{"id":343,"date":"2004-02-21T13:42:34","date_gmt":"2004-02-21T12:42:34","guid":{"rendered":"https:\/\/www.kritische-masse.de\/wordpress\/blog\/giant-steps\/"},"modified":"2023-12-18T08:49:51","modified_gmt":"2023-12-18T07:49:51","slug":"giant-steps","status":"publish","type":"post","link":"https:\/\/www.kritische-masse.de\/logbuch\/giant-steps\/","title":{"rendered":"Giant Steps"},"content":{"rendered":"<div class=\"rightbox\"><%image(20040221-giantstep.jpg|200|108|Giant Steps mit Stress)%><\/div>\n<p>hei\u00dft ein St\u00fcck von John Coltrane aus dem Jahr 1959. Michal Levy, ein israelischer Student, hat dazu ein kongenialen Film gemacht, den man sich auf einer Seite von <a href=\"http:\/\/www.illegal-art.org\/video\/index.html#giant\" target=\"_blank\" rel=\"noopener\">Illegal-Art<\/a> wegsaugen kann. 110 MB als MPEG2 f\u00fcr 2 Minuten und ein bisserl, die es aber in sich haben. Musik, visualisiert auf ganz faszinierende Weise. Leider ist das Ganze nicht so einfach zu bekommen, wie man denkt, denn die Copyright-Holder der Aufnahme Coltranes w\u00fcnschen es nicht, dass seine Musik hier verwendet werden kann. Dumm. Am Sichersten f\u00e4hrt man vielleicht, wenn man sich den Film selbst synchronisiert \ud83d\ude09 . Er ist fanatastisch und f\u00fcr Jazz-Liebhaber zwingend. Wer die alten Filme von Fischinger leiden konnte, der wird diesen sowieso besonders finden. Sch\u00f6nsch\u00f6nsch\u00f6n.<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Giant%20Steps https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fgiant-steps%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" stop-color=\"#563ACC\"\/><\/linearGradient><\/defs><\/svg><\/span><span class=\"shariff-text\" style=\"color:#6364FF\">teilen<\/span>&nbsp;<\/a><\/li><li class=\"shariff-button bluesky shariff-nocustomcolor\" style=\"background-color:#84c4ff\"><a href=\"https:\/\/bsky.app\/intent\/compose?text=Giant%20Steps https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fgiant-steps%2F \" title=\"Bei Bluesky teilen\" aria-label=\"Bei Bluesky teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; 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Michal Levy, ein israelischer Student, hat dazu ein kongenialen Film gemacht, den man sich auf einer Seite von Illegal-Art wegsaugen kann. 110 MB als MPEG2 f\u00fcr 2 Minuten und ein bisserl, die es aber in sich haben. Musik, visualisiert auf ganz faszinierende Weise. Leider ist [&hellip;]<\/p>\n<div class=\"shariff\"><ul class=\"shariff-buttons theme-white orientation-horizontal buttonsize-small\"><li class=\"shariff-button mastodon shariff-nocustomcolor\" style=\"background-color:#563ACC\"><a href=\"https:\/\/s2f.kytta.dev\/?text=Giant%20Steps https%3A%2F%2Fwww.kritische-masse.de%2Flogbuch%2Fgiant-steps%2F\" title=\"Bei Mastodon teilen\" aria-label=\"Bei Mastodon teilen\" role=\"button\" rel=\"noopener nofollow\" class=\"shariff-link\" style=\"; background-color:#6364FF; color:#6364FF\" target=\"_blank\"><span class=\"shariff-icon\" style=\"fill:#6364FF\"><svg width=\"75\" height=\"79\" viewBox=\"0 0 75 79\" fill=\"none\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"><path d=\"M37.813-.025C32.462-.058 27.114.13 21.79.598c-8.544.621-17.214 5.58-20.203 13.931C-1.12 23.318.408 32.622.465 41.65c.375 7.316.943 14.78 3.392 21.73 4.365 9.465 14.781 14.537 24.782 15.385 7.64.698 15.761-.213 22.517-4.026a54.1 54.1 0 0 0 .01-6.232c-6.855 1.316-14.101 2.609-21.049 1.074-3.883-.88-6.876-4.237-7.25-8.215-1.53-3.988 3.78-.43 5.584-.883 9.048 1.224 18.282.776 27.303-.462 7.044-.837 14.26-4.788 16.65-11.833 2.263-6.135 1.215-12.79 1.698-19.177.06-3.84.09-7.692-.262-11.52C72.596 7.844 63.223.981 53.834.684a219.453 219.453 0 0 0-16.022-.71zm11.294 12.882c5.5-.067 10.801 4.143 11.67 9.653.338 1.48.471 3 .471 4.515v21.088h-8.357c-.07-7.588.153-15.182-.131-22.765-.587-4.368-7.04-5.747-9.672-2.397-2.422 3.04-1.47 7.155-1.67 10.735v6.392h-8.307c-.146-4.996.359-10.045-.404-15.002-1.108-4.218-7.809-5.565-10.094-1.666-1.685 3.046-.712 6.634-.976 9.936v14.767h-8.354c.109-8.165-.238-16.344.215-24.5.674-5.346 5.095-10.389 10.676-10.627 4.902-.739 10.103 2.038 12.053 6.631.375 1.435 1.76 1.932 1.994.084 1.844-3.704 5.501-6.739 9.785-6.771.367-.044.735-.068 1.101-.073z\"\/><defs><linearGradient id=\"paint0_linear_549_34\" x1=\"37.0692\" y1=\"0\" x2=\"37.0692\" y2=\"79\" gradientUnits=\"userSpaceOnUse\"><stop stop-color=\"#6364FF\"\/><stop offset=\"1\" 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Oktober 2014","format":false,"excerpt":"L\u00e4ngst ein Klassiker, kennt diese Animation von Michal Levy trotzdem wahrscheinlich nicht jeder. Muss man ja auch nicht. Der Film ist von 2002 und selten zu sehen (hier aus dem Cache bei Google in hoher Qualit\u00e4t). Denn bald nach Ver\u00f6ffentlichung gab es offenbar Probleme mit den Rechten an der Musik.\u2026","rel":"","context":"In &quot;die Kunst&quot;","block_context":{"text":"die Kunst","link":"https:\/\/www.kritische-masse.de\/logbuch\/thema\/angriffauf\/die-kunst\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":2946,"url":"https:\/\/www.kritische-masse.de\/logbuch\/recorded-hackensack\/","url_meta":{"origin":343,"position":1},"title":"Recorded in Hackensack","author":"huflaikhan","date":"25. 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August 2004","format":false,"excerpt":"1. Mai 1965, New York - Town Hall, Albert Ayler und ein paar Freunde machen eine Platte, etwas weniger als 21 Minuten lang: Bells. Mit von der Partie sein Bruder Don (tp), Charles Taylor (sax), Lewis Worrell (b) und Sonny Murray (dm). 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