\/\/i0.wp.com\/www.kritische-masse.de\/logbuch\/wp-content\/uploads\/2004\/02\/20040222-taubesohr.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/343","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/comments?post=343"}],"version-history":[{"count":0,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/posts\/343\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/media?parent=343"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/categories?post=343"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.kritische-masse.de\/logbuch\/wp-json\/wp\/v2\/tags?post=343"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}